BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Castello di Rivoli - ECPv6.16.2//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.castellodirivoli.org/en/ X-WR-CALDESC:Events for Castello di Rivoli REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20200329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20201025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210624T160000 DTEND;TZID=Europe/Rome:20210624T163000 DTSTAMP:20260610T152620 CREATED:20210603T095257Z LAST-MODIFIED:20251125T111655Z UID:105268-1624550400-1624552200@www.castellodirivoli.org SUMMARY:Patrizio Di Massimo in conversation with Leonardo Caffo DESCRIPTION:Castello di Rivoli Museo d’Arte Contemporanea\, in collaboration with the City of Rivoli\, unveils a new project by Patrizio Di Massimo (Jesi\, 1983) which is part of the new program of site-specific commissions for the public space of the risalita meccanizzata\, an automated escalator system originally designed to connect the historical city center to the piazzale by the Castello. Specific areas of the pathway\, closed since 2011\, have been reinstated and opened to the public to view the project and become an unprecedented exhibition space which can host new contemporarty artworks\, specifically commissioned by Castello di Rivoli and open to the public Thursday to Sunday\, 11:30am to 6:30pm. The first project is curated by Stella Bottai. \nOn Thursday June 24 at 4pm (CEST) in the Museum Theater\, the artist will participate in a conversation with Leonardo Caffo\, philosopher in residence at Castello di Rivoli. At 4:45pm and 6:45pm\, special guided tours of The Escalator Cycle with the artist and the curator will be taking place. Due to the current health emergency\, the Theatre and the guided visits have limited capacity. Please reserve your place in advance by phone +39 011 9565 213 or by email educa@castellodirivoli.org. URL:https://www.castellodirivoli.org/en/evento/patrizio-di-massimo-in-conversation-with-leonardo-caffo/ ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2021/06/Picture-1.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210624T180000 DTEND;TZID=Europe/Rome:20210624T190000 DTSTAMP:20260610T152620 CREATED:20210603T114437Z LAST-MODIFIED:20251125T111514Z UID:105270-1624557600-1624561200@www.castellodirivoli.org SUMMARY:Achille Bonito Oliva in conversation with Carolyn Christov-Bakargiev\, Andrea Viliani\, Marcella Beccaria and Leonardo Caffo DESCRIPTION:In the Museum Theater\, Achille Bonito Oliva will engage in conversation with Director Carolyn Christov-Bakargiev\, Head  and Curator of CRRI  Castello di Rivoli Research Institute Andrea Viliani\, Chief Curator and Curator of Collections Marcella Beccaria\, and Philosopher in Residence Leonardo Caffo. Due to the ongoing health emergency\, entry to the theater is by advance timed booking only. There will be a guided tour to the exhibition at 7 pm. Please reserve 011 9565 213 or educa@castellodirivoli.org URL:https://www.castellodirivoli.org/en/evento/achille-bonito-oliva-in-conversation-with-carolyn-christov-bakargiev-andrea-viliani-marcella-beccaria-and-leonardo-caffo/ ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2021/06/ABO-1.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20210717 DTEND;VALUE=DATE:20210719 DTSTAMP:20260610T152620 CREATED:20210705T150316Z LAST-MODIFIED:20251125T111231Z UID:105277-1626480000-1626652799@www.castellodirivoli.org SUMMARY:Supercondominio 3. A gathering of new contemporary art spaces in Italy DESCRIPTION:Saturday July 17\, 2021 \n3.45 – 6 pm / 6.30 – 9 pm Performative keynotes open to the public\, Castello di Rivoli Theater9 – 11 pm Closed-door assembly\, Manica Lunga\n00.00 – 8 am Participant sleep and dream\n8 – 9 am Conclusions \nParticipants:\nADA | Almanac | Altalena | BASTIONE | BRACE BRACE | CASTRO | Clima | Condylura |Cripta747 | Gelateria Sogni di Ghiaccio | Helicotrema | INCURVA | Instudio | Istituto Sicilia | LocaleDue | Montecristo project | MRZB | Museo Burel | Nationhood | P.I.A. | Progetto | ~salgemma | Siliqoon | Soyuz | Spazio Volta | SPETTRO | ~takecare | Toast Project Space \nSupercondominio 3 is curated by Giulia Colletti\, Treti Galaxie (Matteo Mottin & Ramona Ponzini) and Laura Lecce. \nFollowing the isolating experience of the lockdown\, Supercondominio – standing for a residential unit where several buildings have a few assets in common – becomes an image for an ecology of coexistence\, based on physical interpersonal relationships and on in-depth knowledge sharing. \nCastello di Rivoli Museo d’Arte Contemporanea has invited some of the most influential young Italian art spaces devoted to artistic production to the third edition of Supercondominio. Entitled Odorate Ginestre (Perfumed needle furze)\, in homage to the poet Giacomo Leopardi (Recanati\, 1798 – Naples\, 1837)\, who composed La Ginestra (The needle furze) in 1836. It is a weekend of art and reflection on interspecies habitats where animal\, vegetal\, fungal\, human\, and even artificial intelligences merge together. \nSupercondominio 3 takes its cue from a proposition drafted by curators Giulia Colletti\, Treti Galaxie (Matteo Mottin & Ramona Ponzini) and Laura Lecce: \n“The secret intoxication caused by the sublime category of catastrophe\, the obsession and perversion of ecological thinking\, the escapism to other planets\, and the constant desire for purification of places and living bodies\, are inextricably intertwined in our time\, affected as it is by climate change that is not only altering the physical environment where we live\, but also has consequences on our mind\, causing an unexpected sense of nostalgia for the places where we lived yet we perceive changed today. How can we embrace a different awareness of the environment? Can the behavior of Leopardi’s needle furze provide us with new perspectives on a rapidly changing future? How can we realign our temporality by riding the germ’s decay – as so vividly described by the poet Wole Soyinka (Abeokuta\, Nigeria\, 1934)? Finally\, is it possible to learn how to look at the sky with the same intensity with which a plant eats light\, as the poet Mariangela Gualtieri (Cesena\, 1951) suggests?” \nThe event will take place on Saturday July 17 and Sunday July 18 morning\, 2021. \nUndertaking a two-day-long collective investigation\, Supercondominio 3 invites the participating art spaces to immerse themselves in a retreat on the moraine hill of Rivoli in the Susa Valley\, in Piedmont. An exercise that recalls the Japanese practice of bathing in the woods. As Walt Whitman (West Hills\, 1819 – Camden\, 1892) suggests: bending down and linger to observe a blade of summer grass. \nIn the afternoon\, participants will share their research in the Theater of the Museum with the public. \nAs for the previous two editions – when Combo supported the initiative\, participants will sleep in tents. This year\, tents will be offered by Ferrino and C. S.p.A.\, set up in the Manica Lunga gardens. Founded in Turin in 1870\, Ferrino has specialized in the production of equipment (tents\, backpacks\, sleeping bags) and technical clothing for over 150 years alongside lovers of the outdoors. Sleeping under the stars will also be a chance to pay homage to artist Susan Hiller (Tallahassee\, 1940 – London\, 2019). Participants will re-activate the Dream Mapping experiment\, which Hiller carried out in the Hampshire region back in 1973. Each participant will write down their dreams in a notebook on the morning of July 18\, sharing their personal experience. The results of this reflection and the documentation of the event will be collected by the CRRI Research Institute of the Museum. \n\nBIOGRAPHIES \nADA (Rome\, 2017) www.ada-project.it\nADA is a contemporary art gallery founded by Carla Chiarchiaro in Rome back in 2017. Its program is dedicated to the promotion of young artists\, particularly Italian ones. The identity of ADA stems from reflections related to the role of art and artistic practice in the contemporary world and its activity of enhancement and support to young art\, aims to share a path of growth and research with artists represented and with their audience. In 2020\, the represented artists Benni Bosetto and Diego Gualandris were selected for the 17th edition of Quadriennale di Roma – FUORI. \n\nAlmanac (Turin / London\, 2013) www.almanacprojects.com\nAlmanac is a nonprofit space founded in 2013 with venues in London and Turin. Investigating the potential of cultural change through creative collaborations\, Almanac works with the aim of activating a dialogue by directing the understanding of recent artistic research towards new registers of thought. In 2014\, Almanac Inn opens in Turin a platform with a program of residences\, solo exhibitions\, a public program of events\, and the production of publications with the aim of supporting the work of the young artists invited and offering the public a knowledge of their practices. \n  \nAltalena (Milan\, 2017) www.altalena.cc\nAltalena is a research project active founded in 2017\, which organizes interdisciplinary activities with the aim of promoting and sharing while fostering exchanges among the participants (artists\, curators\, writers\, historians). Since its foundation\, Altalena has overcome the exhibition format in favor of shared spaces where intertwining different practices\, producing speculative imaginaries\, and preferring communitarianism. Altalena has organized two residencies\, a reading group and has published three artist’s books. In 2019\, it was featured in Teatrum Botanicum at the PAV\, Turin\, and was selected for School of Waters – MEDITERRANEA 19\, Biennial of Young Artists from Europe and the Mediterranean\, San Marino\, with the performance Manuport. \n  \nBASTIONE (Turin\, 2017) instagram.com/associazione_bastione/\nBASTIONE is a cultural association founded by 14 artists in Turin. It was born in 2017 as a collective within the spaces of the Bastione San Maurizio. In January 2021\, the association moved its headquarters to Villa Rey\, Turin. The group’s work mainly revolves around the contamination of identities\, working on the reactivation of spaces through actions of care and symbiosis. \n  \nBRACE BRACE (Milan\, 2019) www.bracebrace.space\nFounded in 2019 by the visual artists Francesca Finotti\, Cecilia Mentasti\, and Francesco Paleari\, BRACE BRACE is a place for meetings\, sharing\, and research in contemporary art. BRACE BRACE is both an exhibition space and a curatorial project with an artistic direction strongly marked by interdisciplinarity. BRACE BRACE has developed an unprecedented autonomy in the context of cultural spaces in Milan. Elisa Di Nofa (communication and digital strategy)\, Flavia Albu (curating assistance) and Simone Salvatore Melis (graphic design) actively collaborate on the project. \n  \nCASTRO (Rome\, 2018) www.castroprojects.it\nCASTRO is a space devoted to education and production of contemporary art. Each year\, it hosts up to 6 artists and 2 under-40 curators\, selected by an international jury. The program includes workshops\, round tables\, meetings\, and seminars on contemporary art dedicated to the public. CASTRO wants to enhance artistic potential of the city of Rome\, developing partnerships with craftsmen\, professionals\, galleries\, and institutions in the city. The aim is to activate horizontal learning\, a system where the public learns from artists and artists from other artists and from the public. \n  \nClima (Milan\, 2016) www.climagallery.com\nClima is a contemporary art gallery founded by Francesco Lecci in Milan\, in 2015. It supports and represents young artists including Valerio Nicolai\, Lisa Dalfino & Sacha Kanah\, Andrew Ross\, Jason Gomez\, Matteo Nasini. The headquarters in Milan is situated in the contemporary art district of Porta Venezia\, in an apartment allowing artists to deeply connect with the historical areas of the city. Clima also organizes off-site