21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Jonathan Borofsky, "Running people at 2, 616, 216, 1979
Jimmie Durham, Self-portrait, 1986
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Peter Halley, The Acid Test, 1991-1992 and Jeff Koons, New Hoover convertibles, green, blue; New Hovver convertibles, green, blue; Double-decker, 1981-1987
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Jean-Michel Basquiat, "LNAPRK", 1982 and Keith Haring, Untitled, 1983-1984
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
David Hammmons, Untitled, 1992 and David Salle, Splinter man, 1982
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Robert Lobe, Facial Structure, 1986 and Leon Golub, White Squad V, 1984
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Robert Lobe, Facial Structure, 1986
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Ashley Bickerton, Stratified Landscape #1, 1989 and Elizabeth Murray, Children Meeting, 1978
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Alison Saar, Skin/Deep, 1993 and Chris Burden, America's Darker Moments, 1994
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Komar and Melamis, A Suite in Chrome Yellow. A Suicide in Bayonne, 1993
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
John Miller, Untitled, 1988
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Ellen Gallagher, Afro Monuntain, 1994
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Mike Kelley, More Love Hours Than Can Ever Be Repaid and The Wages of Sin, 1987
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Fred Tomaselli, Ocotillo Nocturne, 1993; Sherrie Levine, "La Fortune" (After Man Ray: 4), 1990 and Carroll Dunham, Pine Gap, 1985-1986
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Sol LeWitt, A six inch (15 cm) grid covering each of the four black walls. White lines to points on the grids. 1st wall: 24 lines from the center; 2nd wall: 12 lines from the midpoint of each of the sides; 3rd wall: 12 lines from each corner; 4th wall: 24 lines from the center, 12 lines from the midpoint of each of the sides, 12 lines from each corner, 1976 and Ellsworth Kelly, Atlantic, 1956
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Robert Colescott, The Three Grace: Art, Sex and Death, 1981 and Christian Schumann, Hoot, 1995
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Sue Williams, The Hose, 1994 and Jack Pierson, Will You Still Love Me Tomorrow, 1994
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Nicole Eisenmann, Lemonade Stand, 1994
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Diana Thater, Scarlet McCaw Crayons, 1995
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Jason Rhoades, Swedish Erotica and Fiero Parts, 1994
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Catherine Opie, Ron Athey, 1994
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Catherine Opie, Self-portrait, 1993
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Catherine Opie, Ron Athey, 1994 and Self-portrait, 1993
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Mark Morrisroe, I Dream of Jeannie (Stephen Tashjian's Head), 1983 and Sweet Raspberry/Spanish Madonna, 1986
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Mark Morrisroe, Figure Study: Artist Home, 1985; Allen Ruppersberg, Remainders: Novel, Sculpture, Film, 1991 and Mark Morrisroe, Jack with Parakeet and Watching Cats, 1980s
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Mark Morrisroe, Untitled (Self-Portrait with Broken Arm), 1985; David Ireland, Northwest #2, 1987 and Mark Morrisroe, Untitled (Self-Portrait Standing in the Shower), 1981
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Glenn Ligon, Untitled (I Am Not Tragically Colored), 1990
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Tony Oursler, Getaway #2, 1994
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Frank Stella, Gran Cairo, 1962 e Helen Frankenthaler, Flood, 1967
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Ellsworth Kelly, Atlantic, 1956 and Ad Reinhardt, Number 17, 1953
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Dennis Oppenheim, Lecture #1, 1976-1983
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Barnett Newman, Day One, 1951-1952 and Franz Kline, Dahlia, 1959
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Sol LeWitt, A six inch (15 cm) grid covering each of the four black walls. White lines to points on the grids. 1st wall: 24 lines from the center; 2nd wall: 12 lines from the midpoint of each of the sides; 3rd wall: 12 lines from each corner; 4th wall: 24 lines from the center, 12 lines from the midpoint of each of the sides, 12 lines from each corner, 1976 and Dennis Oppenheim, Lecture #1, 1976-1983
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Agnes Martin, Untitled #11, 1977 and Sol LeWitt, A six inch (15 cm) grid covering each of the four black walls. White lines to points on the grids. 1st wall: 24 lines from the center; 2nd wall: 12 lines from the midpoint of each of the sides; 3rd wall: 12 lines from each corner; 4th wall: 24 lines from the center, 12 lines from the midpoint of each of the sides, 12 lines from each corner, 1976
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Sol LeWitt, A six inch (15 cm) grid covering each of the four black walls. White lines to points on the grids. 1st wall: 24 lines from the center; 2nd wall: 12 lines from the midpoint of each of the sides; 3rd wall: 12 lines from each corner; 4th wall: 24 lines from the center, 12 lines from the midpoint of each of the sides, 12 lines from each corner, 1976; Carl Andre, Twenty-Ninth Copper Cardinal, 1975 and Lawrence Weiner, Here, There & Everywhere, 1989
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Lawrence Weiner, Here, There & Everywhere, 1989
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Charles Ray, Puzzle Bottle, 1995
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Jennifer Bertlett, Falcon Avenue, Seaside Walk, Dwight Street, Jarvis Street, Greene Street, 1976
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Lynda Benglis, Bravo 2, 1975-1976
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Nancy Graves, Cantileve, 1983; Martha Rosler, The Bowery in Two Inadequate Descriptive Systems, 1074-1975 and Susan Rothenberg, Holding the Floor, 1985
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Alice Aycock, Untitled (Shanty), 1978 and Joel Shapiro, Untitled (House on Field), 1975-1976
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
Nicholas Africano, Sprained Ankle, 1977
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
"Arte americana 1975-1995 dal Whitney Museum. Identità multiple", exhibition view
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
"Arte americana 1975-1995 dal Whitney Museum. Identità multiple", exhibition view
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino
"Arte americana 1975-1995 dal Whitney Museum. Identità multiple", exhibition view
21 October 1997 - 18 January 1998
Courtesy
Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino