On May 30th of 1968, during the press conference of the XIV Triennale di Milano several hundreds of artists, intellectuals and architecture professors from the Milan University storm the Triennale area and occupy it for the 10 days to come.

By the end of the occupation, this historical exhibition of 1960s critical avant-garde architecture is almost completely destroyed.

Arata Isozakis installation, certainly one of the most important works of the Triennale, has been reconstituted thanks to the support of Castello di Rivoli, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Fundação de Serralves, Porto and is now exhibited for the first time to the Italian public.