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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231101T180000
DTEND;TZID=Europe/Rome:20231101T190000
DTSTAMP:20260610T221155
CREATED:20231031T222032Z
LAST-MODIFIED:20251124T145944Z
UID:136366-1698861600-1698865200@www.castellodirivoli.org
SUMMARY:Many of One. Michelangelo Pistoletto in conversation with Carolyn Christov-Bakargiev
DESCRIPTION:On the occasion of the opening of Michelangelo Pistoletto’s exhibition Many of One\, the artist will be in conversation with Carolyn Christov-Bakargiev.\nThe conversation will focus on Pistoletto’s practice and the creation of the exhibition. \nFree access subject to availability.
URL:https://www.castellodirivoli.org/en/evento/many-of-one-michelangelo-pistoletto-in-conversation-with-carolyn-christov-bakargiev/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/10/2005_2020_love_difference_amare_le_differenze-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231101T193000
DTEND;TZID=Europe/Rome:20231101T210000
DTSTAMP:20260610T221155
CREATED:20231031T222926Z
LAST-MODIFIED:20251124T145853Z
UID:136368-1698867000-1698872400@www.castellodirivoli.org
SUMMARY:Arte povera. Notes for History
DESCRIPTION:On the occasion of the opening of the exhibition Michelangelo Pistoletto. Molti di uno (Many of One)\, Castello di Rivoli premieres the docufilm Arte povera: Notes for History\, aired on Sky Arte and on demand on November 28\, 2023. \nDirected by Andrea Bettinetti and narrated by Giuseppe Cederna\, Arte povera: Notes for History is a collaboration between Michele Bongiorno (Good Day Films) and Sky Arte\, with support from Gruppo Unipol\, Azimut\, the Giancarlo and Danna Olgiati Collection\, Christian Stein Gallery\, and the Film Commission Torino. Featuring an unpublished conversation with Germano Celant held in 2019 at the Fondazione Prada in Ca’ Corner\, Venice\, it also includes interviews with Giulio Paolini\, Giuseppe Penone\, Michelangelo Pistoletto\, Gilberto Zorio\, Pier Paolo Calzolari\, Giovanni Anselmo\, Michelle Coudray\, Lia Rumma\, Antonio Tucci Russo\, Fabio Sargentini\, Carolyn Christov-Bakargiev\, Beatrice Merz\, Silvia Fabro\, Paolo Mussat Sartor\, Gianfranco Benedetti\, and Giorgio Colombo. \nFirst comes the human being and then the system\, or that’s how it was in antiquity. Today\, however\, society presumes to make pre-packaged human beings\, ready for consumption. Anyone can propose reform\, criticize\, violate\, and demystify\, but always with the obligation to remain within the system. It is forbidden to be free. This is the incipit of Arte povera. Notes on a guerrilla war\, a manifesto by Germano Celant published in Flash Art number 5 in 1967. It marked a radical departure from traditional art\, advocating for a guerrilla-style movement\, rejecting formal techniques and embracing humble materials like earth\, wood\, iron\, and industrial waste. \nIt is a radical criticism that uses the language of contemporary society and also resorts to the use of installation and performative work. Celant’s intuition facilitates the aggregation of artists with different sensibilities\, who individually experiment with their own language under a feeling strongly opposed to the cultural hegemony of the moment. \nThe relevance of Arte povera poetics comes to life in the docufilm presented on November 1st at Castello di Rivoli and then broadcasted on November 28th on Sky Arte and on demand. The 90-minute docufilm\, directed by Andrea Bettinetti\, is a work on what is considered the most important contribution to post-war art in Italy. The ambitious project was born from an idea by Michele Bongiorno of Good Day Films. «We created an unprecedented project – the producer states in an interview to la Lettura – which required unthinkable commitment and energy\, but the result is truly remarkable. An effort that lasted more than three years\, which generated an incredible amount of documents and allowed us to rediscover wonderful archive material.” \nInitially Michele Bongiorno contacted Germano Celant and proposed a film-story in which the critic would retrace the history of the movement firsthand. Together they wrote the story and conducted a couple of interviews\, but a few months later\, at the beginning of 2020\, the exceptional nature of the events due to the pandemic and the sudden death of the art critic put the work on hold. The project had to be modified: no longer a trip with Celant but rather starting from his last interview\, to then collect the voices of the protagonists to make a choral work\, a meticulous report that traces its history from 1967 to today. \nThe film sheds lights on the innovative aspect of the movement and the irreverent strength of a group of young artists who stir up the cultural world\, profoundly impacting the growth of contemporary art. «The voice of Giuseppe Cederna accompanies us through the studios and foundations\, the galleries and museums that host the most important collections – states Bongiorno –\, from Rivoli to the Magazzino Italian Art Museum in New York\, in a long fascinating conversation with the protagonists of this extraordinary artistic research.” \nEveryone has followed a path of experimentation and individual growth such as to think that the heart of the movement is a set of artistic propulsions similar to each other\, not for the language chosen but for an attitude. Michelangelo Pistoletto (1933) with the Mirror Paintings invents a new perspective dimension; Mario Merz (1925-2003) uses the shape of the igloo which reminds us of the primordial stage of man immersed in nature; Marisa Merz (1926-2019)\, the only woman of the movement\, creates weaves with copper and nylon threads and organic and subtle\, delicate and light works; Pino Pascali (1935-1968)\, in his short life\, proposed in a playful way the elements of his Mediterranean roots\, the fields\, the sea\, the land\, the animals; Giuseppe Penone (1947) uses unusual materials for his sculptures\, tree trunks\, lead\, copper and more; Gilberto Zorio (1944) creates sculptures with a strong symbolic impact in which the star and the javelin are recurring\, representing the metaphysical world and death; Giulio Paolini (1940) crosses a conceptual dimension that tends towards the classical tradition inspired by “beauty”; Alighiero Boetti (1940-1994)\, ranges without borders from tapestries to postal works\, to ballpoint pens\, to inks\, in the belief that there are no rules for creating a work of art. But it is impossible to mention them all here. \nThe city of Turin\, where almost all the artists come from\, played a pivotal role for the movement\, as an industrial capital providing the humus and motivations for dissent and protest. Sensitive to the artistic avant-garde\, Christian Stein Gallery played a fundamental role in understanding the extent of the phenomenon of Arte povera and accompanied it into the art market. \nProduced by Michele BONGIORNO\nProduced for Sky by Roberto PISONI\, Dino VANNINI\, Gaia PASETTO\nNarrated by Giuseppe CEDERNA\nOriginal music Fabio BAROVERO\nPhotography Massimo SCHIAVON\nMovie editing Giovanna FERRARA\nScientific advice Antonella SOLDAINI\nColorist Fabio COLOMBO\nIconographic research Francesca LACROCE\nSound Roberto REMORINO\, Simone BRIZIO \nProduction Sky Original \n \nGood Day Films by Andrea Bettinetti \n \nThe docufilm was aired on Sky Arte
URL:https://www.castellodirivoli.org/en/evento/arte-povera-notes-for-history/
ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2023/10/Screenshot-2023-10-31-at-23.28.41.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231103T163000
DTEND;TZID=Europe/Rome:20231103T173000
DTSTAMP:20260610T221155
CREATED:20230919T075143Z
LAST-MODIFIED:20251124T145808Z
UID:134462-1699029000-1699032600@www.castellodirivoli.org
SUMMARY:Castello di Rivoli at Artissima | Carolyn Christov-Bakargiev Curator of the exhibition Michelangelo Pistoletto. Molti di uno (Many of One)\, in conversation with the artist
DESCRIPTION:Friday November 3  4\,30 pm  – Meeting Point \nCarolyn Christov-Bakargiev\, Castello di Rivoli Museo d’Arte Contemporanea Director and Curator of the exhibition Michelangelo Pistoletto. Molti di uno (Many of One)\, in conversation with the artist \nThe conversation will be held in Italian \nCarolyn Christov-Bakargiev with the artist will introduce the exhibition Michelangelo Pistoletto. Molti di uno (Many of one)\, set up in the Castello di Rivoli Manica Lunga\, a large unpublished work that acts as a device through which to reread Pistoletto’s art (Biella\, 1933). Among the artists who redefined the concept of art starting from the mid-sixties of the last century\, Pistoletto questioned the concept of personal identity from the first half of the fifties and took the path of the self-portrait as an emblematic expression of his thought. In 1961 he painted his first mirror painting Il presente (The Present) in which his self-portrait stands out against a black background obtained with very shiny acrylic paint which makes it reflective. This work opens up to life as an exchange of relationships and perspectives\, determining a new space-time dimension. For Pistoletto\, overcoming the boundaries marked by the pictorial dimension represents the opening to a landscape that overlooks the contemporaneity of existence. \n  \n \nCarolyn Christov-Bakargiev \nCastello di Rivoli Museo d’Arte Contemporanea Director and Artistic Director  Fondazione Francesco Federico Cerruti \nPhoto Andrea Guermani \n  \n \nMichelangelo Pistoletto \nPhoto Pierluigi Di Pietro \n  \nMichelangelo Pistoletto \nVenere degli stracci (Venus of the Rags)\, 1967 \nreproduction of Venus in cement covered in mica\, rags \nVenus\,  installation\, 150 x 280 x 100 cm \nFondazione per l’Arte Moderna e Contemporanea CRT \non loan to Castello di Rivoli Museo d’Arte Contemporanea\, Rivoli-Torino \n  \n 
URL:https://www.castellodirivoli.org/en/evento/castello-di-rivoli-at-artissima/
LOCATION:Artissima
CATEGORIES:conferenza,Dipartimento Curatoriale
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2012/04/pistoletto.lavenere.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231103T180000
DTEND;TZID=Europe/Rome:20231103T184500
DTSTAMP:20260610T221155
CREATED:20230919T081129Z
LAST-MODIFIED:20251124T145553Z
UID:134475-1699034400-1699037100@www.castellodirivoli.org
SUMMARY:Castello di Rivoli at Artissima. Marcella Beccaria presents the publication
DESCRIPTION:November  3\, 6 pm\nBook Corner \nOn the occasion of Artissima\, Marcella Beccaria will present the catalog published on the occasion of Nkanga’s solo exhibitions Of Cords Curling around Mountains at Castello di Rivoli and When Looking Across the Sea\, Do You Dream? at Villa Arson Nice. Using a variety of methodologies\, materials\, and techniques\, the works of Otobong Nkanga (Kano\, Nigeria\, 1974) address urgent issues related to the ecological crisis and the environment\, the exploitation of resources and sustainability\, also delving deep into the consequences of colonialism and its repercussions on the social fabric. In addition to unpublished poems by the artist\, this book includes new essays by Carolyn Christov-Bakargiev and Marcella Beccaria\, and an interview with the artist by Éric Mangion. The catalogue documents the two exhibitions with entries on all the artworks and installation views. It also includes a scholarly chronology covering the artist’s exhibition history from her debut in 1995 up to the present. The anthology contains seminal essays by Anne Barlow\, Okwui Enwezor\, Natasha Ginwala\, Emanuele Guidi\, Nav Haq\, M. Neelika Jayawardane\, Mwenya B. Kabwe\, Omar Kholeif\, Yvette Mutumba\, Bonaventure Ndikung\, Philippe Pirotte\, Stephanie Rosenthal\, Jérôme Sans\, Bisi Silva\, Danielle Tilkin\, and Helen Welford. \nThe conversation is in English. \n  \n\nMarcella Beccaria\nPhoto Andrea Guermani Courtesy Castello di Rivoli Museo d’Arte Contemporanea\, Rivoli-Torino \n  \n\nOtobong Nkanga\nPhoto Sebastiano Pellion di Persano
URL:https://www.castellodirivoli.org/en/evento/otobong-artissima-2023/
LOCATION:Artissima
CATEGORIES:conferenza,Dipartimento Curatoriale
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/09/IMG_5591.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231104T190000
DTEND;TZID=Europe/Rome:20231104T203000
DTSTAMP:20260610T221155
CREATED:20230629T082632Z
LAST-MODIFIED:20251124T145214Z
UID:135141-1699124400-1699129800@www.castellodirivoli.org
SUMMARY:Renato Leotta Ondina
DESCRIPTION:SOLD OUT \nCastello di Rivoli presents Ondina by Renato Leotta at the Concert Hall of the “Giuseppe Verdi” State Conservatory of Music\, Turin. \nThe concert work is performed by the Turin Philharmonic Orchestra\, conducted by maestro Giampaolo Pretto\, and is the result of an arrangement in collaboration with Federico Bisozzi. Curated by Marianna Vecellio\, Ondina proposes a form of vertical inter-species communication\, from the sea to the sky\, through the plant-individual relationship. In the context of the exhibition Renato Leotta. CONCERTINO per il mare at Castello di Rivoli\, curated by Marcella Beccaria\, the project was created thanks to the support of the General Directorate for Contemporary Creativity of the Ministry of Culture as part of the Italian Council program (2021). The work was presented for the first time in September 2022\, at the 17th Istanbul Biennial\, performed by the musicians of the Borusan Istanbul Philharmonic Orchestra. \nWe thank Silvia Fiorucci for supporting the exhibition catalogue/disc.
