Stefano
Arienti (Asola-Mantua, 1961) submits the most banal and common objects taken
from everyday reality - such as telephone books, comic strips, train schedules
- to a repetitive and almost maniacal process of manipulation. He thus transforms
them into sculptures that, while maintaining the fragile and perishable nature
of the medium utilized, reveal the artist’s interest in the implicit
communicative potential of images belonging to mass culture.
The point of departure for Chimica
Organica (Organic Chemistry) is an old university text, the pages of which
are then folded, glued, and finally clamped to form a long snake. Periodically
positioned in a different manner, depending on the exhibition space, this
anthropomorphic sculpture continually changes its shape to adapt itself to
its designated place, following an almost-Darwinian process.