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DTSTART;TZID=Europe/Rome:20170202T080000
DTEND;TZID=Europe/Rome:20170202T170000
DTSTAMP:20260610T123048
CREATED:20170202T163617Z
LAST-MODIFIED:20170202T163617Z
UID:104799-1486022400-1486054800@www.castellodirivoli.org
SUMMARY:Cinema at the Castello Spotlight
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/cinema-at-the-castello-spotlight/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/02/Preview-Caso-Spotlight-poster-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170216T080000
DTEND;TZID=Europe/Rome:20170216T170000
DTSTAMP:20260610T123048
CREATED:20170216T131603Z
LAST-MODIFIED:20251128T134430Z
UID:104804-1487232000-1487264400@www.castellodirivoli.org
SUMMARY:Royal Senses - The Sight
DESCRIPTION:On the occasion of the 20th anniversary of the inclusion of the Royal Residences of Turin and Piedmont in the list of the UNESCO World Heritage Sites\, the Residences of the Royal House of Savoy will feature a rich calendar of events dedicated to the five senses. An unusual visit to live a unique experience in timeless places\, where sumptuous architectures\, historical rooms and royal gardens become open books on which to sharpen your senses. Starting with their sight\, visitors will widen their perspective your look to catch unusual details or apparent truths\, doing a journey through centuries of history with upturned eyes. \n  \nTHE SIGHT\, See The Royal Residences in Torino and Piemonte with new eyes! \nKALEIDOSCOPE\n\nWith the help of special lenses and a unique instrument – a mix of telescope and kaleidoscope – the details and phantasmagorical figures can be properly seen in the geometric structures of the stucco and rich decorations on the walls of this Savoy residence. \nWhen: 8 April 3.30 p.m. and 9 April – 3.00 p.m.\nDuration: 2 hours\nFee:4.00 €\n*It is also necessary to buy a regular admission ticket to the Royal Residence.\nFree: Royal Card holders \nLanguage: italiano \n\nMeeting point: Castello di Rivoli\, Piazza Mafalda di Savoia – Rivoli (To) – ticket office\nBook  online www.residenzereali.it
URL:https://www.castellodirivoli.org/en/evento/royal-senses-the-sight/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170220T080000
DTEND;TZID=Europe/Rome:20170220T170000
DTSTAMP:20260610T123048
CREATED:20170220T152112Z
LAST-MODIFIED:20170220T152112Z
UID:104806-1487577600-1487610000@www.castellodirivoli.org
SUMMARY:[:it]Cinema al Castello In nome di mia figlia
DESCRIPTION:Cinema al Castello In nome di mia figlia\n26 Feb 2017 26 Feb 2017 \nCinema al Castello \nRassegna organizzata in collaborazione con Distretto Cinema \nTeatro del Castello \nore 17 \n In nome di mia figlia di Vincent Garenq \nNel luglio 1982\, André Bamberski apprende della morte della quattordicenne figlia Kalinka\, avvenuta mentre era in vacanza in Germania con la madre e il patrigno. Rapidamente\, le circostanze spingono André a nutrire diversi sospetti sul decesso\, tanto più che l’atteggiamento del patrigno\, il dottor Krombach\, gli appare insolito e il referto dell’autopsia approssimativo. Convinto della responsabilità dell’uomo\, Bamberski inizia una lunga lotta per la giustizia che andrà avanti per 27 anni e diventerà l’unica ragione della sua vita. \nBiglietto di ingresso 5 euro intero e 4 euro ridotto (over 65\, under 18\, possessori del biglietto del Castello di Rivoli della giornata in corso). I biglietti si acquistano all’ingresso del Teatro del Castello di Rivoli\, a partire dalle ore 16.15 Gratuito per i possessori della Card Amici del Castello di Rivoli
URL:https://www.castellodirivoli.org/en/evento/itcinema-al-castello-in-nome-di-mia-figlia/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/02/Manica-Lunga-by-night-foto-Guermani.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170410T150000
DTEND;TZID=Europe/Rome:20170410T170000
DTSTAMP:20260610T123048
CREATED:20170301T100145Z
LAST-MODIFIED:20170301T100145Z
UID:104809-1491836400-1491843600@www.castellodirivoli.org
SUMMARY:Hito Steyerl\, lecture
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/hito-steyerl-lecture/
LOCATION:Accademia Albertina di Belle Arti di Torino\, Via Accademia Albertina\, 6/8 \, Torino\, TO\, 10123\, Italia
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/03/Hito-Steyerl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170506T120000
DTEND;TZID=Europe/Rome:20170506T160000