URL:https://www.castellodirivoli.org/en/evento/renato-leotta-ondina/
LOCATION:Conservatorio Statale di Musica Giuseppe Verdi di Torino\, Piazza Giambattista Bodoni\, Torino\, 10128\, Italia
CATEGORIES:concerto,Dipartimento Curatoriale
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/06/Senza-titolo-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231109T130000
DTEND;TZID=Europe/Rome:20231109T140000
DTSTAMP:20260610T221155
CREATED:20231016T201054Z
LAST-MODIFIED:20251124T145158Z
UID:135345-1699534800-1699538400@www.castellodirivoli.org
SUMMARY:Lunch Talks @ GDI – Torino | Parlare d’Arte.2 | NOVEMBER 9\, 2023
DESCRIPTION:A program by Castello di Rivoli in collaboration with Gallerie d’Italia – Torino\nFrom Thursday 26 October 2023\, 1pm – 2 pm\nGallerie d’Italia – Torino\, Arena\nPiazza San Carlo 156\, Turin \nAfter the success of the 2022-2023 edition\, Lunch Talks @ GDI Torino. Parlare d’Arte. Great artists\, great shows\, great topics\, a new program of talks curated by Castello di Rivoli Museo d’Arte Contemporanea at Gallerie d’Italia – Torino will return from October 26\, 2023.     Lunch Talks @ GDI Torino. Parlare d’Arte. Great artists\, great shows\, great topics offers an opportunity to approach contemporary art. With a special focus on photography\, its birth and evolution\, and the relationship that inextricably binds it to other art forms\, the themes that will be addressed during this edition of Lunch Talks are an opportunity to learn about the works of some of the most important contemporary artists\, delve into epoch-making exhibitions that have redefined the concept of art\, and explore the thematic nodes that animate contemporary cultural debate. The talks are held by Carolyn Christov-Bakargiev\, Director of Castello di Rivoli\, Marcella Beccaria\, Deputy Director\, Chief Curator and Curator of the Collections\, and Marianna Vecellio\, Curator\, who will accompany the public on a fascinating journey into the art of our days\, sharing their direct experiences and their continuous research work. Lunch Talks propose a new form of “lunch break”. The meetings will take place in the spaces of the Arena of the Gallerie d’Italia in Turin\, in a relaxed and informal setting. Participants will receive a lunch box curated by Costardi Bros and can end the experience with a visit to the exhibitions set up in the spaces of Gallerie d’Italia in Turin. The program is curated by Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Gallerie d’Italia – Torino. \nLunch Talks @ GDI – Torino\nParlare d’Arte. Great artists\, great shows\, great topics\n\nCurated by Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Gallerie d’Italia – Torino \n9 NOVEMBER 2023 (1-2 pm) \nMarcella Beccaria\, Otobong Nkanga\n\nThe meeting delves into Otobong Nkanga’s art and the ways in which the artist\, starting with his early photographic work\, addresses important issues such as the exploitation of natural resources and the distance that in many cases separates human beings from the planet that hosts them. \nReservation required: torino@gallerieditalia.com or toll-free number 800 167 619 The activity costs € 22 and includes a lunch box by Costardi Bros and the entrance ticket to the museum.  \nIn collaboration with \n \nLunch box by
URL:https://www.castellodirivoli.org/en/evento/lunch-talks-gdi-torino-parlare-darte-2-november-9-2023/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/10/Lunch_Talk_02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231113T160000
DTEND;TZID=Europe/Rome:20231113T200000
DTSTAMP:20260610T221155
CREATED:20231113T115101Z
LAST-MODIFIED:20251124T145022Z
UID:136864-1699891200-1699905600@www.castellodirivoli.org
SUMMARY:Carolyn Christov-Bakargiev @Kunstfaglige Inspirations-dag 2023 Novo Nordisk Fondens
DESCRIPTION:November 13\, at 4 pm\, Director of Castello di Rivoli Carolyn Christov-Bakargiev gives a lecture titled Prolegomena to a theory on artistic freedom in the framework of Kunstfaglige Inspirations-dag 2023 promoted by Novo Nordisk Fondens. \nMore info \n  \n 
URL:https://www.castellodirivoli.org/en/evento/carolyn-christov-bakargiev-kunstfaglige-inspirations-dag-2023-novo-nordisk-fondens/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/11/WhatsApp-Image-2023-11-13-at-12.50.13.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231116T130000
DTEND;TZID=Europe/Rome:20231116T140000
DTSTAMP:20260610T221155
CREATED:20231016T201451Z
LAST-MODIFIED:20251124T144642Z
UID:135347-1700139600-1700143200@www.castellodirivoli.org
SUMMARY:Lunch Talks @ GDI – Torino | Parlare d’Arte.2 | NOVEMBER 16\, 2023
DESCRIPTION:A program by Castello di Rivoli in collaboration with Gallerie d’Italia – Torino\nFrom Thursday 26 October 2023\, 1pm – 2 pm\nGallerie d’Italia – Torino\, Arena\nPiazza San Carlo 156\, Turin \nAfter the success of the 2022-2023 edition\, Lunch Talks @ GDI Torino. Parlare d’Arte. Great artists\, great shows\, great topics\, a new program of talks curated by Castello di Rivoli Museo d’Arte Contemporanea at Gallerie d’Italia – Torino will return from October 26\, 2023.     Lunch Talks @ GDI Torino. Parlare d’Arte. Great artists\, great shows\, great topics offers an opportunity to approach contemporary art. With a special focus on photography\, its birth and evolution\, and the relationship that inextricably binds it to other art forms\, the themes that will be addressed during this edition of Lunch Talks are an opportunity to learn about the works of some of the most important contemporary artists\, delve into epoch-making exhibitions that have redefined the concept of art\, and explore the thematic nodes that animate contemporary cultural debate. The talks are held by Carolyn Christov-Bakargiev\, Director of Castello di Rivoli\, Marcella Beccaria\, Deputy Director\, Chief Curator and Curator of the Collections\, and Marianna Vecellio\, Curator\, who will accompany the public on a fascinating journey into the art of our days\, sharing their direct experiences and their continuous research work. Lunch Talks propose a new form of “lunch break”. The meetings will take place in the spaces of the Arena of the Gallerie d’Italia in Turin\, in a relaxed and informal setting. Participants will receive a lunch box curated by Costardi Bros and can end the experience with a visit to the exhibitions set up in the spaces of Gallerie d’Italia in Turin. The program is curated by Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Gallerie d’Italia – Torino. \nLunch Talks @ GDI – Torino\nParlare d’Arte. Great artists\, great shows\, great topics\n\nCurated by Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Gallerie d’Italia – Torino \n16 NOVEMBER 2023 (1-2 pm) \nMarianna Vecellio\, Fabio Mauri\n\nThe event is dedicated to Roman artist and intellectual Fabio Mauri and explores his relationship with cinema\, and the use and reuse of photos and films to tell the story and memory of human beings. \nIn collaboration with \n \nLunch box by
URL:https://www.castellodirivoli.org/en/evento/lunch-talks-november-16-2023/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/10/Lunch_Talk_03.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231123T173000
DTEND;TZID=Europe/Rome:20231123T193000
DTSTAMP:20260610T221155
CREATED:20231026T083205Z
LAST-MODIFIED:20251124T144356Z
UID:135976-1700760600-1700767800@www.castellodirivoli.org
SUMMARY:The Experience of Art. Maurizio Aceto\, Francesca Robotti e Patrizia Davit read the collection of illuminated books under the lens of chemistry
DESCRIPTION:The Experience of Art\n23 November 2023\, 6pm* – 7.30pm\nMaurizio Aceto\, Francesca Robotti and Patrizia Davit\, La collezione dei volumi miniati sotto la lente della chimica\nSala delle Orchidee – Villa Cerruti \nOn 23 November 2023\, from 6pm to 7.30pm\, Maurizio Aceto and Francesca Robotti of the University of Eastern Piedmont and Patrizia Davit of the University of Turin will tell the public about the campaign of diagnostic investigations carried out on the nucleus of illuminated books and ancient decorated books from the Cerruti Collection. These investigations are aimed at evaluating the decorative elements of each book on the basis of the commodity value and the origin of the pictorial materials used\, at confirming the dating and the historical-artistic attribution and finally at evaluating the state of health of the decorations. \nThe conferences\, for a maximum of 16 people\, are held in the Sala delle Orchidee of Villa Cerruti and include a special visit to the Villa.\nReservation is required on the page https://www.castellodirivoli.org/tickets/#\nThe cost of the full ticket is € 26.50; reduced ticket € 19.50 (journalists\, groups of 3 or more people\, Abbonamento Musei Piemonte Valle d’Aosta); € 10.00 for university students up to the age of 26 and equivalent institutions. The ticket includes admission to Castello di Rivoli which can be visited on the same day\, before the meeting. The Museum closes at 5.30pm\, but it is possible to go to the Ticket Office in the Manica Lunga until 5.45pm.\nThe shuttle to the Cerruti Collection leaves at 5.55pm from the square in front of Castello di Rivoli.