projects with different artists. In 2020\, represented artist Valerio Nicolai was selected for the 17th edition of Quadriennale di Roma – FUORI. \n  \nCondylura (Bologna\, 2021) www.condylura.com\nCondylura is a research platform on contemporary arts based in Bologna\, founded by Paolo Gabriotti and Davide Visintainer. It produces a homonymous publishing series\, collaborating with artists for monographic publications. The name Condylura pays homage to a mole\, with a star-shaped nose and unique sensitive abilities. \n  \nCripta747 (Turin\, 2008) www.cripta747.it\nCRIPTA747 is a nonprofit organization founded in Turin in 2008. It is a place of research\, exchange\, and production. Through exhibitions\, screenings\, and events\, CRIPTA747 investigates new forms and languages offering the public an authentic and unprecedented perspective on the arts. Since 2017\, it organizes two mobility programs: Fellowship\, supporting artists with a research grants and Studio\, a shared study program for production. \n  \nGelateria Sogni di Ghiaccio (Bologna\, 2016) www.gelateriasognidighiaccio.com\nGelateria Sogni di Ghiaccio is an artist-run-space founded and coordinated by the artists Filippo Marzocchi and Mattia Pajè. The aim is to broaden individual artistic practices while offering artistic direction and production of events. The space is both a studio and an exhibition venue. Marzocchi and Pajè have been coordinating the space since October 2016\, hosting twenty-one events including solo and group exhibitions\, sound and performative programs. Gelateria Sogni di Ghiaccio is a place for experimentation and freedom. \n  \nHelicotrema (Venice\, 2012) http://helicotrema.blauerhase.com/\nSince 2012\, Helicotrema has been a nonprofit platform for the dissemination of narrative and multidisciplinary sound works – such as radio plays\, audio-documentaries\, experimental poems\, soundscapes – presented through collective listening sessions. \n  \nINCURVA (Favignana\, 2016) www.incurva.org\nINCURVA is an association founded in 2016\, aiming to make Western Sicily a fertile ground for research on contemporary art\, reactivating its public spaces\, and stimulating dialogue with its local communities through a platform for residences\, talks\, and exhibitions. \n  \nInstudio (Milan\, 2015) www.in-studio.net\nInstudio is a platform devoted to material and immaterial\, theoretical and practical art in Italy. Conceived as a video archive\, Instudio aims to document the often-unknown environments surrounding the artists at work. Using the artists’ words themselves\, Instudio translates the private experience of visiting the studios into visual documentation. Founded in 2015 by Davide Daninos and Jacopo Menzani\, it is currently coordinated together with Elena D’Angelo. Lately\, Instudio has developed international collaborations with Italian artists abroad\, including Artuner (London)\, the Italian Cultural Institute in Tokyo\, and the Mudam Luxembourg Museum. \n  \nIstituto Sicilia (Catania\, 2021)\nIstituto Sicilia was founded in 2021 by Claudio Gulli\, Pietro Scammacca\, Leonardo Caffo and Renato Leotta. It is a plurality of institutes\, paradigms\, an assembly of thoughts converging in diversity. Sicily is conceived as a floating entity in the Mediterranean. The epistemologies through which the Institute’s research is conceived are those of Sicily itself. A continuous set of layered and complex nature and culture where voices and images\, writings and desires generate a space of art and nature intersection. Istituto Sicilia is conceived on three fundamental axes: observation/research\, protection/dissemination\, growth/technique. Istituto Sicilia is a plural and assemblage territory\, a physically widespread project and also a concrete proposal to rethink southern culture. \n  \nLocaleDue (Bologna\, 2013) www.localedue.it\nLocaleDue was born in 2013 in Bologna. It is an observatory of experimental artistic practices\, located in the Manifattura delle Arti. It produced over seventy projects with over three hundred artists and curators. Each season the modalities and intentions of the programming are renewed. LocaleDue is managed by the founder Fabio Farnè and by the curator Gabriele Tosi. \n  \nMontecristo project (Cagliari\, 2016) www.montecristoproject.tumblr.com/\nMontecristo is an artistic and curatorial project and an exhibition space on an island off Sardinia. It was founded in 2016 by Enrico Piras (Cagliari 1987) and Alessandro Sau (Cagliari 1981). \n  \nMRZB (Turin\, 2018) www.mrzb.info/lungosturalazio.html\nLungo Stura Lazio – on the northern outskirts of Turin – is where the MRZB collective has built their studio and exhibition space\, inside of a settlement made of illegal shacks and gardens. Conceiving architecture as a process in constant motion\, MRZB has created an unstable and changing environment-organism. In September 2020\, the collective presented an impromptu program of exhibitions and events\, with internal experiments and collaborations with artists\, writers\, curators and musicians. Each event is accompanied by the creation of a fanzine\, expanding and reflecting around specific forms and contexts. MRZB is Andrea Parenti\, Désirée Nakouzi De Monte\, Filippo Tocchi\, and Pietro Cortona. \n  \nMuseo Burel (Belluno\, 2019) www.burel.org\nMuseo Burel is the Museum of Contemporary Art of Belluno. Since 2019\, it has been directed by Daniela Zangrando. Its research focuses on the relationship between territorial communities and contemporary arts\, through the analysis of artistic language. Museo Burel has presented artists such as Luca De Leva\, Jan Fabre\, Francesco Fonassi\, Luca Francesconi\, Giovanni Giaretta\, Sohrab Hura\, Ragnar Kjartansson\, Diego Marcon\, Nathaniel Mellors\, Alberto Tadiello\, Mungo Thomson; museum curators and directors such as Shumon Basar\, Meriem Berrada\, Francesco Bonami\, Andrea Lissoni\, Luca Lo Pinto\, András Szántó; other figures include Tracy Chawhan\, Marta Collini\, Cesare Poppi\, Gianni Secco\, and Chiara Valerio. \n  \nNationhood (Turin\, 2018) www.nationhood.it\nNationhood is a studio founded by Achille Filipponi and Matteo Milaneschi\, generating new codes and languages in the field of cultural communication. It focuses on editorial design\, collaborating with international brands and cultural institutions\, including Fondazione Fiera Milano; Egyptian Museum\, Turin; MACBA\, Barcelona; Triennale Milano and Chicago Radio Archive. Its activity ranges from the magazines to the creative management of digital projects and curatorship. Nationhood is also active in the field of university research and has received international mentions for the art direction and editorial direction of ‘ARCHIVIO MAGAZINE’. \n  \nP.IA. (Lecce\, 2017) www.piastudio.org\nP.I.A. is a radical research and production space for visual artists and curators based in Lecce\, founded by Jonatah Manno and Valeria Raho. Its main activity is providing access to tools\, information\, technical\, and theoretical knowledge in the disciplines of contemporary arts while promoting opportunities for meetings between students and art professionals in the Mediterranean area. \n  \nProgetto (Lecce\, 2019) www.progettospace.com\nProgetto is a space dedicated to contemporary art curated by artist Jamie Sneider. It welcomes international artists\, supporting them through residences and exhibitions\, in open dialogue with the Apulian territory and its history. \n  \n~salgemma (Lecce\, 2020) www.apuliartcontemporary.com/it/salgemmamappa/\nSalgemma is a curatorial research and digital publishing project founded by Roberta Mansueto and Rosita Ronzini. Salgemma carries out a process of mapping and rewriting places\, with the aim of encouraging mobility and an independent exercise of reflection on a contemporary artistic and cultural geography based in Puglia. \n  \nSiliqoon (Milan\, 2014) www.siliqoon.com\nSiliqoon is an art project and artist-run agency\, founded in Milan in 2014. Through various initiatives\, including the ‘Labs’ residency program or the ‘Qway’digital editions\, they support artists in the conception and production of new works. As an agency they collaborate with a vast network of artists\, curators and professionals to provide client-specific communication solutions\, and creative projects for brands\, cultural institutions or individuals. \n  \nSoyuz (Chieti\, 2017) www.the-soyuz.org\nSoyuz was born in 2017 as an exhibition project in the studio of the artist Rashid Uri. In his four years of activity it has conducted a research program based on a curatorial approach with the aim of producing exhibitions that reflect our time. The space takes its name from the Russian spacecraft with which it metaphorically shares\, in addition to the narrow spaces\, the prerogative of the name itself “meeting” offering its activity to the territory in which it was born. \n  \nSpazio Volta (Bergamo\, 2020) www.spaziovolta.comFounded in 2020 by Edoardo De Cobelli\, Spazio Volta is a nonprofit exhibition space dedicated to culture and contemporary art in\nBergamo. Overlooking Piazza Mercato delle Scarpe\, the space hosts temporary projects and exhibitions in the lower room of the former church of San Rocco. Spazio Volta also includes a reading room that hosts an editorial initiative in collaboration with REPLICA\, and an off-site space dedicated to site-specific projects within two wall arches\, foundations of the Carmine Monastery in the upper city. The space promotes young Italian and international artists\, supporting the creation of new exhibitions and stimulating dialogue with a wider audience\, thanks to the visibility offered by the window and its geographical position. SPETTRO (Brescia\, 2018) www.spettro.infoCultural association\, concert hall\, club\, production studio\, center for research in the performing arts\, SPETTRO is an adventurous space for experimental culture and contemporary music in Brescia. Since December 2018 it has hosted more than ninety international artists\, establishing a strong autonomous network\, free from the logic of profit. In addition to live music\, SPETTRO produces workshops\, meetings and collaborations with other European musical and artistic realities and is the home of a web radio. \n  \n~takecare (Bari\, 2017) https://takecarecollective.tumblr.com\n~takecare is a multidisciplinary research collective\, a curatorial project and a periodic fanzine. It was born in 2017 with the self-publishing project\, a periodic zine that investigates the writing practice of international artists and curators. Starting from June 2018 ~takecare proposes a series of performative workshops –Writing experiments– dedicated to experimenting with different languages\, such as the musical improvisation workshop – conduction method – and the writing + stretching workout. ~takecare leads the reflection on a medical-philosophical-experimental dimension\, where the care activity activates processes of de-subjectivization\, emancipation and resistance\, proposing a research approach that aims at participatory actions in the simultaneous involvement of different disciplinary fields and of the languages of art. The creator and founder of the project is Roberta Mansueto (Bari\, 1988)\, independent curator and art historian. \n  \nToast Project Space (Florence\, 2019) https://www.manifatturatabacchi.com/live/toast-project-space-il-nuovo-spazio-darte-indipendente/\nToast Project Space\, is a place for reflection on the languages and practices of contemporary times\, a place for the exchange of experiences\, which bridges a gap between the public and the work of art\, through a militancy and constant regeneration of the dialectical exchange between the artist\, critics and audiences. It was born in the former porter’s lodge in the Manifattura Tabacchi in Florence\, from an idea of the artist Stefano Giuri. The project developed during the course of the Artist Residences promoted by Manifattura Tabacchi. \n  \n \nCastello di Rivoli would like to thank \n \nThe activities of the CRRI are supported by the Region Piemonte and the Fondazione Compagnia di San Paolo \n  URL:https://www.castellodirivoli.org/en/evento/supercondominio-3-a-gathering-of-new-contemporary-art-spaces-in-italy/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/07/PHOTO-2021-09-19-21-00-46.