DTSTAMP:20260610T123048
CREATED:20170504T131124Z
LAST-MODIFIED:20251128T134006Z
UID:104817-1494072000-1494086400@www.castellodirivoli.org
SUMMARY:Marianne Heier\, This is What Creates the Seasons and the Passing of the Year\, and That Rules over All Visible Things
DESCRIPTION:Gneiss quarry Morina di Montoso\, Bagnolo Piemonte (CN) \n  \nAs part of the ABITARE IL MINERALE project\, produced by a.titolo in collaboration with the Castello di Rivoli Museo d’Arte Contemporanea\, on Saturday\, May 6\, in the spectacular setting of the gneiss quarry Morina di Montoso\, found 1\,300 meters above sea level\, the Traveling Symposium will begin with the performance by the Norwegian artist Marianne Heier\, This is What Creates the Seasons and the Passing of the Year\, and That Rules over All Visible Things. With a title that alludes to the myth of Plato’s cave\, Heier explores the role of art in Western culture through a parallel between an aesthetic and political dimension from Antiquity to today\, touching upon some of the key questions that concern our contemporaneity\, marked by the crisis of the democratic paradigm. \nThe performance\, by the artist with the dance collective Kunstgress\, stages six iconic sculptures of art history like the Nike of Samothrace or the Laocoön group\, interpreted by four dancers dressed in technical sportswear. Like a guide who accompanies visitors inside a museum or an archeological site\, similarly\, the artist leads the public into the cave while reciting a text inspired by\, among others\, writings from Michelangelo Buonarroti\, the art historian Ernst Gombrich\, the feminist theorist Griselda Pollock\, and the Norwegian poet Tor Ulven. In her words for the audience\, Heier engages each “sculpture”\, comparing Greek-ancient statuary and defining Western canons and socio-political structures. The text highlights how the aesthetic development of sculpture—from the archaic period (600–480 B.C.) to the classical style (480–330 B.C.) and the Hellenistic age (323–50 B.C.)—engages dynamism and the presence of physical and somatic details that increase hand in hand with democratic development and individual participation in political life. The point of view of the guide—Marianne Heier—constantly shifts in the cave/cavea\, emphasizing the many interpretations of art history and its meanings. \nThe performance\, which underlines the importance of art for humanity and its role in history\, indirectly explores the conditions of contemporary art practice related to its autonomy and survival on a local and international level. In the context of the ABITARE IL MINERALE project\, this performance alludes to political\, aesthetic\, and narrative potentials that inhabit matter\, be it either the immanent mass of a mountain or the structure of a society. \n  \nABITARE IL MINERALE offers a reflection on overcoming an anthropocentric outlook in our relationship with our habitat and on the concept of creativity in light of new philosophical and scientific theories that have extended the notion of agency—that is\, the “ability to act”—to the non-human\, inorganic world\, by considering matter\, human beings\, and their communication tools in interdependent relations. From observing processes of matter formation and transformation to those concerning human society\, between the Greek agorà and the virtual one where new forms of the democratic paradigm unfold\, along with its pitfalls\, the project is aimed to be a fluid platform where matter\, in the words of the philosopher Karen Barad\, is “an entanglement of agents\, morphologically active\, responsive\, generative and articulate.” Each event in the Traveling Symposium will attempt to offer different interpretations on issues raised by the ABITARE IL MINERALE project\, aiming to salvage the experience dimension also thanks to the specific locations where the performances and encounters are held. \nThe performance is held by Marianne Heier with the dancers Ida Frømyr Borgen\, Hanne Frostad Håkonsen\, Maaike Croles Fitjar\, and Amanda Bach\, with the collaboration of Tobias Leira on lighting\, Erlend Hogstad on sound\, and Kari Berge on production. Installation technical and logistic support by Lookout Comunicazione ed Eventi. \nThe event is made possible by the contribution of the Arts Council Norway\, KORO Public Art Norway\, OCA Office for Contemporary Art Norway\, Bergenstiftelsen\, Andre