\nTo collect the ticket\, it is necessary to go to the Castello di Rivoli Ticket Office at least 15 minutes before the departure of the shuttle. \n* Tickets must be collected by 5.45pm at Castello di Rivoli Ticket Office \n  \n\nMaurizio Aceto\n\nProfessor of Analytical Chemistry\, Università del Piemonte Orientale. For several years he has been involved in analysis in the field of cultural heritage and in particular of illuminated manuscripts\, in order to evaluate their authenticity\, value\, state of conservation\, geographical origin and dating. In this context\, it has developed collaborations with renowned Italian and European libraries. \n\nFrancesca Robotti\n\nDoctor in Chemistry\, Università del Piemonte Orientale. She carried out a thesis concerning the sustainable dyeing of fabrics using Folium\, and is about to graduate in Chemical Sciences with a thesis on the diagnostics of a choral collection commissioned by Pope Pius V and preserved at Museo Civico of Alessandria. \n\nPatrizia Davit\n\nResearch technician\, Chemistry Department\, Università di Torino. She has a degree in Chemistry and a PhD in Chemical Sciences\, with a thesis on the use of analytical techniques in the study of ceramic materials and ancient glass. Her main research activity concerns the characterization\, the evaluation of the production technology\, the study of provenance and the analysis of the phenomena of degradation of archaeological\, historical and artistic materials. She also deals with the teaching of chemistry and scientific dissemination. She is co-author of over fifty contributions on journals\, monographs and printed volumes and of eighty communications at national and international congresses. \n[Image: Book of Hours of Ippolita Maria Sforza\, Florence\, c. 1480-1488\, Collection Fondazione Francesco Federico Cerruti per l’Arte\, long-term loan Castello di Rivoli\, Museo d’Arte Contemporanea\, Rivoli-Turin. Ph. Ernani Orcorte] \n 
URL:https://www.castellodirivoli.org/en/evento/lesperienza-dellarte-maurizio-aceto-francesca-robotti-e-patrizia-davit-parlano-de-la-collezione-dei-volumi-miniati-sotto-la-lente-della-chimica/
CATEGORIES:Collezione Cerruti,conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2023/10/A-617_Libro-dore_ph.-Ernani-Orcorte-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231130T130000
DTEND;TZID=Europe/Rome:20231130T140000
DTSTAMP:20260610T221155
CREATED:20231016T201754Z
LAST-MODIFIED:20231020T150119Z
UID:135355-1701349200-1701352800@www.castellodirivoli.org
SUMMARY:Lunch Talks @ GDI – Torino | Parlare d’Arte.2 | NOVEMBER 30\, 2023
DESCRIPTION:A program by Castello di Rivoli in collaboration with Gallerie d’Italia – Torino\nFrom Thursday 26 October 2023\, 1pm – 2 pm\nGallerie d’Italia – Torino\, Arena\nPiazza San Carlo 156\, Turin \nAfter the success of the 2022-2023 edition\, Lunch Talks @ GDI Torino. Parlare d’Arte. Great artists\, great shows\, great topics\, a new program of talks curated by Castello di Rivoli Museo d’Arte Contemporanea at Gallerie d’Italia – Torino will return from October 26\, 2023.     Lunch Talks @ GDI Torino. Parlare d’Arte. Great artists\, great shows\, great topics offers an opportunity to approach contemporary art. With a special focus on photography\, its birth and evolution\, and the relationship that inextricably binds it to other art forms\, the themes that will be addressed during this edition of Lunch Talks are an opportunity to learn about the works of some of the most important contemporary artists\, delve into epoch-making exhibitions that have redefined the concept of art\, and explore the thematic nodes that animate contemporary cultural debate. The talks are held by Carolyn Christov-Bakargiev\, Director of Castello di Rivoli\, Marcella Beccaria\, Deputy Director\, Chief Curator and Curator of the Collections\, and Marianna Vecellio\, Curator\, who will accompany the public on a fascinating journey into the art of our days\, sharing their direct experiences and their continuous research work. Lunch Talks propose a new form of “lunch break”. The meetings will take place in the spaces of the Arena of the Gallerie d’Italia in Turin\, in a relaxed and informal setting. Participants will receive a lunch box curated by Costardi Bros and can end the experience with a visit to the exhibitions set up in the spaces of Gallerie d’Italia in Turin. The program is curated by Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Gallerie d’Italia – Torino. \nLunch Talks @ GDI – Torino\nParlare d’Arte. Great artists\, great shows\, great topics\nCurated by Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Gallerie d’Italia – Torino \n30 NOVEMBER 2023 (1-2 pm)\nCarolyn Christov-Bakargiev\, Atlantic Thoughts on the São Paulo Biennial 2023\nAtlantic Thoughts on Choreographies of the Impossible\, 35th edition of the São Paulo Biennial\, curated by Diane Lima\, Grada Kilomba\, Hélio Menezes\, and Manuel Borja-Villel and currently ongoing. The history and development of decolonial viewpoints from Okwui Enwezor to the present. \nReservation required: torino@gallerieditalia.com or toll-free number 800 167 619 The activity costs € 22 and includes a lunch box by Costardi Bros and the entrance ticket to the museum.  \nIn collaboration with \n \nLunch box by
URL:https://www.castellodirivoli.org/en/evento/lunch-talks-november-30-2023/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231207T130000
DTEND;TZID=Europe/Rome:20231207T140000
DTSTAMP:20260610T221155
CREATED:20231016T202034Z
LAST-MODIFIED:20251124T143930Z
UID:135349-1701954000-1701957600@www.castellodirivoli.org
SUMMARY:Lunch Talks @ GDI – Torino | Parlare d’Arte.2 | DECEMBER 7\, 2023
DESCRIPTION:A program by Castello di Rivoli in collaboration with Gallerie d’Italia – Torino\nFrom Thursday 26 October 2023\, 1pm – 2 pm\nGallerie d’Italia – Torino\, Arena\nPiazza San Carlo 156\, Turin \nAfter the success of the 2022-2023 edition\, Lunch Talks @ GDI Torino. Parlare d’Arte. Great artists\, great shows\, great topics\, a new program of talks curated by Castello di Rivoli Museo d’Arte Contemporanea at Gallerie d’Italia – Torino will return from October 26\, 2023.     Lunch Talks @ GDI Torino. Parlare d’Arte. Great artists\, great shows\, great topics offers an opportunity to approach contemporary art. With a special focus on photography\, its birth and evolution\, and the relationship that inextricably binds it to other art forms\, the themes that will be addressed during this edition of Lunch Talks are an opportunity to learn about the works of some of the most important contemporary artists\, delve into epoch-making exhibitions that have redefined the concept of art\, and explore the thematic nodes that animate contemporary cultural debate. The talks are held by Carolyn Christov-Bakargiev\, Director of Castello di Rivoli\, Marcella Beccaria\, Deputy Director\, Chief Curator and Curator of the Collections\, and Marianna Vecellio\, Curator\, who will accompany the public on a fascinating journey into the art of our days\, sharing their direct experiences and their continuous research work. Lunch Talks propose a new form of “lunch break”. The meetings will take place in the spaces of the Arena of the Gallerie d’Italia in Turin\, in a relaxed and informal setting. Participants will receive a lunch box curated by Costardi Bros and can end the experience with a visit to the exhibitions set up in the spaces of Gallerie d’Italia in Turin. The program is curated by Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Gallerie d’Italia – Torino. \nLunch Talks @ GDI – Torino\nParlare d’Arte. Great artists\, great shows\, great topics\nCurated by Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Gallerie d’Italia – Torino \n7 DECEMBER 2023 (1-2 pm)\nMarianna Vecellio\, Giuseppe Penone / Paolo Pellion di Persano\, Jannis Kounellis / Claudio Abate\, Giovanni Anselmo / Paolo Mussat Sartor and Marisa Merz / diverse photographers. For an image of the life of art\, photography in art at the turn of the 1960s and 1970s.\nThe lunch talk addresses the use of photography in Arte Povera\, Conceptual Art\, and Land Art at the turn of the 1960s and 1970s. \nReservation required: torino@gallerieditalia.com or toll-free number 800 167 619 The activity costs € 22 and includes a lunch box by Costardi Bros and the entrance ticket to the museum.  \nIn collaboration with \n \nLunch box by
URL:https://www.castellodirivoli.org/en/evento/lunch-talks-december-7-2023/
CATEGORIES:conferenza,Dipartimento Curatoriale
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231208T110000
DTEND;TZID=Europe/Rome:20240106T180000
DTSTAMP:20260610T221155
CREATED:20231128T115314Z
LAST-MODIFIED:20231219T093535Z
UID:136982-1702033200-1704564000@www.castellodirivoli.org
SUMMARY:Holidays 2023
DESCRIPTION:Castello di Rivoli  holidays opening hours  \nFriday  December 8th  11am to 6pm \nSunday  December 24th   11am to 5pm \nMonday  December 25st  CLOSED \nSunday December 31st    11am to 5pm \nMonday January 1st       CLOSED \n  \nCerruti collection \nThe last entry on Sunday 24th and Sunday 31st December will be at 4.15pm.