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210717T130000 DTEND;TZID=Europe/Rome:20210717T190000 DTSTAMP:20260610T152620 CREATED:20210713T110330Z LAST-MODIFIED:20251125T110808Z UID:105279-1626526800-1626548400@www.castellodirivoli.org SUMMARY:Magic Electric Bus DESCRIPTION:Magic Electric Bus\nArt\, Literature\, and Open air. The electric bus to Castello di Rivoli\nA program of Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Iveco\, Arriva\, and Enel X\, Libreria Internazionale Luxemburg\, Turin\, with the support of Faust\, Turin \nCastello di Rivoli Museo d’Arte Contemporanea presents Magic Electric Bus\, a proposal by Gianluigi Ricuperati/Faust. The project is coordinated by Roberta Aghemo\, with the curatorial assistance of Giulia Colletti. From July to December 2021\, once a month\, an arts program will take place on board an electric shuttle\, during the journey of approximately 45 minutes from Turin to Rivoli. Decorated by the artist Claudia Comte\, The Magic Electric Bus connects Turin to Rivoli and welcomes personalities and artists\, who will present special contents to the participating public. The first journey will take place on Saturday July 17 with three guests from Turin: the novelist Gianluigi Ricuperati; the artist Ramona Ponzini\, who will present a site-specific soundtrack; and the artist Guglielmo Castelli\, who will produce a collaborative work with the travelers. On the bus\, Castello di Rivoli Director Carolyn Christov-Bakargiev will introduce and moderate the program. \nMagic Electric Bus intends to create a dialogue between literature\, art\, and Museum exhibitions. Each journey will involve an author and an artist on the bus and also writers connected remotely. \nAs for the project Glass-nost – organized by Castello di Rivoli in 2020\, Magic Electric Bus takes its cue from the notion of transparency. The windows of the shuttle are an element that divides but at the same time offers an unexpected reading of the city of Turin and connection between art and life. \nCarolyn Christov-Bakargiev\, Director of the Castello di Rivoli\, states “In 1967 the Beatles released Magical Mystery Tour. Fifty years later\, at the crossroads of the ecological crisis and the digital revolution\, Castello di Rivoli presents Magic Electric Bus\, a program in collaboration with Iveco Bus\, Arriva\, and Enel X. Once a month\, the public will be able to hop on an electric bus from Turin to Rivoli\, and live an artistic and magical experience.” \n“An invitation to travel / to that country resembling you. With these words\, Baudelaire reminds us that movement is a fundamental condition of living creatures that avoid being still. Covering the distance between Turin and Rivoli\, our Magic Bus fosters a dialogue between authors\, artists\, and arts professionals. As a narrator and writer\, who loves to dialogue with artists and representatives of other fields”\, states Gianluigi Ricuperati\, “I cannot imagine any more suitable condition than an electric bus to invoke the necessary alliance of places that look so much alike.” \nOn Saturday July 17\, participants will meet at 12.30 pm at the Libreria Internazionale Luxemburg\, Via Cesare Battisti 7 in Turin\, and continue on foot towards Piazza Castello where the shuttle will depart. \nTo join the ride\, please purchase your ticket (€ 15) on www.castellodirivoli.org. \nGuest authors of the following journeys include Marco Belpoliti\, Stephanie LaCava\, Igiaba Scego\, Valentina Maini\, Chiara Valerio\, amongst others. Guest artists and arts professionals include Otobong Nkanga\, Marzia Migliora\, Agnieszka Kurant\, and Achille Bonito Oliva\, amongst others. \nCalendar \nSaturday July 17\, 2021\nGianluigi Ricuperati\, Ramona Ponzini\, and Guglielmo Castelli\n12.30 pm meeting at Libreria Internazionale Luxemburg\n1 pm departure from Piazza Castello\, Turin\n7 pm departure from Castello di Rivoli to Piazza Castello\, Turin\n7.45 pm arrival in Turin \nSaturday September 25\, 2021\nOtobong Nkanga and Achille Bonito Oliva\n1.30 pm meeting at Libreria Internazionale Luxemburg\n2 pm departure from Piazza Castello\, Turin\n6 pm departure from Castello di Rivoli to Piazza Castello\, Turin\n6.45 pm arrival in Turin \nSaturay October 23\, 2021\n1.30 pm meeting at Libreria Internazionale Luxemburg\n2 pm departure from Piazza Castello\, Turin\n6 pm departure from Castello di Rivoli to Piazza Castello\, Turin\n6.45 pm arrival in Turin \nSaturday November 6\, 2021\n1.30 pm meeting at Libreria Internazionale Luxemburg\n2 pm departure from Piazza Castello\, Turin\n6 pm departure from Castello di Rivoli to Piazza Castello\, Turin\n6.45 pm arrival in Turin \nSaturay December 11\, 2021\n1.30 pm meeting at Libreria Internazionale Luxemburg\n2 pm departure from Piazza Castello\, Turin\n6 pm departure from Castello di Rivoli to Piazza Castello\, Turin\n6.45 pm arrival in Turin \nBiographies \nGuglielmo Castelli (Turin\, 1987) lives and works in Turin. He questions the relationship between inner and external space\, in a close relationship with literature\, the world of theater\, and scenography. Solo shows include Goodmorning Bambino\, Kunstlerhaus Bethanien\, Berlin\, 2018; group exhibitions include FUORI\, XVII Quadriennale d’Arte\, Palazzo delle Esposizioni\, Rome\, 2020; Recto/Verso 2\, Fondation Louis Vuitton\, Paris\, 2018; International Biennial of Contemporary Art De Melle\, France\, 2018; Challenging Beauty. Insights into Italian Contemporary Art\, Parkview Museum\, Singapore\, 2018; Drawings\, Artissima\, Turin\, 2017. He is a Forbes 30 Under 30 Europe 2016 Honoree. \nRamona Ponzini (Piacenza\, 1979) lives and works in Turin. Her practice combines visual art and literature\, with noise and jazz impromptu experimentation. Ponzini follows a purely conceptual matrix\, crossing the idea of “editing” and “sampling” of elements encoded and reprocessed through the use of loop machines. \nGianluigi Ricuperati (Turin\, 1977) is a writer. He has been director of Domus Academy for five years and interdisciplinary curator of the cultural program of MIA Fair since 2015. His essays\, reportages\, and novels have been published by Rizzoli\, Bollati Boringhieri\, Minimum Fax\, Mondadori\, Feltrinelli\, and Gallimard. He collaborates with Italian and international magazines\, newspapers such as ‘Volume’\, ‘Domus’\, ‘Abitare’\, ‘Vogue’\, ‘Dazed & Confused’\, ‘La Repubblica’\, ‘Il Sole 24 Ore’\, ‘Flash Art’ and ‘032c’. He is the founder of Faust\, the first center for the resurrection of books and aggregator of creative communities in Turin. \nIn collaboration with \n \nWith further collaboration of URL:https://www.castellodirivoli.org/en/evento/magic-electric-bus/ ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2021/07/bus.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210717T150000 DTEND;TZID=Europe/Rome:20210717T153000 DTSTAMP:20260610T152620 CREATED:20210713T120845Z LAST-MODIFIED:20251125T110615Z UID:105281-1626534000-1626535800@www.castellodirivoli.org SUMMARY:Uýra Sodoma DESCRIPTION:Florestas que dormem sob o asfalto (Forests that sleep under the asphalt)\nSaturday July 17\, 2021\, 3 – 3.30 pm\nOutdoor Atrium\, Castello di Rivoli \nAs part of Espressioni. The Proposition\, a project investigating histories of art to expand the traditional canons of “expression” related to European artistic movements\, Saturday 17 July at 3 pm Castello di Rivoli Museo d’Arte Contemporanea presents the performance of the indigenous artist Emerson Uýra (Santarém\, Brazil\, 1991) entitled Florestas que dormem sob o asfalto (Forests that sleep under the asphalt\, 2021)\, in anticipation of the artist’s participation in the 34th Biennale of Sao Paulo (September 4 – December 5\, 2021). The artist intertwines the ancestral wisdom of the peoples of Brazil with the canonical scientific and biological knowledge of modernity\, evoking lost properties and memories relating to plants and the beings that inhabit them. Uýra Sodoma looks like a ‘walking tree’\, a hybrid entity whose appearance is constantly evolving\, just like nature. \nAfter being presented at the Kunstraum Innsbruck on 10 July 2021\, Florestas que dormem sob o asfalto becomes a moment where Uýra Sodoma embraces the specificity of the flora of the Susa Valley. “Under the view of worlds that insist on everything being straight\,” the artist states\, “the seed claims the right to make curves.” It has just arrived. It is sleeping and Uýra Sodoma wakes it\, drawing its shape on the stone of the Museum courtyard\, watering it to move the forest under the ground. According to the artist it is movement and metamorphosis the truly pulsating and potential spirit of all living beings. \nThe photographic documentation of the performance at the Castello di Rivoli will be presented on the occasion of Espressioni. The Epilogue\, which will open to the public on November 4\, 2021. \nBiography\n \n  \nEmerson Uýra (Santarém\, Brazil\, 1991) is a performer\, biologist and teacher from the Amazonian city of Santarém\, Brazil. He uses art as a tool to disclose the indigenous environment. Uýra has participated in various exhibitions such as Salão Arte Paraná\, VII edition of the EDP Prêmio at Instituto Tomie Ohtake\, Instituto Moreira Salle or Museu de Arte in Rio de Janeiro. Through the alter ego Uýra Sodoma\, the artist travels in the river communities of the region teaching and promoting the protection of the environment. Uýra Sodoma was born in 2016\, when the artist decides to expand his university research and seek new ways of acting to bring the debate on ecological conservation to the communities of Manaus and its surroundings. In biology lectures or in photographic performances\, in make-up and camouflage\, in texts and installations\, Uýra Sodoma talks speaks of the forest and with the forest. URL:https://www.castellodirivoli.org/en/evento/uyra-sodoma/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/07/Uýra-Sodoma-Foto-Selma-Carvalho-2018-Ensaio_Espírito-do-que-vive-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210924T180000 DTEND;TZID=Europe/Rome:20210924T190000 DTSTAMP:20260610T152620 CREATED:20210920T120342Z LAST-MODIFIED:20251125T110251Z UID:105291-1632506400-1632510000@www.castellodirivoli.org SUMMARY:Otobong Nkanga in conversation with Marcella Beccaria DESCRIPTION:On 24 September at 6 pm\, Castello di Rivoli hosts a conversation between the artist Otobong Nkanga and Chief Curator Marcella Beccaria on the occasion of the opening Of Cords Curling around Mountains\, a personal exhibition dedicated to the artist. \nThe exhibition is conceived as a large site-specific project\, designed for the galleries of the Castello. Designing an unprecedented landscape\, the installation includes large irregularly-shaped rugs inspired by minerals\, such as quartz and malachite\, whose healing properties have been known since ancient times. Long hand-woven cords will culminate in sculptural objects and elements\, both organic and handcrafted\, endowing the work with a performative and relational component. \nThe exhibition is part of a collaboration project with the Center National d’Art Contemporain in Villa Arson\, Nice which\, from June 12\, will present the first solo exhibition in France dedicated to the artist. \nThe conversation will also be live streamed on the Museum  YouTube channel. \nBUY YOUR TICKET\n For everyone’s health and safety\, capacity is limited and entry is by advance timed ticket only. Purchase your ticket now to attend the conversation. URL:https://www.castellodirivoli.org/en/evento/otobong-nkanga-in-conversation-with-marcella-beccaria/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/08/Colour-Carpet-detail-01A.