Jahres Stiftelse\,Norske Kunstforeninger. \nTThe performance will be held on Saturday\, May 6\, 2017 at two times : at noon and at 2:30 p.m. ( duration : 40′; in Italian). At 1 p.m. participants will be offered a light lunch. \nFree admission to the event. \nReservations required at abitareilminerale@gmail.com \nUpcoming events: \n\nWednesday\, May 17 – conversation between Giuseppe Penone and Carolyn Christov-Bakargiev\, Teatro del Castello di Rivoli\nSaturday\, May 27 – dialogue between Giovanni Anselmo and Massimo Bartolini\, Rocca e geosito di Verrua Savoia (TO)\nFriday\, June 16 – lectio magistralis by the American philosopher Karen Barad\, Teatro del Castello di Rivoli\nSaturday\, June 17 – cognitive exploration The Quarry Experience\, with Andrea Caretto and Raffaella Spagna and the geologist Marco Giardino\, gypsum quarry of Moncucco Torinese and clay pit of Munlab Ecomuseo dell’Argilla di Cambiano (TO).\n\n ABITARE IL MINERALE is a project by a.titolo in collaboration with the Castello di Rivoli Museo d’Arte Contemporanea\, curated by Francesca Comisso\, Luisa Perlo\, and Marianna Vecellio\, with the support of the Compagnia di San Paolo as part of the “Ora! Linguaggi contemporanei\, produzioni innovative” competition.
URL:https://www.castellodirivoli.org/en/evento/marianne-heier-this-is-what-creates-the-seasons-and-the-passing-of-the-year-and-that-rules-over-all-visible-things/
CATEGORIES:performance
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/05/cava.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170508T180000
DTEND;TZID=Europe/Rome:20170508T213000
DTSTAMP:20260610T123048
CREATED:20170504T110819Z
LAST-MODIFIED:20251128T133810Z
UID:104813-1494266400-1494279000@www.castellodirivoli.org
SUMMARY:Anna Boghiguian. The Studio's Artist
DESCRIPTION:curated by Carolyn Christov-Bakargiev and Marianna Vecellio \n  \nCastello di Rivoli\, third floor – room 38 \n  \nFor the first time in the history of the Castello di Rivoli\, an artist’s studio will be recreated in a room of the Savoy residence. \nA room in the Museum will be inaugurated on Monday\, May 8 that anticipates the world-premiere retrospective by the Egyptian-Canadian artist of Armenian origins\, Anna Boghiguian (Cairo\, 1946)\, winner of the Golden Lion for the best pavilion (Armenia) at the 56. Venice Biennale in 2015. \nThe project stems from the artist’s residence (for over one month) at the Museum\, during which she moved her studio from Cairo to Rivoli and worked on a new series devoted to the time the philosopher Friedrich Nietzsche spent in Turin between 1888 and 1889. \nIn addition to recreating Boghiguian’s atelier in Cairo—the interiors are overflowing with works and drawings\, pigment bottles\, rugs\, Oriental objects\, and a spacious terrace overlooking the Nile\, with flocks of flying birds—the room also presents her early works that have never been shown to the public before. \n  \nThis exhibition will be open from May 9 to July 23\, upon request. \n  \nThe retrospective by the artist Anna Boghiguian\, installed on the third floor of the Manica Lunga\, will be inaugurated on September 18\, 2017. \n   \nWhile keeping her studio and home in Cairo\, Boghiguian nomadically lives and works in Europe\, Asia\, Africa\, and the Americas. The daughter of an Armenian clockmaker\, she studied political science and art at the American University in Cairo in the 1960s. She then moved to Canada in 1970 where she studied art and music at Concordia University in Montreal. With interests in literature\, philosophy\, and politics\, Boghiguian is known for her expressionist drawings and paintings\, often executed with hot wax and saturated colors in a spontaneous style. Her works combine figuration and written texts and derive from the observation of social conflicts in the contemporary world of globalization. Her painting is a veritable body\, able to touch all the senses and favor an empathic dimension. \nIn addition to painting\, the artist uses numerous expressive languages like sculpture\, photography\, writing\, and sound. Her collages include objects and cut-outs of printed images. Her installations and site-specific works offer a unique interpretation of the experience of traveling and of human beings in today’s world\, in transit between past and present\, poetry and politics\, a positive outlook on the world and critical observation.