URL:https://www.castellodirivoli.org/en/evento/festivita-al-castello-di-rivoli-2023/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231214T130000
DTEND;TZID=Europe/Rome:20231214T140000
DTSTAMP:20260610T221155
CREATED:20231016T202234Z
LAST-MODIFIED:20251124T143704Z
UID:135353-1702558800-1702562400@www.castellodirivoli.org
SUMMARY:Lunch Talks @ GDI – Torino | Parlare d’Arte.2 | DECEMBER 14\, 2023
DESCRIPTION:A program by Castello di Rivoli in collaboration with Gallerie d’Italia – Torino\nFrom Thursday 26 October 2023\, 1pm – 2 pm\nGallerie d’Italia – Torino\, Arena\nPiazza San Carlo 156\, Turin \nAfter the success of the 2022-2023 edition\, Lunch Talks @ GDI Torino. Parlare d’Arte. Great artists\, great shows\, great topics\, a new program of talks curated by Castello di Rivoli Museo d’Arte Contemporanea at Gallerie d’Italia – Torino will return from October 26\, 2023.     Lunch Talks @ GDI Torino. Parlare d’Arte. Great artists\, great shows\, great topics offers an opportunity to approach contemporary art. With a special focus on photography\, its birth and evolution\, and the relationship that inextricably binds it to other art forms\, the themes that will be addressed during this edition of Lunch Talks are an opportunity to learn about the works of some of the most important contemporary artists\, delve into epoch-making exhibitions that have redefined the concept of art\, and explore the thematic nodes that animate contemporary cultural debate. The talks are held by Carolyn Christov-Bakargiev\, Director of Castello di Rivoli\, Marcella Beccaria\, Deputy Director\, Chief Curator and Curator of the Collections\, and Marianna Vecellio\, Curator\, who will accompany the public on a fascinating journey into the art of our days\, sharing their direct experiences and their continuous research work. Lunch Talks propose a new form of “lunch break”. The meetings will take place in the spaces of the Arena of the Gallerie d’Italia in Turin\, in a relaxed and informal setting. Participants will receive a lunch box curated by Costardi Bros and can end the experience with a visit to the exhibitions set up in the spaces of Gallerie d’Italia in Turin. The program is curated by Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Gallerie d’Italia – Torino. \nLunch Talks @ GDI – Torino\n \nParlare d’Arte. Great artists\, great shows\, great topics\n\nCurated by Castello di Rivoli Museo d’Arte Contemporanea in collaboration with Gallerie d’Italia – Torino \n14 DECEMBER 2023 (1-2 pm) \nMarcella Beccaria\, Light in art\n\nFrom Caravaggio onward\, a journey to discover light in the history of art\, not forgetting the birth of photography as an original form of “light writing”. \nReservation required: torino@gallerieditalia.com or toll-free number 800 167 619 The activity costs € 22 and includes a lunch box by Costardi Bros and the entrance ticket to the museum.  \nIn collaboration with \n \nLunch box by
URL:https://www.castellodirivoli.org/en/evento/lunch-talks-december-14-2023/
CATEGORIES:conferenza,CRRI,Dipartimento Curatoriale
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231215T190000
DTEND;TZID=Europe/Rome:20231215T200000
DTSTAMP:20260610T221155
CREATED:20231205T213020Z
LAST-MODIFIED:20251124T143323Z
UID:137213-1702666800-1702670400@www.castellodirivoli.org
SUMMARY:Nova Express
DESCRIPTION:Gianluigi Ricuperati presents the latest issue of the Nova Express magazine at the Bookshop of Castello di Rivoli.
URL:https://www.castellodirivoli.org/en/evento/nova-express/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231215T200000
DTEND;TZID=Europe/Rome:20231215T210000
DTSTAMP:20260610T221155
CREATED:20231205T213503Z
LAST-MODIFIED:20251124T143150Z
UID:137219-1702670400-1702674000@www.castellodirivoli.org
SUMMARY:Paint it Black. Murmur + Michele Ferrari
DESCRIPTION:Murmur + Michele Ferrari (Villa Lontana Records) \nPoetry on sound\nTexts by Luce Cacciaguerra and Greta Sugar\nSound by Michele Ferrari (VLR @villalontana)\nFriday\, December 15\, 2023 at Castello di Rivoli\, from 8pm to 9pm \nMurmur is a poetry collective founded in 2022 in Milan by Maria Luce Cacciaguerra (Palermo 1997) and Greta Sugar (Milan 1998) with the idea of reviving poetic art through encounters. Murmur gathers the words and the sound and visual research of artists\, thinkers\, and anyone who is passionate about poetry. It is an invitation to restart by the sharing of texts fostering a space for dialogue\, confrontation and a work on words. \nMichele Ferrari (1986) is a visual artist and musician. From 2020 he co-runs Villa Lontana Records\, an experimental and independent record label based in Rome\, which focuses on the production of new sounds\, from electroacoustic to sonorous poetry and from electro-magnetism to field-recordings.
URL:https://www.castellodirivoli.org/en/evento/paint-it-black-murmu-ferrari/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231218T080000
DTEND;TZID=Europe/Rome:20251228T180000
DTSTAMP:20260610T221155
CREATED:20231218T084748Z
LAST-MODIFIED:20251124T143035Z
UID:137854-1702886400-1766944800@www.castellodirivoli.org
SUMMARY:Merenda Reale 2025
DESCRIPTION:Our contemporary Museum café\, decorated with the wall painting designed by the Swiss artist Claudia Comte “Slurp\, Boing\, Puff”\, also offers\, upon reservation\, the Merenda Reale\, a delicious moment\, where hot chocolate is prepared as in the 18th century accompanied by bagnati\, biscuits\, of the Piedmontese tradition. \nAnd you can also give it as a gift! Ask us how! \nInfo and reservations required at our Museum café on 011-9565273 \n  \nPhoto Le Strade di Torino
URL:https://www.castellodirivoli.org/en/evento/merenda-reale-2023/
CATEGORIES:food
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231218T110000
DTEND;TZID=Europe/Rome:20241231T180000
DTSTAMP:20260610T221155
CREATED:20230130T090257Z
LAST-MODIFIED:20230130T091436Z
UID:128122-1702897200-1735668000@www.castellodirivoli.org
SUMMARY:Guided tours of the Collections and temporary exhibitions at the weekend by the Education Department
DESCRIPTION:On Saturdays and Sundays\, Artenaute of the Castello di Rivoli Education Department accompany visitors on their discovery of the exhibition Olafur Eliasson: Trembling Horizons and the works part of the Permanent Collection of the Museum and the Cerruti Collection.
URL:https://www.castellodirivoli.org/en/evento/guided-tours-of-the-collections-and-temporary-exhibitions-at-the-weekend-by-the-education-department/
CATEGORIES:visita guidata
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240117T100000
DTEND;TZID=Europe/Rome:20240117T170000
DTSTAMP:20260610T221155
CREATED:20240117T084038Z
LAST-MODIFIED:20240117T085712Z
UID:138220-1705485600-1705510800@www.castellodirivoli.org
SUMMARY:Today the Manica Lunga is closed for extraordinary maintenance. We will reopen as soon as possible.
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/today-the-manica-lunga-is-closed-for-extraordinary-maintenance-we-will-reopen-as-soon-as-possible/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/07/CASTELLO-DI-RIVOLI-atrio-juvarriano-e-Manica-Lunga.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240203
DTEND;VALUE=DATE:20240325
DTSTAMP:20260610T221155
CREATED:20240125T100834Z
LAST-MODIFIED:20251124T142753Z
UID:138359-1706918400-1711324799@www.castellodirivoli.org
SUMMARY:Vibrant Natures. On Decay and Rebirth
DESCRIPTION:Vibrant Natures. On Decay and Rebirth is a project developed by Almanac Inn\, Castello di Rivoli Museo d’Arte Contemporanea and Orti Generali\, curated by Guido Santandrea and Marianna Vecellio\, in which the notion of decomposition\, hybridization and toxicity meets that of rebirth. \nStarting with the investigation of residual places and the transformation of matter\, the project investigates how processes of decay can represent opportunities for change\, metamorphosis and nurture\, in which new forms of coexistence\, alliance and stratification help to reimagine the existing and possible futures. \nIn the multiplicity of matter\, bodies permeate\, aggregate\, and participate in a collective dimension capable of subverting the individual condition of existence and transcending the human-non-human binomial. At every moment\, the form changes in a process of cyclical and perpetual reconfiguration to acquire a vital and mutable character\, capable of liberating and redefining the bodies. \nIn an approach that places transdisciplinarity\, ecology\, and intersectionality at its center\, the three partners will develop a program that\, from February 3nd to March 24th\, culminates in the week of the spring equinox\, a symbol of harmony and a condition for transformative benefit. \nVibrant Natures consists of workshops\, performances\, talks\, readings\, walks\, and installations to bring together nature and history\, environmental studies and artistic languages\, mysticism and poetry\, inviting international artists and intellectuals to Turin and engaging them in a dialogue with its territory. Among the participants: Soukaina Abrour\, Lucilla Barchetta\, Paolo Bosca\, Benni Bosetto\, Antonia Brown\, Filippo De Pieri\, Ethereal Society of Poetry\, Simone Frangi\, Matthew Gandy\, Allison Grimaldi Donahue\, Debora Incorvaia\, Huw Lemmey\, Michele Lonati\, Tabita Rezaire\, Viviana Sorrentino\, Noura Tafeche. \nThe program will unfold across the different venues of the partners involved: Almanac Inn\, the exhibition and research space dedicated to showcasing and supporting the practices of young emerging artists; Castello di Rivoli\, the first Italian museum dedicated to contemporary art; and Orti Generali\, the urban agricultural spaces established in a residual area on the banks of the Sangone stream in Mirafiori Sud\, strongly characterized by the social and environmental impact of the FIAT industrial plants that\, in the sixties\, led to a tenfold increase in the neighborhood’s population. \nVibrant Natures is a project made possible by the support of Fondazione Compagnia di San Paolo\, Fondazione CRT\, and Regione Piemonte.\n \n\nUpcoming Program\nSaturday 3 February\, h. 17\nCastello di Rivoli Museo d’Arte Contemporanea\nNatura Urbana: Ecological Constellation in Urban Space (MIT Press\, 2022)\, lecture by Matthew Gandy introduced by Filippo De Pieri\nIn collaboration with the Department of Architecture and Design\, Politecnico di Torino \n\nSunday 4 February\, h. 18\n\nAlmanac Inn\nNatura Urbana\, 2017\, screening of Matthew Gandy’s film and conversation between the author and Lucilla Barchetta\nIn collaboration with the Department of Architecture and Design\, Politecnico di Torino \n\nSunday 11 February\, h. 18:30\n\nAlmanac Inn\nPoetry reading group by Ethereal Society of Poetry \n\nSaturday 24 February\, h. 18\nAlmanac Inn\nالماء والشطابة حتى لقاع البحر Acqua e scopa fino in fondo al mare\nOpening of the exhibition by Soukaina Abrour (until 24 March)\nIn collaboration with Centrale Fies \n\nSunday 25 February\, h. 18:30\nAlmanac Inn\nPoetry reading group by Ethereal Society of Poetry and Allison Grimaldi Donahue \n\nSaturday 2 March\, h. 15\nAlmanac Inn\nMicro regali di strada\, workshop by Noura Tafeche in conjunction with Soukaina Abrour’s exhibition \n\nSaturday 9 March\, h. 18:30\nAlmanac Inn\nConversation between Simone Frangi and Soukaina Abrour \n\nSunday 10 March\, h. 15\nOrti Generali\nWalk with Michele Lonati \n\nSunday 17 March\, h. 11\nOrti Generali\nWalk and collection of medicinal herbs with Viviana Sorrentino\nand at h. 15\nWalk with Lucilla Barchetta \n\nThursday 21 March\, h. 18:30\nAlmanac Inn\nWriting workshop by Huw Lemmey \n\nSaturday 23 March\, h. 16\nCastello di Rivoli Museo d’Arte Contemporanea\nJardin Bois de Rose\, 2022\, and Terre Rouge\, 2022\, screening of Tabita Rezaire’s videos\nTango!\, 2024\, performance by Benni Bosetto\nLingua Ignota (Timeo\, 2023) reading by Huw Lemmey\nMercury + Red + Matrilineal\, performative reading by Antonia Brown \n\nSunday 24 March\, h. 12\nOrti Generali\nBanchetto della Rinascita curated by Debora Incorvaia and Paolo Bosca with the involvement of the Orti Generali community\nPoetry reading curated by Ethereal Society of Poetry \n\nBiographies\nSoukaina Abrour (Morocco\, 1997)\, artist.\nRaised in Italy since 2000\, Abrour graduated at the Academy of Fine Arts in Venice. She lives and works between Milan and Venice. Her research investigates the construction of the self in the human and non-human multitudes\, past and future\, through fabulation and its materialization in new forms. In 2022 she participated with BJCEM in a residency for Procida Capital of Culture. In 2023 she won the Agitu Ideo Gudeta Fellowship\, conceived by Razzismo Brutta Storia\, BHMF and Centrale Fies\, the residency with MilanoMediterranea and participated in the Farout festival at BASE Milano. \n\nLucilla Barchetta (Italy\, 1988)\, writer and anthropologist.