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210924T190000 DTEND;TZID=Europe/Rome:20210924T193000 DTSTAMP:20260610T152620 CREATED:20210921T121015Z LAST-MODIFIED:20251125T110207Z UID:105294-1632510000-1632511800@www.castellodirivoli.org SUMMARY:Leonardo Caffo | A.B.O. THEATRON. Art or Life | Special Visit to the exhibition DESCRIPTION:On Friday 24 September at 7.00 pm\, philosopher Leonardo Caffo leads a special visit to the A.B.O. THEATRON. Art or Life in the context of his residence at the Castello di Rivoli. URL:https://www.castellodirivoli.org/en/evento/leonardo-caffo-a-b-o-theatron-art-or-life-special-visit-to-the-exhibition/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/09/Leonardo-Caffo-filosofo-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210925T140000 DTEND;TZID=Europe/Rome:20210925T200000 DTSTAMP:20260610T152620 CREATED:20210916T111249Z LAST-MODIFIED:20210916T111249Z UID:105286-1632578400-1632600000@www.castellodirivoli.org SUMMARY:Magic Electric Bus DESCRIPTION: URL:https://www.castellodirivoli.org/en/evento/magic-electric-bus-2/ CATEGORIES:performance ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/09/Bus.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20210925T150000 DTEND;TZID=Europe/Rome:20210926T200000 DTSTAMP:20260610T152620 CREATED:20210802T100649Z LAST-MODIFIED:20251125T105921Z UID:105284-1632582000-1632686400@www.castellodirivoli.org SUMMARY:Anne Imhof. SEX | The Performance DESCRIPTION:PERFORMANCE SEX\nCastello di Rivoli announces the performance SEX\, 2021\, by Anne Imhof will take place on Saturday 25 and Sunday 26 September as part of the exhibition Anne Imhof. SEX (until November 7\, 2021). PLEASE NOTE One of the acts of the performance will take place outside the Castello di Rivoli between 7 pm and 8 pm. It is open to the public who can attend for free. \nBUY THE TICKET\nIn consideration of the limited number of seats available\, in order to attend the performance it is necessary to make a reservation HERE \n  \nEXTRAORDINARY HOURS ON THE OCCASION OF PERFORMANCE\nThursday 23 September\, museum opening hours: 11-19\nThe exhibition Anne Imhof. SEX is closed. \nFriday 24 September\, museum opening hours: 11-17\nThe exhibition Anne Imhof. SEX is closed. \nSaturday 25 and Sunday 26 September Museum open from 11 to 19.\nThe exhibition Anne Imhof. SEX is closed. \nOn September 25 and 26 from 3 pm only those who have the ticket to the performance (€ 10) can have access to the exhibition Anne Imhof. SEX. \nNARCISSUS BY CARAVAGGIO WILL NOT BE VISIBLE ON SEPTEMBER 23\, 24\, 25 URL:https://www.castellodirivoli.org/en/evento/anne-imhof-sex-the-performance/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/08/11A0822-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211023T140000 DTEND;TZID=Europe/Rome:20211023T180000 DTSTAMP:20260610T152620 CREATED:20210916T111553Z LAST-MODIFIED:20251125T105817Z UID:105288-1634997600-1635012000@www.castellodirivoli.org SUMMARY:Magic Electric Bus Art\, Literature\, and Open air. The electric bus to Castello di Rivoli DESCRIPTION:Castello di Rivoli Museo d’Arte Contemporanea presents Magic Electric Bus\, a proposal by Gianluigi Ricuperati. The project is coordinated by Roberta Aghemo\, and curated by Giulia Colletti. \nAfter the first journey on September 25 and until December 2021\, once a month\, an arts program will take place on board an electric shuttle\, during the journey of approximately 40 minutes from Turin to Rivoli. For the occasion\, IVECO BUS will supply an IVECO E-WAY Full Electric\, a completely green vehicle with the latest generation of safety and power system. Decorated by artist Claudia Comte\, the Magic Electric Bus connects Turin to Rivoli and welcomes personalities and artists\, who will present special contents to the participating public. \nAfter the success of the maiden voyage\, Magic Electric Bus returns on Saturday October 23 with four guests from Turin: the novelist Gianluigi Ricuperati\, the authors Mario Capello and Marco Lupo\, and the artists Guglielmo Castelli and Alice Visentin. While the painter Guglielmo Castelli proposes a participatory project under the sign of the Surrealist-inspired Cadavre Exquis and the artist Alice Visentin creates a musical performance on board\, involving musicians from the Piedmontese Alpine valleys\, the author Mario Capello reads pages of Lovecraft’s book just published by Einaudi. The author Marco Lupo reads an excerpt from his novel “Hamburg. La sabbia del tempo scomparso”\, edito da Il Saggiatore. On the bus\, Castello di Rivoli Director Carolyn Christov-Bakargiev will introduce the program. \nMagic Electric Bus intends to create a dialogue between literature\, art\, and Museum exhibitions. Each journey will involve an author and almost an artist or a writer.\nThe project develops through the windows of the shuttle that are an element that divides but at the same time offers an unexpected reading of the city of Turin and connection between art and life. \nCarolyn Christov-Bakargiev\, Director of the Castello di Rivoli\, states “In 1967 the Beatles released Magical Mystery Tour. Fifty years later\, at the crossroads of the ecological crisis and the digital revolution\, Castello di Rivoli presents Magic Electric Bus\, a program in collaboration with IVECO BUS\, Arriva\, and Enel X. Once a month\, the public will be able to hop on an electric bus from Turin to Rivoli\, and live an artistic and magical experience.” \n“An invitation to travel / to that country resembling you. With these words\, Baudelaire reminds us that movement is a fundamental condition of living creatures that avoid being still. Covering the distance between Turin and Rivoli\, our Magic Bus fosters a dialogue between authors\, artists\, and arts professionals. As a narrator and writer\, who loves to dialogue with artists and representatives of other fields\,” states Gianluigi Ricuperati\, “I cannot imagine any more suitable condition than an electric bus to invoke the necessary alliance of places that look so much alike.” \nOn Saturday October 23\, participants will meet at 1.30 pm at the Libreria Internazionale Luxemburg\, Via Cesare Battisti 7 in Turin\, and continue on foot towards Piazza Castello where the shuttle will depart. \nTo join the ride\, please purchase your ticket (€ 15) on www.castellodirivoli.org \nGuest authors of the following journeys include Marco Belpoliti\, Igiaba Scego\, Chiara Valerio\, amongst others. Guest artists and arts professionals include Guglielmo Castelli\, Marzia Migliora and Agnieszka Kurant\, amongst others. \nCalendar\nSaturay October 23\, 2021\nMario Capello\, Guglielmo Castelli\, Gianluigi Ricuperati and Alice Visentin\n1.30 pm meeting at Libreria Internazionale Luxemburg\n2 pm departure from Piazza Castello\, Turin\n6 pm departure from Castello di Rivoli to Piazza Castello\, Turin\n6.45 pm arrival in Turin \nSaturday November 6\, 2021\n1.30 pm meeting at Libreria Internazionale Luxemburg\n2 pm departure from Piazza Castello\, Turin\n6 pm departure from Castello di Rivoli to Piazza Castello\, Turin\n6.45 pm arrival in Turin \nSaturay December 11\, 2021\n1.30 pm meeting at Libreria Internazionale Luxemburg\n2 pm departure from Piazza Castello\, Turin\n6 pm departure from Castello di Rivoli to Piazza Castello\, Turin\n6.45 pm arrival in Turin \nIn collaboration with \n \nWith further collaboration of \n \nBiographies\nMario Capello (Carmagnola\, 1976) lives in Turin and works for Einaudi Stile Libero. After graduating and two years at the Scuola Holden\, in 2009 he published his first novel\, I fuochi dell’86 (Eumeswil). In 2015 he published L’appartamento (Tunué)\, while his translation of Howard P. Lovecraft’s book The Notebooks of Randolph Carter (Einaudi) has just been released. \nGuglielmo Castelli (Turin\, 1987) lives and works in Turin. His iconographic universe questions the relationship between inner and outer space\, between bowels and environment\, in a close relationship with literature and the world of theatre and scenography\, from which he comes. Recent solo shows include Goodmorning Bambino\, Künstlerhaus Bethanien\, Berlin\, 2018\, while selected group exhibitions include Fuori\, XVII Quadriennale d’Arte\, Palazzo delle Esposizioni\, Rome\, 2020; Recto/Verso 2\, Foundation Louis Vuitton\, Paris\, 2018; Biennale Internazionale d’Art Contemporain de Melle\, Melle\, France\, 2018; Challenging Beauty. Insights into Italian Contemporary Art\, Parkview Museum\, Singapore\, 2018; Disegni\, Artissima\, Turin\, 2017. In 2016 he was mentioned in “30Under 30 Europe” by Forbes Magazine. \nGianluigi Ricuperati (Turin\, 1977) is a writer. He has been director of Domus Academy for five years and interdisciplinary curator of the cultural program of MIA Fair since 2015. His essays\, reportages\, and novels have been published by Rizzoli\, Bollati Boringhieri\, Minimum Fax\, Mondadori\, Feltrinelli\, and Gallimard. He collaborates with Italian and international magazines\, newspapers such as ‘Volume’\, ‘Domus’\, ‘Abitare’\, ‘Vogue’\, ‘Dazed & Confused’\, ‘La Repubblica’\, ‘Il Sole 24 Ore’\, ‘Flash Art’ and ‘032c’. He is the founder of Faust\, the first center for the resurrection of books and aggregator of creative communities in Turin. \nAlice Visentin (Ciriè\, 1993) lives and works in Turin where she studied painting at the Accademia Albertina. Among the places where hers works have recently been exhibited are the Palazzo delle Esposizioni in Rome and the Italian Cultural Institute in Paris. In 2019 she won the AccadeMibact award organized by the DGAAP and the Quadriennale Foundation. She participated in the Q-Rated Torino 2019 workshop organized by La Quadriennale di Roma. In 2017 she held her first solo show in the non-profit space TILE. URL:https://www.castellodirivoli.org/en/evento/magic-electric-bus-art-literature-and-open-air-the-electric-bus-to-castello-di-rivoli/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/09/Bus.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211103T180000 DTEND;TZID=Europe/Rome:20211103T190000 DTSTAMP:20260610T152620 CREATED:20211020T120442Z LAST-MODIFIED:20251125T104953Z UID:105300-1635962400-1635966000@www.castellodirivoli.org SUMMARY:Bracha L. Ettinger in conversation with Marcella Beccaria and Andrea Viliani DESCRIPTION:On November 3 at 6 pm\, Castello di Rivoli hosts a conversation between the artist Bracha Ettinger\, Chief Curator Marcella Beccaria\, and Head and Curator of CRRI Castello di Rivoli Research Institute Andrea Viliani on the occasion of the opening of Bracha L. Ettinger. Bracha’s Notebooks.  \nWithin the overall Museum program of Espressioni in 2021 – 2022\, Castello di Rivoli Research Institute (CRRI)\, in collaboration with the curatorial department of the Museum\, organizes the first solo exhibition in an Italian institution dedicated to Bracha L. Ettinger (Tel Aviv\, 1948) whose artistic practice intertwines with her work and research as a philosopher and psychoanalyst. \nBracha L. Ettinger’s practice has its roots in her autobiographical past\, in the history of her parents who survived the Holocaust; it explores the concepts of trauma\, oblivion\, the feminine and matrixial gaze\, of the space of the unconscious and of the transition from invisible to visible enlightening art’s capacity of “healing”. Her notebooks\, as her paintings\, are characterized by a dimension between the abstract and the figurative\, obtained through fine brushmarks and layers of color and shapes that create an atmosphere oscillating between darkness and light\, and invite viewers to immerse themselves in an intimate and spiritual dimension. \nThe exhibition presents a selection of 5 paintings and approximately 50 notebooks and used by the artist to annotate and trace her associations\, reflections\, and working notes\, joining together words and drawings. These notebooks are written in three languages (French\, English and Hebrew) and divided between listening notebooks and artist’s notebooks; they testify Bracha L. Ettinger’s dual activity and constitute a privileged point of view for understanding her practice and her thinking. Bracha L. Ettinger’s notebooks are displayed in a site-specific and unitary installation in the historical gallery of Castello di Rivoli called “Room of the Sleeping Putti” that used to be the King’s room and that was decorated in 1720. The vitrines\, where the notebooks are presented are in dialog with the frescoes of the ceiling\, creating an organic experience for the visitors who can move freely to see closely each notebook in a meditative atmosphere. \nOn the occasion of Bracha L. Ettinger’ solo exhibition\, Castello di Rivoli Research Institute (CRRI) will receive the exhibited notebooks from the artist\, and will start organizing their digitalization\, transcription and translation. At the end of the exhibition this material will remain available to worldwide scholars and researchers for consultation in the CRRI premises\, located within the Museum Library. \nThe exhibition is accompanied by a bilingual (English/Italian) publication with new essays by Carolyn Christov-Bakargiev\, Marcella Beccaria and Andrea Viliani including a selection of images from the artist’s notebooks. \nCastello di Rivoli CRRI’s activities are supported by \n  \nThe exhibition and catalog are supported by Artis\, New York; Richard Saltoun Gallery\, London; Braverman Gallery\, Tel Aviv; Ufficio Culturale Ambasciata di Israele\, Rome \n \nBiography \nBracha L. Ettinger (Tel Aviv\, 1948) lives and works between Paris and Tel Aviv. Solo exhibitions devoted to Ettinger have been presented by numerous international institutions\, including: Kochi-Muziris Biennale (2019); UB Anderson Gallery\, University at Buffalo (2018); Silesian Museum (Muzeum Śląskie)\, Katowice (2017); 14th Istanbul Biennial (2015); Museum of the City of St. Petersburg (2013); Musée des Beaux-Arts d’Angers (2011); Fundació Antoni Tàpies\, Barcelona (2010); Freud Museum\, London (2009); Museum of Contemporary Art Kiasma\, Helsinki (2006); Drawing Center\, New York (2001). Her work has been presented in numerous group museum exhibitions\, as at Villa Tamaris\, La Seyne-sur-Mer; Castello di Rivoli Museo d’Arte Contemporanea\, Rivoli-Turin; Museion\, Bolzano; Galleria d’Arte Moderna e Contemporanea\, Turin; Bonnier Konsthall\, Stockholm; MAS/KMSKA Museums\, Antwerp; National Center for Contemporary Art\, Museum of Modern Art\, Jewish Museum and Tolerance Center\, Moscow; Stedelijk Museum\, Amsterdam; Centre Pompidou\, Paris; National Museum for Women in the Arts\, Washington\, D.C.; Whitechapel Gallery\, London; Israel Museum\, Jerusalem; Tel Aviv Museum of Art. \nBracha L. Ettinger is the author of numerous articles and books on art\, psychoanalysis\, aesthetics\, and ethics including Regard et Espace-de-bord matrixial (La lettre volee\, 1999); The Matrixial Borderspace (essays from 1994-1999)\, (University of Minnesota Press\, 2006); And My Heart Wound-space (Istanbul Biennial\, 2015); Matrixial Subjectivity\, Aesthetics\, Ethics\, Vol 1\, edited by Griselda Pollock\, 1990-2000 (Palgrave Macmillan\, 2020); Matrixial Subjectivity\, Aesthetics\, Ethics\, Vol 2\, 2000-2010\, edited by Griselda Pollock\, (Palgrave Macmillan\, upcoming\, 2021). Her writings have been translated into French\, German\, Hebrew\, Polish and Spanish. Bracha L. Ettinger is Marcel Duchamp Chair and Professor of Psychoanalysis and Art at the European Graduate School / EGS. URL:https://www.castellodirivoli.org/en/evento/bracha-l-ettinger-in-conversation-with-marcella-beccaria-and-andrea-viliani/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/10/Picture-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211103T190000 DTEND;TZID=Europe/Rome:20211103T193000 DTSTAMP:20260610T152620 CREATED:20211019T072600Z LAST-MODIFIED:20251125T104822Z UID:105298-1635966000-1635967800@www.castellodirivoli.org SUMMARY:Ultra Bodies Ultra Species. A Conversation with Agnieszka Kurant\, Gea Politi\, Noam Segal\, and Marianna Vecellio DESCRIPTION:On November 3 at 7 pm\, Castello di Rivoli hosts a conversation between Agnieszka Kurant\, artist; Gea Politi\, Editor and Director of FlashArt; Noam Segal\, Curator; and Marianna Vecellio\, Curator of the Castello di Rivoli on the occasion of the inauguration of the exhibition “Agnieszka Kurant. Crowd Crystal” hosted by the Museum and the launch of FlashArt International 336 Fall 2021. URL:https://www.castellodirivoli.org/en/evento/ultra-bodies-ultra-species-a-conversation-with-agnieszka-kurant-gea-politi-noam-segal-and-marianna-vecellio/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/10/Picture-5.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211105T100000 DTEND;TZID=Europe/Rome:20211105T190000 DTSTAMP:20260610T152620 CREATED:20211018T125504Z LAST-MODIFIED:20251125T104638Z UID:105296-1636106400-1636138800@www.castellodirivoli.org SUMMARY:The Cerruti Collection Catalogue DESCRIPTION:On November 5\, 2021\, the Fondazione Francesco Federico Cerruti and the Castello di Rivoli Museo d’Arte Contemporanea present The Cerruti Collection Catalogue\, published by Umberto Allemandi Editore and edited by Carolyn Christov-Bakargiev.  This two volumes publication of over 1\,200 pages is the result of three-year long research project involving 89 Italian and international scholars. \nResearch for the Cerruti Collection general catalog began in 2017. It has involved numerous Italian and international scholars over three years\, who have contributed according to their specific fields of expertise. This has led to an extraordinary polyphony of views\, translating into multiple different standpoints well suited to the multifaceted nature of Francesco Federico Cerruti’s art collection. \nFrancesco Federico Cerruti (Genoa\, 1922 – Turin\, 2015) moved to Turin in 1923 where\, since late 1950s\, he expanded his father’s small binding business\, turning it into a success. \nFrom the 1960s until his death\, Francesco Federico Cerruti collected some 300 works of sculpture and painting\, ranging from the Middle Ages to today\, plus approximately 200 rare and ancient books\, and over 300 furnishings including carpets and desks by renowned cabinet makers. Cerruti assembled a primarily European collection – very strong in Italian art – that provides a journey into the history of art\, from furniture to historic art\, from the Renaissance to today. It is a private collection of immense quality\, like very few in Europe and the world\, including extraordinary works ranging from Bernardo Daddi\, Bergognone\, Pontormo\, Ribera and Batoni to Renoir\, Modigliani\, Kandinsky\, Giacometti\, Picasso\, Klee\, de Chirico\, Severini\, Boccioni\, Balla\, and Magritte\, as well as Bacon\, Burri\, Fontana\, Warhol\, De Dominicis\, and Paolini. \nThe Cerruti Collection Catalogue focuses on his unique collection\, which opened to the public in 2019. The first volume opens with a visual essay\, taking the reader on a journey through the rooms and garden of Villa Cerruti\, a few hundred meters away from Castello di Rivoli. This is followed by essays on the following themes: The Art Collection; The Manuscripts\, Books and Bindings; The Furnishings\, Carpets and Decorative Arts; The House Museum. This publication aims at understanding the artworks in the collection and their provenance as well as establishing a relationship between the collector and the building where he decided to house his treasures. Volume one of the catalog begins with a section on Manuscripts\, Books\, and Bindings. Volume one also includes entries for Painting\, Sculpture\, and Works on Paper from the 14th Century to the 19th Century. In volume two\, the Catalogue continues with Painting\, Sculpture\, and Works on Paper from the 20th Century\, Furniture and Furnishings\, Carpets and Other Textiles\, and Decorative Arts. In each section\, the works are chronologically presented except for the works by the same author\, which are grouped together starting with the oldest piece. Lastly\, the End Matter section comprises a biography of Cerruti and of the authors. \nAuthors of the catalog include: Vivian Endicott Barnett\, Independent art historian and curator\, author of four volumes of the Kandinsky catalogue raisonné; Marcella Beccaria\, Chief curator and collections curator\, Castello di Rivoli Museo d’Arte Contemporanea\, Rivoli-Turin; Fabio Belloni\, Associate Professor of Contemporary Art History\, Università degli Studi di Torino; Achille Bonito Oliva\, art critic who developed the theory of the Transavangardia\, giving rise to the eponymous artistic movement; Emily Braun\, Distinguished Professor\, Hunter College and the Graduate Center\, Cuny\, New York; Fabio Cafagna\, Art historian and catalog editor\, Cerruti Collection\, Castello di Rivoli Museo d’Arte Contemporanea\, Rivoli-Turin; Carolyn Christov-Bakargiev\, Director Castello di Rivoli Museo d’Arte Contemporanea and Fondazione Francesco Federico Cerruti per l’Arte\, Rivoli-Turin; Ester Coen\, Art historian\, expert in Futurism\, Metaphysics and international art from the avant-gardes to contemporary art; Andrea De Marchi\, Full Professor of Medieval Art History\, Università degli Studi di Firenze; Carlo Falciani\, Professor of Modern and Contemporary Art History\, Accademia di Belle Arti di Firenze; Flavio Fergonzi\, Full Professor of Contemporary Art History\, Scuola Normale Superiore di Pisa; Mirjam Foot\, DLitt\, FSA\, former Director of Collections and Preservation at the British Library\, London; Marie Kakinuma\, Art History Researcher\, Zentrum Paul Klee\, Bern; Veronica Peselmann\, Researcher and Lecturer\, University of Bielefeld\, Department for Art History and Historical Image Studies; Emilia Philippot\, Chief Curator and Curator of the Collections\, Musée National Picasso\, Paris; Salvatore Settis\, Emeritus Professor\, Scuola Normale Superiore di Pisa; Marco Vallora\, Journalist\, essayist and friend of Francesco Federico Cerruti; Claudio Zambianchi\, Full Professor of Contemporary Art History\, La Sapienza – Università di Roma\, among others. \nItalian and international authors of the catalog taking part in the Conference include: Vivian Endicott Barnett\, Emily Braun\, Giorgina Bertolino\, Virginia Bertone\, Andrea De Marchi\, Mirjam Foot\, Marie Kakinuma\, Veronica Peselmann\, Emilia Philippot\, Aurora Scotti\, Salvatore Settis\, Claudio Zambianchi\, among others. \nProgram. \nProgramma PUBBLICO ENG_Collezione Cerruti_Presentazione catalogo generale_05.11.2021_final2 URL:https://www.castellodirivoli.org/en/evento/the-cerruti-collection-catalogue/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/10/Catalogo-Cerruti.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20211120T110000 DTEND;TZID=Europe/Rome:20211121T180000 DTSTAMP:20260610T152620 CREATED:20211116T110254Z LAST-MODIFIED:20211116T110254Z UID:105310-1637406000-1637517600@www.castellodirivoli.org SUMMARY:SPLASH\, PUFF …SWAMP! Weekend’Arte per le famiglie a cura del Dipartimento Educazione Castello di Rivoli DESCRIPTION: URL:https://www.castellodirivoli.org/en/evento/splash-puff-swamp-weekendarte-per-le-famiglie-a-cura-del-dipartimento-educazione-castello-di-rivoli/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2021/11/IMG_3555-rit.