URL:https://www.castellodirivoli.org/en/evento/anna-boghiguian-the-studios-artist/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/05/anna-boghiguian-e1493894989892.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170508T190000
DTEND;TZID=Europe/Rome:20170508T210000
DTSTAMP:20260610T123048
CREATED:20170504T125855Z
LAST-MODIFIED:20251128T133729Z
UID:104815-1494270000-1494277200@www.castellodirivoli.org
SUMMARY:Tarek Atoui. Conjured Geographies
DESCRIPTION:Curated by Marcella Beccaria \nCastello di Rivoli\, outdoor courtyard \n  \nArtist and electroacoustic composer\, Tarek Atoui creates a new form of art where bodies and machines intermingle and become one. The artist uses self-made computers and electronic paraphernalia to hold interventions\, concerts\, performances\, and workshops. Starting from extensive research on music history and instrumentation\, his artistic practice intentionally focuses on collaborative performances in which improvisation plays a central role. In dialogue with each context\, Atoui’s performances develop through relationships between history\, sounds\, instruments\, and bodies\, showing how music and new technologies can be powerful tools of expression and identity. \nOn the occasion of his first performance in Italy\, at the Castello di Rivoli\, and in anticipation of his first-ever retrospective to be held at the Museum in late 2018\, the artist presents Conjured Geographies\, 2016–2017\, a collage of impromptu sounds that includes memories from his most important sound events: from Metastable Circuit\, presented at dOCUMENTA 13 (2012)\, to On and From Tarab\, realized at Sharjah Art Foundation and at the Serpentine Gallery (2012)\, up to I/E Elefsis\, presented at the archeological site of Eleusis (2015)\, and Dahlem Sessions\, held at the Anthropology Museum of Dahlem during the Berlin Biennale (2014). \nIn the performance Conjured Geographies (duration: 45’)\, the sound material is reconfigured in a heterophony\, taking cue from the tarab in Arab music (from the word tarabi\, meaning “to dance” or “to have fun with music”). In that tradition\, heterophony plays a key role in recreating a psychophysical condition\, inducing a trance or enchantment with the audience. Five or six musicians play at the same time\, although each of them follows the score in his own way. These multiple sonorities with their free interpretation offer the audience the chance to experience the tarab. As explained by the artist: “The tarab is not a music genre but a state of ‘melotrance’ that you reach after being exposed to music for a certain amount of time. The tarab used to happen in courtyards\, where people would come and sit for hours.” \nIn this performance\, Atoui uses a self-made mixer with which he integrates traditional chants with his own voice in order to restore art to its foundations and its function of being “nothing but the mutual articulation\, matter and body—as he states—while collapsing all geographical\, temporal\, and physical boundaries.” \n  \nTarek Atoui (Lebanon\, 1980) moved to Paris in 1998 where he currently lives and works. After his studies in contemporary and electronic music at the French National Conservatory of Reims\, as co-director of the STEIM Studios\, Amsterdam (2008)\, he released his first solo album of live sessions in the “Mort aux Vaches” series for the label Staalplaat. Recent productions and performances have taken place at Tate Modern\, London (2016); Fondation Louis Vuitton\, Paris (2015); Bonniers Konsthall\, Stockholm (2013); Norbergenfestival\, Norbergen\, Sweden (2013); Bik Van Der Pol\, Utrecht\, Holland (2011); New Museum\, New York (2010); Manarat Saadiyat\, United Arab Emirates (2009); La Maison Rouge\, Paris (2009); Today’s Art Festival\, Amsterdam (2007). His latest performances and group exhibitions