\nBarchetta is a non-binary anthropologist and PhD in Urban Studies. Their interests intersect the topics of environment\, multispecies health and technoscience. They are the author of the book La rivolta del verde. Natura e rovine a Torino (AgenziaX\, 2021)\, in which they delve into the hidden history of Turin’s riverside areas to reveal the intrinsic politicity of urban ecology. \n\nPaolo Bosca (Italy\, 1996) philosopher and researcher.\nBosca is a PhD candidate at the Universities of Gastronomic Sciences of Pollenzo and the University of Turin\, he collaborates with IUAV and Ca’ Foscari University in Venice and he is a member of the collective Spazio Vacante. He works on the theme of space\, combining philosophical research with field experience to investigate the relationships between agricultural or gastronomic practices and the perception\, ecology and use of territories. His most recent published texts include Synchysis. The path of fluid knowledge (Vesper) and Disertare la crescita (Il Tascabile). \n\nBenni Bosetto (Italy\, 1987)\, artist.\nBosetto studied at the Brera Academy of Fine Arts in Milan\, where she lives\, and at the Sandberg Instituut in Amsterdam. Her practice encompasses drawing\, performance\, sculpture and installation\, and investigates the body from an interspecies and gender perspective. She has recently deepened her study of ancient and contemporary healing rituals and the states of semiconsciousness characteristic of meditation and sleep. She has exhibited at MAMbo\, Bologna\, Fondazione Sandretto Re Rebaudengo\, Guarene\, GAMEc\, Bergamo and Quadriennale di Roma. \n\nAntonia Brown (South Africa\, 1989)\, artist.\nBrown studied at the University of Witwatersrand\, Johannesburg\, and the Piet Zwart Institute\, Rotterdam\, before participating in residency programs at Fondazione Ratti\, Como\, Cité Internationale des Arts\, Paris\, and Morpho\, Antwerp. She is interested in the cultural history of plants in relation to concepts of healing\, fertility and toxicity. Today she investigates the influence of medieval humoral medicine and botany on current conceptions of the body\, linking it to a decolonial process of reimagining somatic relationships. She collaborates with Kate Briggs. \n\nFilippo De Pieri (Italy\, 1968) Professor and architectural historian\nFilippo De Pieri is Professor of History of Architecture at Politecnico di Torino. His research covers a plurality of geographical areas (Europe\, East Asia\, North America) and topics such as the history of early nineteenth-century planning\, the history of urban conservation in the twentieth century\, the history of collective living and the environmental history of architecture. Among his publications: Esplorazioni nella città dei ceti medi: Torino 1945-80 (LetteraVentidue\, 2015\, con G. Caramellino\, C. Renzoni\, M. Pace) and Tra simili. Storie incrociate dei quartieri italiani del secondo dopoguerra (Quodlibet\, 2022). \n\nEthereal Society of Poetry\nEthereal Society of Poetry (ESP) is a project conceived by Davide La Montagna and Deborah Martino\, born from the desire to raise awareness\, promote\, and make poetry accessible through group readings. ESP is conceived as a meeting platform in the form of presentations\, readings\, conversations\, or roundtables open to all\, to take place in a free and safe environment. \n\nSimone Frangi (Italy\, 1982)\, curator and researcher.\nFrangi works at the intersection of critical thinking\, curatorial research\, and education. He currently serves as professor of Theory of Contemporary Art at the École Supérieure d’Art et Design in Grenoble. He directs with Alessandro Castiglioni Live Works – Free School of Performance at Centrale Fies of Trento and A Natural Oasis?\, a Transnational Research Programme. In 2021 he became Senior Curator of MEDITERRANEA19 – School of Waters. In 2021 he also co-published with Lucrezia Cippitelli the anthology Colonialità e Culture Visuali in Italia (Mimesis\, 2021); with her since 2023 he has been curator in charge of contemporary art exhibitions at Kunst Meran Merano Arte. \n\nMatthew Gandy (England\, 1965) geographer and urbanist\nMatthew Gandy is Professor of Geography at the University of Cambridge and an award-winning documentary filmmaker. His articles have appeared in many leading journals including IJURR\, New Left Review\, and Society and Space. His books include Natura urbana: ecological constellations in urban space (MIT Press\, 2022)\, Moth (Reaktion\, 2016)\, The fabric of space: water\, modernity\, and the urban imagination (MIT Press\, 2014)\, and Concrete and clay: reworking nature in New York City (MIT Press\, 2002). He is currently working on zoonotic aspects to urban epidemiology as part of a wider conceptual framing for the multi-species city. \n\nAllison Grimaldi Donahue (USA\, 1984)\, writer and translator.\nGrimaldi Donahue explores modes in which language\, performance and text can move between individual and collective experience. She employs participatory writing methods to build improvised communities of writers and translators\, investigating the ways in which language is useful and useless\, meaningful and a receptacle. She is author of Body to Mineral (Publication Studio Vancouver\, 2016) and On Endings (Delere Press\, 2019) and translator of Blown Away by Vito M. Bonito (Fomite\, 2021) and Self-portrait by Carla Lonzi (Divided\, 2021). She has given recent performances at  Sonnenstube Lugano\, Short Theatre\, Rome\, MACRO\, Rome\, MAMbo\, Bologna.  \n\nDebora Incorvaia (France\, 1987)\, chef and artist.\nIncorvaia graduated at the École Nationale Supérieure d’Art de Bourges and is a member of the Académie Nationale de Cuisine. Incorvaia combines food\, art and ecology to create “edible works”\, culinary performances\, sculptures and installations. Her research explores ancestral cooking and fermentation techniques\, and cooking and ancient recipes. \n\nHuw Lemmey (England\, 1986)\, writer\, artist and critic.\nLemmey is the author of three novels\, Lingua Ignota (Timeo\, 2023)\, My Corbyn Chemsex Hell (Montez Press\, 2019) e Chubz: The Demonization of my Working Arse (Montez Press\, 2014). He writes about gender studies\, sexuality\, politics and mysticism and contributes to Frieze\, Guardian\, Flash Art\, Tribune\, TANK\, The Architectural Review\, Art Monthly\, New Humanist\, Rhizome and Vogue\, among others. Together with Ben Miller he hosts the podcast Bad Gays\, from which the book Bad Gays. Crudeli e spietati: una storia omosessuale (Il Saggiatore\, 2023). \n\nMichele Lonati (Italy\, 1975)\, professor and theorist.\nLonati is a professor at the University of Turin\, where he coordinates the research group in Grassland Ecology and Management. He conducts research on topics related to conservation of rare endangered species and habitats\, biodiversity management and conservation\, containment of invasive exotic species\, grassland management and phytosociology. He is a member of the Italian Botanical Society\, the Italian Society of Vegetation Sciences\, and the Working Group on Exotic Plant Species of the Piedmont Region. \n\nTabita Rezaire (France\, 1989)\, artist\, devotee\, yoga teacher\, doula and farmer.\nRezaire lives in Cayenne\, French Guiana\, where she founded Amakaba\, a center for the wisdom of earth\, body and sky. She holds a bachelor’s degree in Economics and a Master’s from Central Saint Martins\, London. Rezaire is a founding member of the artist group NTU\, part of the duo Malaxa and mother of SENEB House. Her practice focuses on the relationship between technology and spirituality and imagines network sciences (organic\, electronic and spiritual) as healing agents capable of evoking the art of connection. Rezaire’s work has been exhibited: Centre Pompidou\, Paris; Serpentine\, London; MoMa\, NY; New Museum\, NY; MASP\, Sao Paulo; Gropius Bau Berlin e Artspace\, Sydney. \n\nViviana Sorrentino (Italy\, 1980)\, naturalist.\nSorrentino is a PhD at the University of Natural Sciences in Turin\, Italy. Since 2009\, she began studying wild herbs in relation to their beneficial and healing properties\, experimenting with the practice of foraging and cooking\, using wild plants as nourishment and a responsible ethical approach to our relationship with nature.  \n\nNoura Tafeche (Tristan da Cunha\, 1979)\, artist\, independent researcher and onomaturge.\nGraduated in New Technologies for Art from the Brera Academy of Fine Arts with a focus on net.art and radical entertainment\, Tafeche continues her studies in Philosophy. Her artistic path is developed through laboratory methods and practices\, video and miniature drawing. Her areas of research delve into the study of phenomena related to online visual cultures\, the aestheticization of violence on digital platforms\, linguistic experimentation\, and the visual representation of speculative theories. \n\nAlmanac Inn\nAlmanac is a nonprofit space dedicated to showcasing the variety of forms and languages of contemporary art and interacting with the different ways in which it can become an integral part of the daily rhythms of life. Almanac aims to support artistic research and development\, to address the urgencies of the present\, focusing on solo exhibitions of emerging artists and a complementary program of educational and participatory projects. Almanac began its operation in 2013 with Almanac Projects in London. Then in 2014 Almanac Inn was founded in Turin. In 10 years of activity\, Almanac has produced more than 80 solo exhibitions and carried out numerous projects in collaboration with international art institutions such as CAC Brétigny\, GAMeC\, Bergamo\, Gasworks\, London\, Goldsmiths University\, London\, MAMbo\, Bologna\, Morpho\, Antwerp\, OGR\, Turin. \n\nCastello di Rivoli Museo d’Arte Contemporanea\nLocated in an 18th-century Baroque castle designed by architect Filippo Juvarra\, the Castello di Rivoli was restored and opened to the public in 1984. With its renowned collection of contemporary art and its 7\,000 square meters of exhibition space\, the Museum is one of Europe’s leading institutions dedicated to exhibiting and collecting contemporary art in a constant dialogue with the artistic and architecture of the past. An indispensable center of artistic culture\, the Castello di Rivoli contributes to the dissemination\, enhancement and study of contemporary art through exhibitions\, research activities and production of catalogs\, as well as advanced educational programs. \n\nOrti Generali\nThe project was initiated in 2018 with the aim of implementing a social enterprise model in a city park in the suburban Mirafiori Sud neighborhood of Turin\, characterized by an industrial past. Seeking to return to the community a park abandoned for many years and marked by squatting and degradation\, over 250 families were allowed to engage in urban horticulture as an opportunity for social and cultural integration. The transformation process\, which has included cultural events\, educational activities with schools\, and pathways to social inclusion\, has contributed to a renewed sense of community and the development of ecological awareness. \n\nGuido Santandrea (Italy\, 1989)\, curator.\nSantandrea is the artistic director and co-founder of Almanac Projects (London) and Almanac Inn (Turin). Since 2013 he has worked on the curatorial frame and production of over 80 solo exhibitions of emerging artists among the two locations of Almanac. His curatorial practice focuses on facilitating the development of early career artists to respond to the urgencies of the present. He has written for magazines such as Mousse\, Arte e Critica\, Kaleidoscope\, This Is Tomorrow and has contributed to conferences and conversations with artists in institutions and galleries such as Freie Universität\, Berlin\, Fiorucci Art Trust\, London\, Pump House Gallery\, London\, Richard Saltoun Gallery\, London. \n\nMarianna Vecellio (Italy\, 1973)\, art historian and curator.\nVecellio is a curator at the Castello di Rivoli Museo d’Arte Contemporanea\, Rivoli – Turin. Her areas of inquiry privilege research pertaining to contemporary subjectivity in digital society\, ecological\, and out-of-chorus practices. A curator of national and international exhibitions and publications\, she has conceived and realized exhibitions and publications for Castello di Rivoli\, including Michael Rakowitz\, 2020\, Hito Steyerl\, 2019\, Anna Boghiguian\, 2017 – 2018\, and Ed Atkins\, 2017. She has also designed and curated transdisciplinary projects aimed at exploring new forms of coexistence and transformation of the living\, between ecology and the posthuman\, andlectured and taught at universities and institutions. \nThe project is realized by Almanac Inn\, Castello di Rivoli Museo d’Arte Contemporanea\, and Orti Generali. \n \nVibrant Natures is realized with the support of Fondazione Compagnia di San Paolo\, Fondazione CRT and Regione Piemonte.