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221008T180000 DTEND;TZID=Europe/Rome:20221008T190000 DTSTAMP:20260610T152620 CREATED:20221004T125657Z LAST-MODIFIED:20251125T104304Z UID:121367-1665252000-1665255600@www.castellodirivoli.org SUMMARY:David Coulson and African Rock Art Paintings. Between photography and archive DESCRIPTION:8 October 2022\, 6 pm\nTheater \nThe Castello di Rivoli Museum of Contemporary Art is pleased to host within the program of ESPRESSIONI CON FRAZIONI\, the conference by David Coulson (Paris\, 1948) photographer and writer expert in rock painting\, awarded in June 2022 by Her Majesty the Queen of the MBE (Member of the British Empire) honor. In 1996 Coulson founded with the English archaeologist and paleanthropologist Mary Leakey (London\, 1913 – Nairobi\, 1996) the organization TARA-Trust for African Rock Art in Nairobi with the aim of documenting the rock art present in the African continent. in safeguarding the sites most threatened by man and nature and in the dissemination and dissemination of knowledge about this heritage. \nTARA therefore intends to be a source of information and archiving of rock sites on the African continent by promoting and supporting the implementation of measures for their conservation. Since 1995 David Coulson has conducted over thirty explorations in regions of Africa such as Algeria\, the Tibesti and Ennedi mountain ranges in Chad\, Egypt\, Libya\, the Atlas Mountains in Morocco\, Namibia\, the Aïr Massif in Nigeria\, South Africa\, Zimbabwe\, and over twenty Sahara Desert expeditions. The selection of the photographs exhibited in Room 18\, as part of theESPRESSIONI CON FRAZIONI exhibition\, provides an example of the extensive archiving and study work carried out by him. David Coulson is the author of numerous publications including African Rock Art Paintings and Engravings on Stone\, 2001\, with Alec C. Campbell (Cheltenham\, 1932 – Gaborone\, 2012)\, and is called to lecture and exhibit his photographs in numerous international institutions. . He recently curated and coordinated the acquisition of 280\,000 TARA images for the British Museum in London which are now accessible as part of the Museum’s online collections. TARA works closely with the communities where rock art is located and with various national and international heritage bodies\, including UNESCO. His work has garnered the support and recognition of prestigious institutions such as the Ford Foundation\, the Andrew Mellon Foundation and the National Geographic Society. URL:https://www.castellodirivoli.org/en/evento/david-coulson-and-african-rock-art-paintings-between-photography-and-archive/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2022/10/Picture-1.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221102T180000 DTEND;TZID=Europe/Rome:20221102T190000 DTSTAMP:20260610T152620 CREATED:20221028T134828Z LAST-MODIFIED:20251125T103918Z UID:125356-1667412000-1667415600@www.castellodirivoli.org SUMMARY:In conversation with Olafur Eliasson DESCRIPTION:On the occasion of Olafur Eliasson: Orizzonti tremanti / Trembling horizons\, Marcella Beccaria engages in conversation with Olafur Eliasson\, taking their cue from the newly commissioned artworks and the artist’s long-lasting relationship with the Museum. \nThe conversation will be held in English.\nFree entrance\, subject to availability. \nBook now URL:https://www.castellodirivoli.org/en/evento/conversation-with-olafur-eliasson/ LOCATION:Castello di Rivoli Museo d’Arte Contemporanea ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2022/10/unnamed00.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221104T160000 DTEND;TZID=Europe/Rome:20221104T170000 DTSTAMP:20260610T152620 CREATED:20221028T100642Z LAST-MODIFIED:20251125T103539Z UID:125244-1667577600-1667581200@www.castellodirivoli.org SUMMARY:Cerruti Collection | Artissima 2022 DESCRIPTION:General catalog of Cerruti Collection curated by Carolyn Christov-Bakargiev with the editorial coordination of Fabio Cafagna and published by Umberto Allemandi Editore \nArtissima Book Corner\nPresentation of the general catalog of the Cerruti Collection published by Umberto Allemandi Editore with Carolyn Christov-Bakargiev and Fabio Cafagna. The catalog offers an analysis of the collection of Francesco Federico Cerruti in long-term loan to Castello di Rivoli. \nThe meeting will be held in Italian. \n  URL:https://www.castellodirivoli.org/en/evento/artissima-presentation-of-the-general-catalog-of-the-cerruti-collection/ LOCATION:Artissima CATEGORIES:Dipartimento Curatoriale ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2022/10/unnamed01.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221106T133000 DTEND;TZID=Europe/Rome:20221106T143000 DTSTAMP:20260610T152620 CREATED:20221028T100932Z LAST-MODIFIED:20251125T103402Z UID:125346-1667741400-1667745000@www.castellodirivoli.org SUMMARY:Castello | Artissima 2022 DESCRIPTION:Olafur Eliasson: Orizzonti tremanti / Trembling horizons and the upcoming exhibitions at Castello di Rivoli\nArtissima Meeting Point\nMarcella Beccaria presents the exhibition Olafur Eliasson: Orizzonti tremanti / Trembling horizons. She will deepen the themes related to perception\, the production of reality and the responsibility towards the planet that hosts us at the base of the artist’s work.\nMarianna Vecellio introduces Art and War. ESPRESSIONI. L’EPILOGO\, the last chapter of a multi-year program of exhibitions and research started in 2020 with Espressioni. The Proposition continued with Espressioni con Frazioni in 2022. Vecellio will present the new installations by the artists Rahraw Omarzad (Kabul\, 1964) and Nikita Kadan (Kiev\, 1982) deepening the expressions of human subjectivity born in contexts of war. \nThe meeting will be held in Italian. URL:https://www.castellodirivoli.org/en/evento/artissima-marcella-beccaria-marianna-vecellio-olafur-eliasson-trembling-horizons-and-the-upcoming-exhibitions-at-castello-di-rivoli/ LOCATION:Artissima ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2022/10/beccaria.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221113T120000 DTEND;TZID=Europe/Rome:20221113T130000 DTSTAMP:20260610T152620 CREATED:20221029T090042Z LAST-MODIFIED:20251125T102722Z UID:125543-1668340800-1668344400@www.castellodirivoli.org SUMMARY:Omnipresence of the screen and re-engagement with the sensitive DESCRIPTION: Carolyn Christov-Bakargiev in conversation with Eric Sadin\nOn the occasion of his participation in the Biennale Tecnologia on November 12\, 6 pm (Aula Magna “Giovanni Agnelli” Politecnico di Torino)\, on November 13\, 12 pm Castello di Rivoli organizes a conversation between Carolyn Christov-Bakargiev and Eric Sadin\, one of the most influential philosophers who reflects on the effects of the digital revolution\, on the relationship between confinement\, isolation and the increase in the use of the digital\, and on the society we are facing. Christov-Bakargiev and Sadin will jointly investigate the consequences of the transformation of the world into Metaverse. \nThe conversation will be held in French and English.\nFree entrance with the Museum ticket\, subject to availability. \nPurchase now URL:https://www.castellodirivoli.org/en/evento/omnipresence-of-the-screen-and-re-engagement-with-the-sensitive/ LOCATION:Castello di Rivoli\, P.zza Mafalda di Savoia\, Rivoli\, Torino\, 10098\, Italia ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2022/10/Screenshot-2022-11-09-at-08.45.12.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221115T130000 DTEND;TZID=Europe/Rome:20230131T140000 DTSTAMP:20260610T152620 CREATED:20221031T112726Z LAST-MODIFIED:20251125T102322Z UID:125692-1668517200-1675173600@www.castellodirivoli.org SUMMARY:Lunch Talks | GDI Torino DESCRIPTION:Talking about Art. Great artists\, great exhibitions\, great themes\nA program by Castello di Rivoli at Gallerie d’Italia\, Torino\nArena\, Gallerie d’Italia \nGallerie d’Italia\, Turin\, hosts a program of talks by Carolyn Christov-Bakargiev\, Marcella Beccaria\, and Marianna Vecellio. Accompanying the public on a journey into art\, the program proposes a new form of “lunch break” to discover contemporary art\, enjoy a light lunch by Costardi Bros\, and visit the exhibitions at Gallerie d’Italia\, Turin. \n15.11.2022 (13:00-14:00)\nCarolyn Christov-Bakargiev\, Digital Art\nThe talk focuses on digital art\, from the technological works of the 1960s (the “media art”) to the recent immersive digital works and NFTs. \n22.11.2022 (13:00-14:00)\nMarcella Beccaria\, Amalfi 68. Arte povera più azioni povere\nThe talk presents Arte povera più azioni povere\, an experimental exhibition in Amalfi in 1968\, which presented for the first time works\, actions and performances by artists changing the history of contemporary art. \n29.11.2022 (13:00-14:00)\nMarianna Vecellio\, Post Human 1992. The society of simulacra\nThe talk presents Post Human and works by postmodern artists featured in this exhibition\, such as Jeff Koons\, Matthew Barney\, and Cindy Sherman. They expresses the sense of a society where the human is replaced in the collective imagination by consumer goods. \n06.12.2022 (13:00-14:00)\nMarianna Vecellio\, Ecology and contemporary art\nThe Lunch Talk narrates the change of perspective in art dictated by the climate crisis by examining new alliances between life forms through the ecological practices of artists such as Joseph Beuys\, Giuseppe Penone\, Claire Pentecost\, Michael Rakowitz\, Rossella Biscotti and Tabita Rezaire. \n13.12.2022 (13:00-14:00)\nCarolyn Christov-Bakargiev\, dOCUMENTA(13)  2012 Kassel \nThe Lunch Talk explores the most fascinating themes and works of contemporary artists who have participated in one of the most successful exhibitions of our century. With nearly one million visitors in 100 days\, dOCUMENTA (13) has radically changed the world of art. \n10.01.2023 (13:00-14:00)\nMarcella Beccaria\, The Art of Performance. Backstage notes\nThe Lunch Talk reveals the background of major exhibition projects at Castello di Rivoli focused on Performance Art\, from the great retrospective on Vanessa Beecroft in 2003 to the exhibition of Anne Imhof in 2021\, the undisputed protagonist and cult figure of contemporary culture\, deepening its most controversial aspects. \n17.01.2023 (13:00-14:00)\nCarolyn Christov-Bakargiev\, William Kentridge \nThe Lunch Talk tells the story and secrets of the South African artist who is one of the most important in the world. Through his art\, Kentridge has helped to overcome Apartheid and to change our point of view on the relationship between the north and south of the world. \n24.01.2023 (13:00-14:00) \nMarianna Vecellio\, Anna Boghiguian \nThe Lunch Talk tells the story of one of the most original characters of our days: the Egyptian-Canadian artist of Armenian origins Anna Boghiguian\, known for her numerous travels\, who through expressionist drawings traces the history of humanity in globalization offering a glimpse poetic about life. \n31.01.2023 (13:00-14:00) \nMarcella Beccaria\, Olafur Eliasson \nThe Lunch Talk examines the artistic path of Olafur Eliasson\, one of the greatest protagonists of art today\, deepening his visionary installations currently exhibited at Castello di Rivoli. Defined by him as “machines to see oneself to see”\, Eliasson’s works can make us understand the nature and reality that surround us in unexpected ways. \nReservations up to 5 days prior the date: torino@gallerieditalia.com or 800 167 619 \nThe cost is € 22\, including a lunch box by Costardi Bros and the entrance ticket. URL:https://www.castellodirivoli.org/en/evento/lunch-talks-gdi-torino/ LOCATION:Gallerie d’Italia\, P.za S. Carlo\, 156\, Torino\, Italia\, 10121\, Italia ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2022/10/Screenshot-2022-11-08-at-19.59.44.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20221126T210000 DTEND;TZID=Europe/Rome:20221126T220000 DTSTAMP:20260610T152620 CREATED:20221031T121214Z LAST-MODIFIED:20251125T101935Z UID:125694-1669496400-1669500000@www.castellodirivoli.org SUMMARY:Musiche dal Mondo DESCRIPTION:Ciclo Musiche dal Mondo\nDuo Moreno – Capelli\nFor the World Music Cycle as part of the Live SCENE dal Vivo\, the piano duo Hector Moreno – Norberto Capelli returns to the stage with an exceptional program and music by Schubert\, Liszt\, De Fall\, Ginastera as well as a heartfelt tribute to Astor Piazzolla on the thirtieth anniversary of his death \nInfo: rivolimusica@istitutomusicalerivoli.it URL:https://www.castellodirivoli.org/en/evento/musiche-dal-mondo/ ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2022/10/Screenshot-2022-10-31-at-13.11.31.