include Un-drum 3\, La Maison Rouge\, Paris (2010); Below 160\, Salzburg Sommerszene Festival\, Salzburg (2011); La Lutherie\, DIMIs Re-connected\, Metastable Circuit\, dOCUMENTA (13)\, Kassel (2012); La Suite\, Serpentine Gallery\, London (2012); Within\, Sharjah Biennial 11\, Sharjah\, United Arab Emirates (2013); Art or Sound\, Fondazione Prada\, Ca’ Corner della Regina\, Venice (2014). He also took part in the 9th and 11th Sharjah Biennial\, Sharjah\, United Arab Emirates (2009; 2013)\, 9th Mercosul Biennale\, Porto Alegre\, Brazil (2013); 9th Berlin Biennale\, Berlin (2014); Marrakech Biennale\, Morocco (2016). \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nPress Office Castello di Rivoli \nManuela Vasco | tel. 011.9565209 | press@castellodirivoli.org \nBrunella Manzardo | tel. 011.9565211 | b.manzardo@castellodirivoli.org
URL:https://www.castellodirivoli.org/en/evento/tarek-atoui-conjured-geographies/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/05/tarek.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170616T190000
DTEND;TZID=Europe/Rome:20170616T210000
DTSTAMP:20260610T123048
CREATED:20170526T103112Z
LAST-MODIFIED:20251128T133641Z
UID:104823-1497639600-1497646800@www.castellodirivoli.org
SUMMARY:Karen Barad\, Troubling Time/s and Ecologies of Nothingness: Re-turning\, Re-membering\, and Facing the Incalculable | lecture
DESCRIPTION:Lecture\, \nCastello di Rivoli\, Conference Hall \n  \nFor the first time in Italy\, the Castello di Rivoli hosts a conference by the American physicist and feminist philosopher Karen Barad\, one of the most well-known and important figures of international scientific debate. Barad espouses decentering humans and conceiving the world like a series of interactions; she has influenced an entire generation of young artists in the world particularly tied to materiality and immateriality. The event is part of the Abitare il Minerale project. \nKaren Barad promotes Agential Realism\, a reflection that intertwines quantum physics\, ethics\, ontology\, and epistemology\, expanding her research of matter to an attentive and renewed observation of social and political phenomena. By overturning the sense of causality and individuality\, Barad introduces the notion of intra-actions\, operations that constantly reconfigure matter and establish “the definition of differences\, of ‘individual\,’ instead of presuming their existence as being independent and antecedent.” \nFor the conference Troubling Time/s and Ecologies of Nothingness: Re-turning\, Re-membering\, and Facing the Incalculable\, Karen Barad will show how deconstruction dynamics of quantum physics can challenge the modern concept of time by presenting new and radical social and environmental imaginaries. The uncertainty of time\, at the heart of quantum physics\, unsettles “not only research on particle physics and nuclear physics\, but also challenges the traditional interpretation of social phenomena like colonialism\, capitalism\, militarism\, racism\, nationalism\, and environmental destruction.” \nKaren Barad (1956)\, an American physicist and feminist theorist\, is a key protagonist of the contemporary debate. She currently teaches Feminist Studies\, Philosophy\, and the History of Consciousness at the University of California Santa Cruz. She graduated in physics from Stony Brook University in New York\, and then published in 2007 Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning\, a book that\, while presenting the theory of Agential Realism\, definitively undermines the bases not only of our traditional way of conceiving matter\, but also the dichotomies between nature and culture\, animal and human\, man and woman\, problematizing the social role of science and the nature of ethics. Over the years she has received many honors including in 2016 an honorary