URL:https://www.castellodirivoli.org/en/evento/vibrant-natures-on-decay-and-rebirth/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240203T170000
DTEND;TZID=Europe/Rome:20240203T170000
DTSTAMP:20260610T221155
CREATED:20240125T134905Z
LAST-MODIFIED:20251124T142459Z
UID:138375-1706979600-1706979600@www.castellodirivoli.org
SUMMARY:Natura Urbana: Ecological Constellation in Urban Space
DESCRIPTION:Leading the contemporary debate on redefining nature in an open\, queer and decolonial sense\, geographer and urbanist Matthew Gandy\, professor of geography at the University of Cambridge\, presents his book Natura Urbana: Ecological Constellation in Urban Space (MIT Press\, 2022). \nStarting from a layered vision that combines queer ecology\, multispecies urbanism\, relational theory and critical landscape studies\, Gandy elaborates a notion of urban space understood as a place in transformation\, both natural and subjective\, for the individuals who participate in it. \nIn his presentation Gandy will outline a working typology for urban ecology that highlights four analytical vantage points: systems-based approaches that dominate both pedagogy and practice; longstanding observational paradigms that have recently permeated citizen science\, new nature writing\, and novel aspects of environmental art; urban political ecology perspectives that explore the structural dimensions to the production of space; and an emerging interest in multispecies urbanism\, with links to critical animal studies\, multispecies ethnographies\, and more-than-human geographies. \nNatura Urbana: Ecological Constellation in Urban Space is the first event of Vibrant Natures. On Decay and Rebirth. Introduced by Filippo De Pieri\, Professor of Architectural History at the Department of Architecture and Design\, Politecnico di Torino. The event is presented in collaboration with the Department of Architecture and Design of Politecnico di Torino. The event will be in english. \nThe next event is on Sunday\, February 4th\, h.18 at Almanac Inn\, Via Reggio 13\, Turin\, featuring the screening of Matthew Gandy’s film Natura Urbana: The Brachen of Berlin\, 2017. This will be followed by a conversation between Gandy and Lucilla Barchetta\, writer and anthropologist\, author of the book La rivolta del verde. Natura e rovine a Torino (AgenziaX\, 2021). \n\nBIOGRAPHIES\nMatthew Gandy (England\, 1965)\, geographer and urbanist.\nMatthew Gandy is Professor of Geography at the University of Cambridge and an award-winning documentary filmmaker. His articles have appeared in many leading journals including IJURR\, New Left Review\, and Society and Space. His books include Natura urbana: ecological constellations in urban space (MIT Press\, 2022)\, Moth (Reaktion\, 2016)\, The fabric of space: water\, modernity\, and the urban imagination (MIT Press\, 2014)\, and Concrete and clay: reworking nature in New York City (MIT Press\, 2002). He is currently working on zoonotic aspects to urban epidemiology as part of a wider conceptual framing for the multi-species city. \nFilippo De Pieri (Italy\, 1968)\, professor and architectural historian.\nFilippo De Pieri is Professor of History of Architecture at Politecnico di Torino. His research covers a plurality of geographical areas (Europe\, East Asia\, North America) and topics such as the history of early nineteenth-century planning\, the history of urban conservation in the twentieth century\, the history of collective living and the environmental history of architecture. Among his publications: Esplorazioni nella città dei ceti medi: Torino 1945-80 (LetteraVentidue\, 2015\, con G. Caramellino\, C. Renzoni\, M. Pace) and Tra simili. Storie incrociate dei quartieri italiani del secondo dopoguerra (Quodlibet\, 2022). \nMore info on the full program \nThe project is realized by Almanac Inn\, Castello di Rivoli Museo d’Arte Contemporanea\, and Orti Generali. \n \nVibrant Natures is realized with the support of Fondazione Compagnia di San Paolo\, Fondazione CRT and Regione Piemonte. \n \nThe event is presented in collaboration with the Department of Architecture and Design of Politecnico di Torino.
URL:https://www.castellodirivoli.org/en/evento/vibrant-natures-on-decay-and-rebirth-february-3-2024/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240204T183000
DTEND;TZID=Europe/Rome:20240204T183000
DTSTAMP:20260610T221155
CREATED:20240129T125945Z
LAST-MODIFIED:20251124T142452Z
UID:138429-1707071400-1707071400@www.castellodirivoli.org
SUMMARY:Natura Urbana: The Brachen of Berlin
DESCRIPTION:Leading the contemporary debate on redefining nature in an open\, queer and decolonial sense\, geographer and urbanist Matthew Gandy\, Professor of geography at the University of Cambridge\, presents the film Natura Urbana: The Brachen of Berlin\, 2017\, 72’\, a post-war history of Berlin through its plants. \nThe film takes us from the Trümmerlandschaften (literally “landscapes covered with debris”) and their unique ecologies to the abandoned roofs of the Friedrichshagen Waterworks on the edge of the city. Encountering an extraordinary variety of spontaneous vegetation from all over the world that has sprouted along railway lines\, street corners\, and in the distinctive Brachen of Berlin. \nIn the documentary the changing vegetation of Berlin serves as a parallel history to war-time destruction\, geo-political division\, and the newest phase of urban transformation. Natura Urbana takes us on a unique journey through Berlin ranging from the botanical microcosm of cracked paving stones to elaborate attempts to map the entire city in terms of its distinctive ecological zones. \nAfter the screening of the documentary Natura Urbana: The Brachen of Berlin\, 2017\, a conversation will take place between Matthew Gandy and Lucilla Barchetta\, writer and anthropologist\, author of the book La rivolta del verde. Natura e rovine a Torino (AgenziaX\, 2021). During the talk\, the concepts of hybridization\, toxicity\, and decay will be addressed in response to the film and in relation to the Turin context. \nNatura Urbana: The Brachen of Berlin is the second event of Vibrant Natures. On Decay and Rebirth and will be in english. The next event is on Sunday\, February 11th\, h.18.30 at Almanac Inn\, Via Reggio 13\, Turin\, with a poetry reading group by Ethereal Society of Poetry on the theme of mysticism and enlightenment in relation to the concept of rebirth. \n\nBIOGRAPHIES\nMatthew Gandy (England\, 1965)\, geographer and urbanist. \nMatthew Gandy is Professor of Geography at the University of Cambridge and an award-winning documentary filmmaker. His articles have appeared in many leading journals including IJURR\, New Left Review\, and Society and Space. His books include Natura urbana: ecological constellations in urban space (MIT Press\, 2022)\, Moth (Reaktion\, 2016)\, The fabric of space: water\, modernity\, and the urban imagination (MIT Press\, 2014)\, and Concrete and clay: reworking nature in New York City (MIT Press\, 2002). He is currently working on zoonotic aspects to urban epidemiology as part of a wider conceptual framing for the multi-species city. \nLucilla Barchetta (Italy\, 1988) writer and anthropologist \nLucilla Barchetta is a non-binary anthropologist and PhD in Urban Studies. Their interests intersect the topics of environment\, multispecies health and technoscience. They are the author of the book La rivolta del verde. Natura e rovine a Torino (AgenziaX\, 2021)\, in which they delve into the hidden history of Turin’s riverside areas to reveal the intrinsic politicity of urban ecology. \nMore info on the full program \nThe project is realized by Almanac Inn\, Castello di Rivoli Museo d’Arte Contemporanea\, and Orti Generali. \n \nVibrant Natures is realized with the support of Fondazione Compagnia di San Paolo\, Fondazione CRT and Regione Piemonte. \n \nThe event is presented in collaboration with the Department of Architecture and Design of Politecnico di Torino.