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230314T180000 DTEND;TZID=Europe/Rome:20230314T200000 DTSTAMP:20260610T152620 CREATED:20230309T162838Z LAST-MODIFIED:20251125T101750Z UID:129431-1678816800-1678824000@www.castellodirivoli.org SUMMARY:NOUVEAUX PHONOGRAMMES DESCRIPTION:Founded in 2022\, Paint It Black sets out as an independent publishing house dedicated to the arts and a curated bookstore based in Turin\, intended to become a space for experimentation\, discussion\, and exchange. \nPaint It Black was commissioned by the Castello di Rivoli to curate the Museum’s bookstore by remodeling the space\, renovating the editorial selection and developing a series of interventions. \nThe first of these\, which will coincide with the inauguration of the new bookstore on March 14th\, 2023\, is NOUVEAUX PHONOGRAMMES\, a collective mail art project curated by Achille Filipponi and centered around war and\, in a broader sense\, conflict. The contributions of the project will be presented within the bookstore’s space and subsequently collected in a Paint It Black publication. URL:https://www.castellodirivoli.org/en/evento/nouveaux-phonogrammes/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/03/POST_1-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230326T153000 DTEND;TZID=Europe/Rome:20230326T163000 DTSTAMP:20260610T152620 CREATED:20230325T171607Z LAST-MODIFIED:20251125T101654Z UID:130113-1679844600-1679848200@www.castellodirivoli.org SUMMARY:Artistic freedom\, angel of history DESCRIPTION:On the occasion of the eighth edition of Biennale Democrazia\, taking place in Turin from 03.22.2023 to 03.26. 2023\, Director of Castello di Rivoli Carolyn Christov-Bakargiev will give a lecture entitled Artistic freedom\, angel of history. \nIn the era of predictive statistics with the algorithm directing attention towards personalized choices\, free choice is no longer freedom. In the era of narcissism relentlessly requiring producing creative and expressive tangible and intangible matter\, free speech is no longer freedom. Artistic freedom is the angel of history\, an intellectual\, imaginative\, tender horizon that produces online and offline\, singular and collective consciousness. While crossing ruins\, artistic freedom produces worlds. Here lies the supreme and welcome outdatedness of the theme of freedom\, its libations. URL:https://www.castellodirivoli.org/en/evento/artistic-freedom-angel-of-history/ LOCATION:OGR – Officine Grandi Riparazioni\, Corso Castelfidardo\, 22\, Torino\, 10128\, Italia ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2023/03/Screenshot-2023-03-25-at-18.15.37.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230419T113000 DTEND;TZID=Europe/Rome:20230419T123000 DTSTAMP:20260610T152620 CREATED:20230403T093258Z LAST-MODIFIED:20251125T101608Z UID:130484-1681903800-1681907400@www.castellodirivoli.org SUMMARY:Marcella Beccaria in conversation with Anna Engberg Pedersen – Studio Olafur Eliasson DESCRIPTION:During the conference\, Marcella Beccaria presents the exhibition at the Museum\, from the origins of the project to her curatorial experience with Olafur Eliasson\, which began more than twenty years ago. She engages in conversation with Anna Engberg Pedersen from the Studio Olafur Eliasson\, who introduces  the artist’s studio and the professionals working on Eliasson’s art projects. \nFree access URL:https://www.castellodirivoli.org/en/evento/marcella-beccaria-in-conversation-with-anna-engberg-pedersen-studio-olafur-eliasson/ LOCATION:Accademia Albertina di Belle Arti di Torino\, Via Accademia Albertina\, 6/8 \, Torino\, TO\, 10123\, Italia CATEGORIES:Dipartimento Curatoriale ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2022/11/Q1A8873-2-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230425T110000 DTEND;TZID=Europe/Rome:20230425T170000 DTSTAMP:20260610T152620 CREATED:20230418T085845Z LAST-MODIFIED:20251125T100824Z UID:130699-1682420400-1682442000@www.castellodirivoli.org SUMMARY:25 April | Museum Special Opening DESCRIPTION:On the occasion of the celebration of April 25\, Liberation Day\, the Castello di Rivoli  will be extraordinarily open from 11 am  to 5 pm . \nOn this day the Museum’s Education Department organizes free guided tours of the temporary exhibitions Artists in a Time of War and Olafur Eliasson: Trembling horizons \nThe visits\, in Italian\, are held at 11 am\, 2 pm and 4 pm. \nThe appointment with the Artenauta is at the ticket office\, to participate it is sufficient to have a regular ticket. \n  \n  \n  URL:https://www.castellodirivoli.org/en/evento/25-aprile-apertura-straordinaria-del-museo/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/04/CDR_FontanaBagnoli-005-1-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230507T070000 DTEND;TZID=Europe/Rome:20230507T190000 DTSTAMP:20260610T152620 CREATED:20230506T103916Z LAST-MODIFIED:20230506T104240Z UID:130967-1683442800-1683486000@www.castellodirivoli.org SUMMARY:Information to visitors | Sunday 7 May 2023 DESCRIPTION:We inform visitors that on Sunday 7 May the third edition of FCMM 2023 will start from the square in front of the Castello di Rivoli\, Piazza Mafalda di Savoia\, the marathon on the Via Francigena and on the paths of the Morainic Hill organized by the Friends of the Via Francigena Valle di Susa Association aps in collaboration with the city of Rivoli\, on this occasion there could be some inconvenience\, especially in terms of parking. \n  URL:https://www.castellodirivoli.org/en/evento/informazione-ai-visitatori-domenica-7-maggio-2023/ ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2022/10/CASTELLO-DI-RIVOLI-veduta-esterna-dal-piazzale-3.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230525T180000 DTEND;TZID=Europe/Rome:20230525T193000 DTSTAMP:20260610T152620 CREATED:20230428T082814Z LAST-MODIFIED:20251125T100619Z UID:130927-1685037600-1685043000@www.castellodirivoli.org SUMMARY:The Experience of Art / Gianluca Poldi talks about Giovanni Boldini DESCRIPTION:The Experience of Art\n25 May 2023\, 6pm* – 7.30pm \nGianluca Poldi\, Giovanni Boldini tra finito e non finito\n\nSala delle Orchidee – Villa Cerruti \nOn 25 May 2023\, from 6pm to 7.30pm\, Gianluca Poldi\, expert in scientific analyzes for the study and conservation of works of art\, will analyze the creative process of Giovanni Boldini\, an Italian painter who between nineteenth and twentieth centuries was a beloved portraitist of Parisian high society. The meeting is an opportunity to present the new volume edited by Poldi\, with Fabio Frezzato\, Giovanni Boldini. Il processo creativo. Indagini scientifiche e conservazione\, Antiga Edizioni\, Cornuda (Treviso) 2022. \n* Tickets must be collected by 5.45pm at Castello di Rivoli Ticket Office\nThe conference\, for a maximum of 16 people\, is held in the Sala delle Orchidee of Villa Cerruti and includes a special visit to the Villa.\nReservation is required on the page https://www.castellodirivoli.org/tickets/#\nThe cost of the full ticket is € 26.50; reduced ticket € 19.50 (journalists\, groups of 3 or more people\, Abbonamento Musei Piemonte Valle d’Aosta); € 10.00 for university students up to the age of 26 and equivalent institutions. The ticket includes admission to Castello di Rivoli which can be visited on the same day\, before the meeting. The Museum closes at 5.30pm\, but it is possible to go to the Ticket Office in the Manica Lunga until 5.45pm.The shuttle to the Cerruti Collection leaves at 5.55pm from the square in front of Castello di Rivoli.\nTo collect the ticket\, it is necessary to go to the Castello di Rivoli Ticket Office at least 15 minutes before the departure of the shuttle. \n  \n[Image: Giovanni Boldini\, Reclining Nude\, c. 1889-1893. Oil on canvas\, 74 x 65 cm. Collection Fondazione Francesco Federico Cerruti per l’Arte\, long-term loan Castello di Rivoli Museo d’Arte Contemporanea\, Rivoli-Turin] \n  \n  \n \nGianluca Poldi\nProfessor\, Università di Bergamo. Physicist\, he holds a doctorate in Science for Cultural Assets (Florence) and one in Literature (Bergamo). He specializes in scientific analysis\, above all non-invasive\, for the study and conservation of works of cultural interest. He has taught at the universities of Milan and Verona and examined thousands of paintings in museums and private collections in Italy and abroad\, dedicating numerous studies to the pictorial technique of various artists\, among them Mantegna\, Bellini\, Bramantino\, Carpaccio\, Lotto\, Titian\, Tiepolo\, up to Segantini\, Boccioni\, de Chirico\, Albers. \n  \n  \n  URL:https://www.castellodirivoli.org/en/evento/lesperienza-dellarte-2/ LOCATION:Villa Cerruti\, vicolo dei Fiori\, Rivoli\, TO\, 10098\, Italia CATEGORIES:Collezione Cerruti,conferenza ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/04/A70_Boldini_da-archivio-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230622T180000 DTEND;TZID=Europe/Rome:20230622T193000 DTSTAMP:20260610T152620 CREATED:20230523T113309Z LAST-MODIFIED:20251125T100112Z UID:131402-1687456800-1687462200@www.castellodirivoli.org SUMMARY:The Experience of Art / Giorgina Bertolino talks about Felice Casorati and Alfredo Casella DESCRIPTION:The Experience of Art\n22 June 2023\, 6pm* – 7.30pm\nGiorgina Bertolino\, Felice Casorati e Alfredo Casella\nSala delle Orchidee – Villa Cerruti \nOn 22 June 2023\, from 6pm to 7.30pm\, the art historian and curator Giorgina Bertolino will present the core of Felice Casorati’s paintings from the Cerruti Collection to the public. The relationship between the artist\, an eminent figure of Italian art in the first half of the twentieth century\, and the Turin composer Alfredo Casella will also be examined. The heart of the discussion will be the large tempera Mattino (Colazione)\, c. 1919-1920\, which was owned by the musician before entering the Cerruti Collection.\nThe meeting will be accompanied by six compositions for piano by Casella belonging to the “pictorial musical” cycle entitled …À la manière de… The compositions\, performed for the occasion by maestro Mario Calisi\, offered Casella many thematic and aesthetic ideas reworked later in the Concerto Romano for organ\, timpani\, brass and strings op. 43 of 1926 dedicated to Casorati. \n  \n* Tickets must be collected by 5.45pm at Castello di Rivoli Ticket Office \nThe conferences\, for a maximum of 16 people\, are held in the Sala delle Orchidee of Villa Cerruti and include a special visit to the Villa.\nReservation is required on the page https://www.castellodirivoli.org/tickets/#\nThe cost of the full ticket is € 26.50; reduced ticket € 19.50 (journalists\, groups of 3 or more people\, Abbonamento Musei Piemonte Valle d’Aosta); € 10.00 for university students up to the age of 26 and equivalent institutions. The ticket includes admission to Castello di Rivoli which can be visited on the same day\, before the meeting. The Museum closes at 5.30pm\, but it is possible to go to the Ticket Office in the Manica Lunga until 5.45pm.\nThe shuttle to the Cerruti Collection leaves at 5.55pm from the square in front of Castello di Rivoli.\nTo collect the ticket\, it is necessary to go to the Castello di Rivoli Ticket Office at least 15 minutes before the departure of the shuttle. \n  \n[Image: The Staircase at the Cerruti Villa with the painting of Felice Casorati\, Mattino (Colazione)\, c. 1919-1920 © foto antonio maniscalco – milano] \n  \n \nGiorgina Bertolino\nArt historian and independent curator. Author of the Catalogo generale delle opere di Felice Casorati. I Dipinti. 