doctorate from Gothenburg University\, in Sweden. Since 2016 she has taken part in the project “Decolonizing Early Childhood Discourses: Critical Posthumanism in Higher Education” at the University of Cape Town. She has also held seminars at prestigious universities and institutions\, and participated in 2012 in dOCUMENTA (13) with the text What Is the Measure of Nothingness? Infinity\, Virtuality\, Justice in the catalogue and the series 100 Notes – 100 Thoughts. Book n° 099\, Hatje Cantz Verlag (2012). \n  \nAdmission to the event is free\, but participants are required to register beforehand at abitareilminerale@gmail.com\, or in person on the day of the conference at the Castello di Rivoli. \nThese participants can also take advantage of a reduced-price ticket to the Museum by presenting their e-mail reservation. \nAbitare il Minerale is organized by a.titolo in collaboration with the Castello di Rivoli Museo d’Arte Contemporanea\, curated by Francesca Comisso\, Luisa Perlo\, and Marianna Vecellio\, with funding by the Compagnia di San Paolo and is part of the “Ora! Linguaggi contemporanei\, produzioni innovative” competition. \n 
URL:https://www.castellodirivoli.org/en/evento/karen-barad-troubling-time-s-and-ecologies-of-nothingness-re-turning-re-membering-and-facing-the-incalculable-lecture/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/05/barad.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170621T170000
DTEND;TZID=Europe/Rome:20170621T203000
DTSTAMP:20260610T123048
CREATED:20170526T102345Z
LAST-MODIFIED:20170526T102345Z
UID:104821-1498064400-1498077000@www.castellodirivoli.org
SUMMARY:Rosalind Krauss. Knighthood: The Medium Strikes Back - lecture / William Kentridge\, Triumphs and Laments | screening
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/rosalind-krauss-knighthood-the-medium-strikes-back-lecture-william-kentridge-triumphs-and-laments-screening/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/05/olausen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170910T163000
DTEND;TZID=Europe/Rome:20170910T190000
DTSTAMP:20260610T123048
CREATED:20170828T135001Z
LAST-MODIFIED:20251128T122810Z
UID:104828-1505061000-1505070000@www.castellodirivoli.org
SUMMARY:Royal Senses The Taste
DESCRIPTION:In the 20th year since the inclusion of the Royal Residences of Torino and Piemonte in the List of UNESCO World Heritage Sites\, the Savoy residences have prepared a full calendar of events all based on the five senses. Through the sense of taste you will discover the King’s diet\, the setting of the royal sumptuous banquets and the gastronomic production inside the Court: a walking itinerary through royal kitchens and gardens dedicated to food and the Savoy Family’s ordinary life. \nSunday 10th of September at 4\,30 pm \nThe guided tour will be followed by a hot chocolate tasting ( reservationd required) \n#Unastorialungamilleanni: stories of banquets and kings. \nWhat was on the menu for Madama Reale’s birthday? Which wine did King Vittorio Amedeo II drink at the Castle? Why did the Duchess of Aosta eat focaccia on the day of Epiphany? A special historical tour of the Royal Residence followed by enjoying the Merenda Reale®\, the afternoon ritual of hot chocolate and traditional biscuits in the customary way of the House of Savoy. \nInfo and reservations of the Merenda Reale +39. 011.9565273 – caffeteria@castellodirivoli.org
URL:https://www.castellodirivoli.org/en/evento/royal-senses-the-taste/
CATEGORIES:food,visita guidata
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/08/Manica-e-Castello.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170919T170000
DTEND;TZID=Europe/Rome:20170919T183000
DTSTAMP:20260610T123048
CREATED:20170912T091549Z
LAST-MODIFIED:20251128T122453Z
UID:104830-1505840400-1505845800@www.castellodirivoli.org