URL:https://www.castellodirivoli.org/en/evento/natura-urbana-the-brachen-of-berlin/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240214T100000
DTEND;TZID=Europe/Rome:20240214T170000
DTSTAMP:20260610T221155
CREATED:20240201T155642Z
LAST-MODIFIED:20251124T141403Z
UID:138581-1707904800-1707930000@www.castellodirivoli.org
SUMMARY:VALENTINE’S DAY @CASTELLO
DESCRIPTION:Castello di Rivoli invites art lovers to celebrate Valentine’s Day on 14th February. By attending as a couple (partners\, parents and children\, friends or relatives)\, you can have two admissions for the single rate of € 10.00. \nOn this occasion\, the special guided tour Bacchus and Ariadne\, beautiful\, and ardently in love with each other\, presented by Alessia Giorda\, Historic and Artistic Heritage of the Savoy Residence Manager\, at 2.30 pm\, will lead visitors through the captivating decorations of the Sabauda Residence. \nFollowing the special guided tour\, at 4.00 pm\, the The Education Department presents a focus dedicated to couples in the world of contemporary art. Through the works and artists of the Museum’s Permanent Collection\, with a particular focus on Arte povera\, visitors will embark on a journey to discover stories that have left their mark on the art of our time: Michelangelo Pistoletto and Maria Pioppi\, Mario and Marisa Merz\, Gilberto Zorio and Grazia Toderi\, are just a few examples of artists\, who were life and work companions. The activity also includes a dynamic tour between the Collection and the exhibition Michelangelo Pistoletto. Many in One. \nFor more information\, costs\, and reservations \n+39 011.9565.280\nbiglietteria@castellodirivoli.org
URL:https://www.castellodirivoli.org/en/evento/valentines-day-castello-2024/
CATEGORIES:Dipartimento Educazione,Residenza Sabauda,visita guidata
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240223T170000
DTEND;TZID=Europe/Rome:20240223T203000
DTSTAMP:20260610T221155
CREATED:20240131T143556Z
LAST-MODIFIED:20251124T141304Z
UID:138573-1708707600-1708720200@www.castellodirivoli.org
SUMMARY:Weekend with Michelangelo Pistoletto. The artist in conversation with Marcella Beccaria
DESCRIPTION:An exceptional evening visit to the exhibition Many of One with the artist\, who will be in conversation with Marcella Beccaria \nTo celebrate the finissage of the exhibition Michelangelo Pistoletto. Many of one\, on Friday 23 February 2024 at 6 pm Castello di Rivoli presents a talk on the book La formula della creazione (Cittadellarte Edizioni\, 2022)\, where Michelangelo Pistoletto engages in conversation with  Deputy Director and curator of the exhibition Marcella Beccaria. Following the conversation\, Pistoletto will be available to the public to sign copies of his book on the third floor of the Manica Lunga\, in the context of the exhibition which\, for the occasion\, will be exceptionally open until 8:30 pm. The volume La formula della creazione (Cittadellarte Edizioni\, 2022) can be purchased in the Museum Bookshop or online. \nThe talk with the artist is free of charge\, upon reservation ( rsvp@castellodirivoli.org ) and subject to availability. \nThe exhibition can be visited from 5pm to 8.30pm\, with a reduced ticket (€ 6.50 even for Abbonamento Musei owners\, € 4\,50 for students ) and the presence of the artist to sign copies. \nWe recommend purchasing the ticket online. \nhttps://www.castellodirivoli.org/en/buy-tickets-2/
URL:https://www.castellodirivoli.org/en/evento/weekend-with-michelangelo-pistoletto-the-artist-in-conversation-with-marcella-beccaria/
CATEGORIES:conferenza,Dipartimento Curatoriale
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240302T150000
DTEND;TZID=Europe/Rome:20240302T170000
DTSTAMP:20260610T221155
CREATED:20240227T170317Z
LAST-MODIFIED:20251124T141157Z
UID:138893-1709391600-1709398800@www.castellodirivoli.org
SUMMARY:From the palms of your hands grow the flowers of Palestine
DESCRIPTION:في كفوف يديك تنمو زهور فلسطين\nFrom the palms of your hands grow the flowers of Palestine \nMicro Street Gifts Workshop curated by Noura Tafeche in conjunction with the exhibition by Soukaina Abrour.  \nSaturday 2 March\, from h.15 to h.17\nat Almanac Inn \nregistration required > link in bio. \nMicro Street Gifts involves collectively preparing and performing a public act of ‘Radical Tenderness.’ The purpose is to let passersby and residents of the neighborhood find\, as a surprise\, small gifts in unexpected corners of the city\, expressing\, through the language of giving\, a message in support of Palestinian culture and resistance.” \nParticipants are invited to create and/or bring tiny handcrafted items made for the occasion or small recycled objects they wish to gift to the city. The “what” is left entirely to pure imagination. For instance\, they can craft small booklets with excerpts of poems by Palestinian authors\, micro-posters\, watermelon-shaped patches\, stickers\, little bags with seeds from the land of Palestine\, etc. \nHow it works: Before we begin\, all participants will be welcomed with a delightful mint tea. In the first phase\, we will create the small items we want to gift\, then package them together. We will share simple or clever packaging techniques. In the second part\, we will explore the streets of Borgo Rossini to place the little packages in hidden corners or well-visible spots in the urban space. It will all depend on our spontaneous intuition and what the city’s architecture suggests. \nWHAT TO BRING: You are free to choose what to gift to the city\, keeping in mind the message we want to convey. The only technical detail required is that it should fit in the palm of your hand. The size of a miniature can be up to 5-6 cm\, with no limits if the object is foldable\, such as a piece of fabric or paper. \nWHAT’S ALREADY THERE: A printer\, a laptop\, a sewing machine\, paper\, ribbons\, bows\, recycled decorations\, and packaging essentials. Note: Materials brought from home are always welcome. \nDon’t worry if you don’t have something ready to gift; you can join forces with other participants and create something new with the available materials. \nThe exchange and the simple act of giving – free from the expectation of receiving – is one way to build human connections. This is not an instructional workshop; we simply want to encourage a new habit. \nNoura Tafeche is an artist\, an independent researcher and an onomaturge. Graduated in New Technologies for Art from the Brera Academy of Fine Arts with a focus on net.art and radical entertainment\, she studies Philosophy. Her path is developed through laboratory methods and practices\, video and miniature drawing. She explores the study of phenomena related to online visual cultures\, the aestheticization of violence on digital platforms\, linguistic experimentation\, and the visual representation of speculative theories.
URL:https://www.castellodirivoli.org/en/evento/from-the-palms-of-your-hands-grow-the-flowers-of-palestine/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240308T100000
DTEND;TZID=Europe/Rome:20240308T170000
DTSTAMP:20260610T221155
CREATED:20240301T100735Z
LAST-MODIFIED:20251124T140901Z
UID:138945-1709892000-1709917200@www.castellodirivoli.org
SUMMARY:March 8\, 2024
DESCRIPTION:Castello di Rivoli celebrates International Women’s Day with a special program dedicated to the female artists of the museum. The Education Department offers a guided tour through the works of the Permanent Collection. The itinerary explores feminine practices that have left an indelible mark on contemporary art\, featuring works by artists such as Carla Accardi\, Dara Birnbaum\, Monica Bonvicini\, Nan Goldin\, Tracey Emin\, Marisa Merz\, Marzia Migliora\, Pipilotti Rist\, among others. The event also includes a journey through the works exhibited in The Sounds from the World exhibition\, creating a dynamic dialogue among the artists. \n10:00 AM Visit for school students \n3:00 PM Visit for the general public \nInfo:\neduca@castellodirivoli.org \n 
URL:https://www.castellodirivoli.org/en/evento/march-8-2024/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240308T100000
DTEND;TZID=Europe/Rome:20240308T170000
DTSTAMP:20260610T221155
CREATED:20240308T102153Z
LAST-MODIFIED:20240308T102316Z
UID:139016-1709892000-1709917200@www.castellodirivoli.org
SUMMARY:Caffetteria del Museo -Oggi-
DESCRIPTION:Dear visitors  today\, March 8 \, the Museum Cafeteria will be closed for maintenance. \nWe apologize for the inconvenience . \n  \n 
URL:https://www.castellodirivoli.org/en/evento/caffetteria-del-museo-oggi/
CATEGORIES:food
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240309T183000
DTEND;TZID=Europe/Rome:20240309T193000
DTSTAMP:20260610T221155
CREATED:20240227T170855Z
LAST-MODIFIED:20251124T140632Z
UID:138902-1710009000-1710012600@www.castellodirivoli.org
SUMMARY:Simone Frangi in conversation with Soukaina Abrour
DESCRIPTION:On the occasion of Soukaina Abrour’s first solo exhibition\, curator and researcher Simone Frangi will be in conversation with the artist to reflect on her practice and the new production presented at Almanac. \nSimone Frangi (Italy\, 1982) works at the intersection of critical thinking\, curatorial research\, and education. He currently serves as professor of Theory of Contemporary Art at the École Supérieure d’Art et Design in Grenoble. He directs with Alessandro Castiglioni Live Works – Free School of Performance at Centrale Fies of Trento and A Natural Oasis?\, a Transnational Research Programme. In 2021 he became Senior Curator of MEDITERRANEA19 – School of Waters. In 2021 he also co-published with Lucrezia Cippitelli the anthology Colonialità e Culture Visuali in Italia (Mimesis\, 2021). Since 2023 he is curator at Kunst Meran Merano Arte. \nRaised in Italy since 2000\, Soukaina Abrour (Morocco\, 1997) graduated at the Academy of Fine Arts in Venice. Her research investigates the construction of the self in the human and non-human multitudes\, past and future\, through fabulation and its materialization in new forms. In 2022 she participated with BJCEM in a residency for Procida Capital of Culture. In 2023 she won the Agitu Ideo Gudeta Fellowship\, conceived by Razzismo Brutta Storia\, BHMF and Centrale Fies\, the residency with MilanoMediterranea and participated in the Farout festival at BASE Milano.
URL:https://www.castellodirivoli.org/en/evento/simone-frangi-in-conversation-with-soukaina-abrour/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240310T150000
DTEND;TZID=Europe/Rome:20240310T160000
DTSTAMP:20260610T221155
CREATED:20240227T171105Z
LAST-MODIFIED:20251124T140544Z
UID:138904-1710082800-1710086400@www.castellodirivoli.org
SUMMARY:Walk with Michele Lonati
DESCRIPTION:Walk with Michele Lonati\nSunday 10 March\, h. 15\nat Orti Generali \nFor the first event of Vibrant Natures at Orti Generali\, botanist Michele Lonati will lead us on a walk to reflect on some of the central themes of the project—particularly the concepts of hybridization\, toxicity\, and rebirth—engaging with the ecosystems and biodiversity we will encounter in the area where Orti Generali is located. \nCombining on-site exploration with theoretical contextualization\, Lonati will reflect on forms of coexistence\, stratification\, and alliance among species\, focusing particularly on phytosociology – how species ‘socialize’ with each other to form a plant community\, establishing a profound bond of interdependence. \nMichele Lonati is a professor at the University of Turin\, where he coordinates the research group in Grassland Ecology and Management. He conducts research on topics related to conservation of rare endangered species and habitats\, biodiversity management and conservation\, containment of invasive exotic species\, grassland management and phytosociology. He is a member of the Italian Botanical Society\, the Italian Society of Vegetation Sciences\, and the Working Group on Exotic Plant Species of the Piedmont Region.