1904-1963 and Le sculture (with F. Poli\, Turin 1997 and 2004)\, Pinot Gallizio. Catalogo generale delle opere 1953-1964 (edited by M.T. Roberto\, with F. Comisso\, Milan 2001) and Nella Marchesini. Catalogo generale. I dipinti (1920-1953) (Cinisello Balsamo 2015). The exhibitions she has curated include: Felice Casorati. Collezioni e mostre tra Europa e Americhe (Alba\, Fondazione Ferrero\, 2014)\, I mondi di Riccardo Gualino\, collezionista e imprenditore (with A. Bava\, Turin\, Sala Chiablese – Musei Reali\, 2019)\, Carlo Levi. Tutto il miele è finito. La Sardegna e la pittura (Nuoro\, MAN – Museo d’Arte Provincia di Nuoro\, 2022)\, Felice Casorati (with D. Ferrari\, S. Roffi\, Mamiano di Traversetolo\, Parma\, Fondazione Magnani-Rocca\, 2023). \n  \n \nMario Calisi\nFormerly a professor at the “Giuseppe Verdi” Conservatory in Turin and at the Università Statale in Milan\, he successfully continues an intense concert activity\, both as a soloist and in ensemble music formations. He is also active as a composer\, musicologist and conductor. URL:https://www.castellodirivoli.org/en/evento/the-experience-of-art-giorgina-bertolino-talks-about-felice-casorati-and-alfredo-casella/ LOCATION:Villa Cerruti\, vicolo dei Fiori\, Rivoli\, TO\, 10098\, Italia CATEGORIES:Collezione Cerruti,conferenza ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2023/05/Schermata-2023-05-31-alle-10.48.01.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230630T190000 DTEND;TZID=Europe/Rome:20230630T194500 DTSTAMP:20260610T152620 CREATED:20230619T135933Z LAST-MODIFIED:20251125T095704Z UID:132131-1688151600-1688154300@www.castellodirivoli.org SUMMARY:Villa Lontana Records Bookshop Castello di Rivoli DESCRIPTION:  \nVilla Lontana Records live performance\n\nFriday June 30\, 2023 from 7pm to 7.45pm \n\nIn the bookshop a semi-permanent sound Installation by Michele Ferrari (1986) \nVilla Lontana Records live performance is part of the interventions conceived by Paint It Black for Castello di Rivoli bookshop with the intention of stimulating new reflections on the possibilities of art publishing. \nThe live performance on Friday June 30 will include a selection of vinyls from the record label’s archive together with the playing of the Korg Electribe MX. \nA semi-permanent sound installation by Michele Ferrari (1986) will also be presented inside the bookshop spaces. An unpublished site-specific audio including field-recordings deriving from a selection of some of the artist’s books of the publishing house Paint It Black. The sound of pages leafed through at varying speeds and intensities is superimposed on electromagnetic sounds recorded across the bookshop and the rooms of the Castello di Rivoli. This original soundscape titled BLCKRVL will activate during opening hours every fifty-nine minutes\, for a total duration of approximately one minute. \nVilla Lontana Records \nVilla Lontana Records is an experimental\, independent record label based in Rome\, directed by Vittoria Bonifati and Michele Ferrari\, which focuses on the production of new sounds\, from electroacoustics to field-recordings and from electromagnetism to sound poetry. The label responds to Villa Lontana’s curatorial programme which includes exhibitions making\, publications and artists’ editions. \nPeriodikum Magazine Showcase\nCurated by Say Say Say\, Inc.\nUntil July 17  \nThe content of Periodikum Magazine\, published by Say Say\, Inc. is exhibited at the Castello’s bookshop in the showcases on the first floor. \nPERIODIKUM Magazine \nPERIODIKUM is a biennial publication by Say Say Say\, Inc. that presents a new reality by exploring wondrous visions of our outer and inner worlds. Because we believe\, what we achieve inwardly will change outer reality. (We didn’t say this . . . Plutarch did.) The first issue “Six Poetical and Dialogical Strategies” acts as an invitation to introspection. In the form of “thought images”\, it takes readers on a pop-cultural journey into our most hidden spaces. Those are composed as concealed worlds in different layers that deal with the unconscious and the enigmatic. \nAbout Say Say Say\, Inc.—Studio for Imagination \nPeriodikum was founded in Vienna by Say Say Say\, Inc. an experimental design laboratory run by Artist Duo Jutta Wacht and René Poell. Say Say Say\, Inc. explores unusual aspects of reality\, constantly searching for new perspectives on the internal and future nature of objects and images moving between sensuality and logic\, aesthetics and technology\, pop culture and philosophy. \n  \n  \n  \n  URL:https://www.castellodirivoli.org/en/evento/villa-lontana-records-bookshop-castello-di-rivoli/ CATEGORIES:performance ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2023/06/Screenshot-2023-06-19-at-15.58.49.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/Rome:20230706T180000 DTEND;TZID=Europe/Rome:20230706T200000 DTSTAMP:20260610T152620 CREATED:20230703T111925Z LAST-MODIFIED:20251124T152447Z UID:132478-1688666400-1688673600@www.castellodirivoli.org SUMMARY:The Beeple Donation Presentation of the artwork FTX BOARD MEETING\, DAY #5676 11.13.2022\, 2023 DESCRIPTION:On the occasion of the donation\, the Museum will hold a public conversation with the artist and the Director Carolyn Christov-Bakargiev live-streamed on Youtube. \n\n\n\n\nCastello di Rivoli Museo d’Arte Contemporanea is pleased to announce the entry into its permanent Collection of the work by Mike Winkelmann\, alias Beeple\, FTX BOARD MEETING\, DAY #5676 11.13.2022\, generously donated by the artist to the Museum. \n\n\n\n\nThe work\, existing in both the physical and digital realms\, is made up of an NFT (non-fungible token)\, i.e. a digital image registered with blockchain technology via a smart contract in a unique edition 1/1\, and a physical component\, a large oil painting on canvas. \nWhen Castello di Rivoli attempted to show this work on the Museum’s Youtube channel\, it was censored by Youtube due to their rules against showing nudity. While this image is provocative\, Beeple uses the visual language of pornography and the cartoonish graphics of the digital world to critique what he views as the adolescent recklessness and immaturity of the tech entrepreneur Sam Bankman-Fried and the wider digital culture surrounding him. \nSince May 1\, 2007\, Beeple has been producing and posting online a personally created image every day\, in an exercise of rigor and measurement of the passage of time that recalls the conceptual practices of the 20th century\, updated for the age of digital culture. Over time he has built a large community of fans\, becoming one of the most important visual artists on social media\, with 2.4 million followers on Instagram\, more than 500\,000 on Facebook and over 760\,000 on Twitter. Beeple entered the wider public consciousness when his work EVERYDAYS: THE FIRST 5000 DAYS\, 2021\, sold for a record price at Christie’s auction on March 11\, 2021\, during the Covid-19 pandemic lockdown. It is a compendium of the first 5\,000 images\, created daily by the artist from 2007 to the beginning of 2021. The work captured the attention of the international art world and the global digital community\, serving as a catalyst for both digital art and the uniqueness that each NFT (non- fungible token) represents through blockchain technology. This daily exercise\, practiced by Beeple for over 15 years\, has inspired thousands of other digital artists to start their own everyday practice. Deploying different styles\, from abstract expressionism\, to illustration\, to science fiction\, Beeple’s often figurative works act as political critique of the anti-ecological use of technologies and extractive energy industries for the pure purpose of profit\, although often veiled by green hypocrisy and lies. The artist extrapolates a few Everydays from the great flow of his images to become single and unique NFTs in 1/1 edition constituting rare\, unique works of art\, while some drops (online publications of his Everyday NFT images) appear periodically in more accessible editions of 100\, as multiples. \nDirector of Castello di Rivoli Museo d’Arte Contemporanea\, Carolyn Christov-Bakargiev\, comments: “Beeple’s work FTX BOARD MEETING\, DAY #5676 11.13.2022\, 2023 (Cinema 4D\, Octane Render\, Photoshop\, NFT\, oil on canvas 147.3 x 182.9 cm) constitutes an important donation that updates our permanent collection with a work in a 21st-century medium that combines the digital with the physical. I am grateful to Mike Winkelmann for his generosity and respect for museums and our museum in particular. \nThe subject of this work is the thirty-one-year old entrepreneur Sam Bankman-Fried\, one of the youngest billionaires in the tech industry in early 2022\, and the founder and former CEO of the cryptocurrency exchange platform FTX. The work is a satirical reflection on recent events involving Bankman-Fried\, arrested in December 2022 for wire fraud and money laundering. Allusions to Effective Altruism – a concept of philosopher William MacAskill preached by Bankman-Fried and often adopted by tech entrepreneurs – can be seen in the background of Beeple’s image. These contrast with the alleged conduct of the FTX exchange platform\, accused of having used billions of dollars from the exchange to finance risky operations of Bankman-Fried’s currency company\, Alameda Research\, leading to the inevitable collapse of cryptocurrencies. Some news\, leaked in the days following his arrest\, alleged he also engaged in frequent orgies in the office. In this work\, Beeple makes fun of Bankman-Fried in a cathartic way\, through the representation of an orgy between computers where the image of the entrepreneur is kaleidoscopically multiplied and blurs gender\, to the point of representing onanism and the pure solipsism of some parts of the new digital world. The recurrence of the same figure in the picture can also be read as an allusion to the close circle of collaborators with whom Bankman-Fried worked and lived in a resort in the Bahamas. \n\n\n\n\nChristov-Bakargiev explains why she chose this particular 1/1 edition by Beeple:\n“I wanted a strong image that is relevant to Beeple’s work. While this image may be seen as provocative\, the main reason Beeple’s digital work and that of NFT artists became known to the general public is the financial aspect of the digital world and the Christie’s Beeple sale\, which was paid for in cryptocurrency. For me\, the collapse of the crypto world following the FTX scandal and the speculative bubble that exploded last year is one of the key moments of that world – it was like an atomic bomb going off in the crypto world. Beeple’s work is particularly controversial in that community because he is an artist who critiques the digital world. He questions the technology and the society that develops in relation to that technology\, even as he uses its system and structures. For me\, Beeple is interesting as an artist in a similar way to Andy Warhol: both critique the societies in which they are embedded. Warhol was critiquing the consumer society around him – that’s why he made the electric chair pictures\, the tragic image of Marilyn Monroe and his endless repetitions and magnifications of consumer culture. Many great artists use the new medium and techniques of their time and also critique them and show the risks of their ‘brave new world.’ Here Beeple’s seemingly pornographic image is also pointing to the childish\, immature and narcissistic nature of the digital world. It’s important that such art not be censored by social media companies and their algorithms.” \nThe event will be followed by the presentation and book signing of the volume Beeple: Everydays\, the First 5000 Days (Abrams\, New York\, 2023)\, the first monograph dedicated to the artist\, at the Castello di Rivoli Bookshop. \n  \nhttps://www.castellodirivoli.org/wp-content/uploads/2023/07/Beeple-Eng.m4a URL:https://www.castellodirivoli.org/en/evento/the-beeple-donation-presentation-of-the-artwork-ftx-board-meeting-day-5676-11-13-2022-2023/ CATEGORIES:conferenza,Dipartimento Curatoriale ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/07/FTX-BOARD-MEETING-DAY-5676-11.13.2022_censored.jpg END:VEVENT END:VCALENDAR