SUMMARY:Gilberto Zorio in conversation with Marcella Beccaria at Polo del 900
DESCRIPTION:As part of the cultural program of Polo del 900\, ISMEL – Istituto per la Memoria e la Cultura del Lavoro\, dell’Impresa e dei Diritti Sociali in collaboration with the Education Department of Castello di Rivoli features Lavorare… ad Arte\, a series of nine conversations with protagonists of contemporary art\, around the theme of work in the artistic and cultural field. \nThe conversation between Gilberto Zorio and Marcella Beccaria anticipates the major exhibition dedicated to the artist\, which will open on November 1\, 2017. \nThis event is introduced by Giovanni Ferrero\, ISMEL President\, and it takes place in the Sala Didattica of Polo del 900\, via del Carmine 14. \nFor futher information ISMEL \n 
URL:https://www.castellodirivoli.org/en/evento/gilberto-zorio-in-conversation-with-marcella-beccaria-at-polo-del-900/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2017/09/Schermata-2017-09-13-alle-12.13.57.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170923T100000
DTEND;TZID=Europe/Rome:20170924T190000
DTSTAMP:20260610T123048
CREATED:20170828T125538Z
LAST-MODIFIED:20251128T122253Z
UID:104826-1506160800-1506279600@www.castellodirivoli.org
SUMMARY:European Heritage Days
DESCRIPTION:September 23\, 2017\nSpecial Opening\n 10 am – 10 pm \nSeptember 24\, 2017\n10 am – 7 pm \nOn the occasion of the European Heritage Days\, the Castello di Rivoli is organizing free guided tours of the exhibition Cutting Through Time. Highlights from the Castello di Rivoli Collection\, the major exhibition Anna Boghiguian and the Permanent Collection of the Museum. The tours take place at 3.30 pm\, 6 pm\, 7 pm\, 9 pm. \nfrom 7 to 10 pm: admission is 1 euro for all exhibitions.\nfrom 10 am to 7 pm: regular admission is charged. Learn more
URL:https://www.castellodirivoli.org/en/evento/european-heritage-days/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/08/logo-giornate-europee-del-patrimonio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170930T180000
DTEND;TZID=Europe/Rome:20170930T233000
DTSTAMP:20260610T123048
CREATED:20170921T092345Z
LAST-MODIFIED:20251128T122010Z
UID:104832-1506794400-1506814200@www.castellodirivoli.org
SUMMARY:OGR - Corte Est Commissions. William Kentridge creates Procession. The Reparationists
DESCRIPTION:The opening of the OGR will coincide with Procession. The Reparationists\, public site-specific installation by South African artist William Kentridge (Johannesburg\, 1955). \nThis is a commission commissioned by Castello di Rivoli Museo d’Arte Contemporanea\, supported entirely by the CRT Foundation for Modern and Contemporary Art\, curated and producted by Castello di Rivoli. This work is the first of a series of commissions in the public space of the OGR designed to be accessible from the entire city. The artist creates an installation inspired by the ex-industrial life of the Officine Grandi Riparazioni and composed of a procession of symbolic figures\, which allude to the work of repairing trains and bodies. \n\nOGR \nCorso Castelfidardo\, 22 \n10128 – Torino (TO)
URL:https://www.castellodirivoli.org/en/evento/ogr-corte-est-commissions-william-kentridge-creates-procession-the-reparationists/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/09/RENDER_CORTE_EST.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20171007T163000
DTEND;TZID=Europe/Rome:20171007T180000
DTSTAMP:20260610T123048
CREATED:20171002T090530Z
LAST-MODIFIED:20251128T121633Z
UID:104835-1507393800-1507399200@www.castellodirivoli.org
SUMMARY:A conversation with Massimo Bartolini