URL:https://www.castellodirivoli.org/en/evento/walk-with-michele-lonati/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240323T160000
DTEND;TZID=Europe/Rome:20240323T190000
DTSTAMP:20260610T221155
CREATED:20240314T105205Z
LAST-MODIFIED:20251124T135556Z
UID:139104-1711209600-1711220400@www.castellodirivoli.org
SUMMARY:On Decay and Rebirth
DESCRIPTION:MARCH 23rd\, 2024\, h. 4 – 7 p.m.\nCASTELLO DI RIVOLI MUSEO D’ARTE CONTEMPORANEA \nTheatre\, from 4 p.m.\nJardin Bois de Rose (16m 4s)\, 2022\, and Terre Rouge (19m 31s)\, 2022\nscreening of Tabita Rezaire’s videos \nMuseum Atrium and First Floor\, from h. 4.45 p.m.\nTANGO!\, 2024\nperformance by Benni Bosetto \nSecond Floor\, Gallery 22\, h. 6 p.m.\nLingua Ignota (Timeo\, 2023)\nreading by Huw Lemmey \nProject Room\, h. 7 p.m.\nMERCURY + RED + MATRILINEAL\, 2024\nperformative reading by Antonia Brown \nDuring the week of the spring equinox\, Castello di Rivoli hosts On Decay and Rebirth\, a day dedicated to celebrating the generative power of art and nature. The Museum’s galleries\, the theater\, and the eighteenth-century atrium will come alive with contemporary artists and writers through screenings\, performances\, and readings focusing on metamorphosis\, coexistence\, and rebirth. \nHaving moved from Paris to French Guiana to study agriculture and land cultivation according to ancient traditions\, Tabita Rezaire is an artist\, healer\, and yoga teacher whose work explores how the earth\, societies\, and people come together and intersect through agriculture. On the occasion of Vibrant Natures. On Decay and Rebirth\, the theater of the Museum will host the screening of two videos by the artist addressing the meaning of traditional agriculture and ancient practices. Jardin Bois de Rose (Rosewood Garden)\, 2022\, tells the story of a garden in French Guiana where various species of traditional medicinal and ornamental plants are grown. With this work\, Rezaire opens a window into the local pharmacopeia. Terre Rouge (Red Earth)\, 2022\, explores possible ways in which individuals can reconnect with the earth and ancestral practices related to traditional indigenous agriculture. \nBenni Bosetto’s artistic practice has always focused on the transformation and deconstruction of the body. For the occasion of On Decay and Rebirth\, the artist presents TANGO!\, 2024\, an unprecedented performance that unfolds in the exhibition spaces of the collection in three moments: from the melancholy of a solitary heart\, an interspecies tango will invade different rooms of the Museum\, culminating in a cathartic living carillon. The work aims to initiate a reflection on infatuation as a process of intoxication and on the corporeality of feelings\, playing with clichés and archetypes associated with love. \nA religious figure\, writer\, mystic\, and theologian from 12th-century Germany\, Hildegard of Bingen wrote treatises on medicine and botany regarding the medicinal use of herbs. Among her works is Lingua Ignota per simplicem hominem Hildegardem prolata\, a text written in a language she invented for mystical purposes. Writer and critic Huw Lemmey interprets Hildegard’s vision in his text Lingua Ignota\, addressing the themes of apocalypse\, epidemic\, and the regenerative power of mystical practices. For On Decay and Rebirth\, Lemmey will read excerpts from his book\, followed by a collective reading of the text published in Italian in 2023 by Timeo. \nVisual artist Antonia Brown resides between Cape Town and Brussels. Her artistic practice extends through sculpture\, writing\, and performance\, she posits how materials participate in the ongoing formation of bodies. Through a performative reading containing contributions by British author Kate Briggs\, Brown meanders through the history of red\, drawing on its particular relation to extraction and toxicity. MERCURY + RED + MATRILINEAL\, 2024\, investigates how color has been submerged in the politics of the body since antiquity to the present day: from Carmine\, drawn from female parasitic Cochineal insects of the Nopal cactus in Mexico\, to vermillion and its noxious entanglement with Mercury\, to blood red. Brown thus evokes mercurial qualities to symbolise the stories and transmission of lineages of the feminine. \nVibrant Natures. On Decay and Rebirth’s final event will take place on Sunday\, March 24th at 12 p.m. at Orti Generali\, str. Castello di Mirafiori\, 38/15\, Turin\, with Banchetto della rinascita (Banquet of Rebirth) curated by Debora Incorvaia and Paolo Bosca\, involving the Orti Generali community. This will be followed by a poetry reading curated by the Ethereal Society of Poetry. \nVibrant Natures. On Decay and Rebirth is a project realized by Almanac Inn\, Castello di Rivoli Museo d’Arte Contemporanea\, and Orti Generali\, with the support of Fondazione Compagnia di San Paolo\, Fondazione CRT and Regione Piemonte. \nVibrant Natures. On Decay and Rebirth is a project realized by Almanac Inn\, Castello di Rivoli Museo d’Arte Contemporanea\, and Orti Generali\, with the support of Fondazione Compagnia di San Paolo\, Fondazione CRT and Regione Piemonte. \nVibrant Natures. On Decay and Rebirth is curated by Guido Santandrea for Almanac Inn and Marianna Vecellio for Castello di Rivoli. \n\nBIOGRAPHIES\nBenni Bosetto\n(Italy\, 1987) artist \nBosetto studied at the Brera Academy in Milan and at the Sandberg Instituut in Amsterdam. Her practice encompasses drawing\, performance\, sculpture and installation\, and investigates the body from an interspecies and gender perspective. She has recently deepened her study of ancient and contemporary healing rituals\, the states of semiconsciousness characteristic of meditation and sleep. She has exhibited at MAMbo\, Bologna\, Fondazione Sandretto Re Rebaudengo\, Guarene\, GAMeC\, Bergamo and Quadriennale di Roma. \n  \nAntonia Brown\n(South Africa\, 1989) artist \nAntonia Brown studied at the University of Witwatersrand\, Johannesburg\, and the Piet Zwart Institute\, Rotterdam\, and participated in residency programs at Fondazione Ratti\, Como\, Cité Internationale des Arts\, Paris\, and Morpho\, Antwerp. Her recent research investigates how medieval humoral medicine and botany have influenced our conceptions of the body and how this relates to a decolonial process of reimagining somatic relationships. She collaborates with writer and translator Kate Briggs. \n  \nHuw Lemmey\n\n(England\, 1986) writer\, artist and critic \nAuthor of Lingua Ignota (Timeo\, 2023)\, My Corbyn Chemsex Hell (Montez Press\, 2019) e Chubz: The Demonization of my Working Arse (Montez Press\, 2014). He writes about gender studies\, sexuality\, politics and mysticism. He contributes to Frieze\, The Guardian\, Flash Art\, Tribune\, TANK\, The Architectural Review\, Art Monthly\, New Humanist\, Rhizome and Vogue. Together with Ben Miller\, he hosts the podcast Bad Gays\, from which the book Bad Gays. Crudeli e spietati: una storia omosessuale (Il Saggiatore\, 2023) was published. \n  \nTabita Rezaire\n\n(France\, 1989) artist\, devotee\, yoga teacher\, doula and farmer \nRezaire lives in Cayenne\, French Guiana\, where she founded Amakaba\, a center for the wisdom of earth\, body and sky. She holds a degree in Economics and a Master of Research in Moving Image from Central Saint Martins\, London. Rezaire is a founding member of the artist group NTU and part of the duo Malaxa. Her practice focuses on the relationship between technology and spirituality. She imagines network sciences (organic\, electronic and spiritual) as healing agents. Rezaire has been exhibited at Centre Pompidou\, Paris; Serpentine\, London; MoMa\, NY; New Museum\, NY; MASP\, Sao Paulo; Gropius Bau Berlin e Artspace\, Sydney. \n  \nVIBRANT NATURES. ON DECAY AND REBIRTH\n\nVibrant Natures. On Decay and Rebirth is a project developed by Almanac Inn\, Castello di Rivoli Museo d’Arte Contemporanea and Orti Generali\, curated by Guido Santandrea and Marianna Vecellio\, in which the notion of decomposition\, hybridization and toxicity meets that of rebirth. \nStarting with the investigation of residual places and the transformation of matter\, the project esplores how processes of decay can represent opportunities for change\, metamorphosis and nurture\, in which new forms of coexistence\, alliance and stratification help to reimagine the existing and possible futures. \nIn the multiplicity of matter\, bodies permeate\, aggregate\, and participate in a collective dimension capable of subverting the individual condition of existence and transcending the human-non-human binomial. At every moment\, the form changes in a process of cyclical and perpetual reconfiguration to acquire a vital and mutable character\, capable of liberating and redefining the bodies. \nIn an approach that places transdisciplinarity\, ecology\, and intersectionality at its center\, the three partners will develop a program that\, from February 3rd to March 24th\, culminates in the week of the spring equinox\, a symbol of harmony and a condition for transformative benefit. \nVibrant Natures consists of workshops\, performances\, talks\, readings\, walks\, and installations to bring together nature and history\, environmental studies and artistic languages\, mysticism and poetry\, inviting international artists and intellectuals to Turin and engaging them in a dialogue with its territory. Among the participants: Soukaina Abrour\, Lucilla Barchetta\, Paolo Bosca\, Benni Bosetto\, Antonia Brown\, Filippo De Pieri\, Ethereal Society of Poetry\, Simone Frangi\, Matthew Gandy\, Allison Grimaldi Donahue\, Debora Incorvaia\, Huw Lemmey\, Michele Lonati\, Tabita Rezaire\, Viviana Sorrentino\, Noura Tafeche. \nThe program will unfold across the different venues of the partners involved: Almanac Inn\, the exhibition and research space dedicated to showcasing and supporting the practices of young emerging artists; Castello di Rivoli\, the first Italian museum dedicated to contemporary art; and Orti Generali\, the urban agricultural spaces established in a residual area on the banks of the Sangone stream in Mirafiori Sud\, strongly characterized by the social and environmental impact of the FIAT industrial plants that\, in the sixties\, led to a tenfold increase in the neighborhood’s population. \nVibrant Natures is a project made possible by the support of Fondazione Compagnia di San Paolo\, Fondazione CRT\, and Regione Piemonte.
URL:https://www.castellodirivoli.org/en/evento/on-decay-and-rebirth/
CATEGORIES:conferenza,performance
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DTSTART;TZID=Europe/Rome:20240330T110000
DTEND;TZID=Europe/Rome:20240401T180000
DTSTAMP:20260610T221155
CREATED:20240322T154544Z
LAST-MODIFIED:20251124T135419Z
UID:139215-1711796400-1711994400@www.castellodirivoli.org
SUMMARY:Easter Holidays 2024
DESCRIPTION:During the Easter holidays\, Castello di Rivoli will maintain its regular hours on Saturday\, March 30th\, and Sunday\, March 31st. Additionally\, it will be open on Monday\, April 1st\, with the same hours\, from 11 am to 6 pm.\nThe Cerruti Collection will only be accessible on Saturday March 30 and Sunday\, March 31st\, with guided visits available at 11:45 am\, 1:15 pm\, 2:45 pm\, 4:15 pm\, and 5:45 pm.\nThe Education Department will be available for guided tours of the Permanent Collection at 11 am\, 2 pm\, and 4 pm.\nThe Museum Café will be open on Saturday\, March 30th\, Sunday\, March 31st\, and Monday\, April 1st\, from 11 am to 6 pm.
URL:https://www.castellodirivoli.org/en/evento/easter-holidays-2024/
CATEGORIES:Dipartimento Educazione,Residenza Sabauda,visita guidata
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