DESCRIPTION:Starting from the work of the artist\, this conversation will focus on the ability of Massimo Bartolini to create through signs\, objects\, sounds\, and environments the conditions of an experience in which the sensorial is connected to the intangible\, the concrete reality to imagination\, the material to the immaterial. The conversation will start from the beginnings to oscillating floors\, from light architectures to sound landscapes and to recent artworks on the physical and conceptual dimension of sculpture. The Bartolini’s artworks\, in their sensorial and experiential prerogative\, question our relationship with the reality and the modes of our being in the world: feet on earth\, head to the sky\, body\, and perceptions as vehicles. \nAdmission is free but submission is required mailing to abitareilminerale@gmail.com\, or the day of the event at Castello di Rivoli’s ticket office. \nVisitors can also take part in a visit to the retrospective of Anna Boghiguian\, led by curator Marianna Vecellio\, who will explore some of the themes of the exhibition through reading the artist’s texts. A free shuttle departs at 2.30 pm from Turin Piazza Castello and 2.35 from Turin Porta Susa and returns from Castello di Rivoli at 6.10 (free run only for museum ticket holders). \nThe conversation is part of Abitare il Minerale\, a project realized by a.titolo in collaboration with Castello di Rivoli Museo d’Arte Contemporanea\, and curated by Francesca Comisso\, Luisa Perlo and Marianna Vecellio\, with the support of the Compagnia di San Paolo in “ORA! Linguaggi Contemporanei\, Linguaggi Innovativi”.
URL:https://www.castellodirivoli.org/en/evento/a-conversation-with-massimo-bartolini/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/10/Bartolini-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171014
DTEND;VALUE=DATE:20171015
DTSTAMP:20260610T123048
CREATED:20171010T120338Z
LAST-MODIFIED:20171010T120338Z
UID:104843-1507939200-1508025599@www.castellodirivoli.org
SUMMARY:Giornata del Contemporaneo Tredicesima edizione
DESCRIPTION:AMACI ha scelto sabato 14 ottobre 2017 per la Tredicesima Giornata del Contemporaneo\, la grande manifestazione organizzata ogni anno per portare l’arte del nostro tempo al grande pubblico. \nIl Castello di Rivoli Museo d’Arte Contemporanea aderisce all’iniziativa concedendo l’ingresso gratuito.  \n\n\nLa Giornata del Contemporaneo è il grande evento che\, dal 2005\, AMACI dedica all’arte contemporanea e al suo pubblico. Il primo o il secondo sabato di ottobre i musei associati ad AMACI\, accanto a tutte le istituzioni del nostro Paese che liberamente decidono di aderire all’iniziativa\, aprono gratuitamente le loro porte per un’iniziativa ricca di eventi\, mostre\, conferenze e laboratori. Un programma multiforme che regala l’imperdibile occasione di vivere da vicino la vivacità e la ricchezza dell’arte di oggi. \nL’evento merita un’attenzione particolare per l’importante ruolo che negli anni ha dimostrato di svolgere per la promozione della cultura contemporanea. \nL’incremento in termini di partecipazione e di presenze della Giornata del Contemporaneo ha infatti evidenziato con chiarezza la sempre maggiore attenzione che il mondo dell’arte contemporanea presta ad AMACI e a un’iniziativa che si è ormai consolidata come un importante appuntamento annuale nel panorama italiano. In questi anni\, l’evento ha permesso di disegnare una mappa dell’arte di oggi che ha coinvolto non soltanto le grandi città\, ma anche i centri più piccoli\, da sempre molto attivi. In questa mappa\, i musei\, poli culturali per definizione\, hanno assunto il ruolo di veri e propri catalizzatori\, con la capacità di presentare e valorizzare l’attività degli artisti contemporanei. \nLa sempre crescente partecipazione di istituzioni museali italiane impegnate nel campo dell’arte contemporanea dimostra\, ancora una volta\, il valore dell’evento quale grande occasione di scambio\, vivace e dinamico\, tra l’arte del nostro tempo e il suo pubblico\, sempre più numeroso\, diversificato e interessato. \nhttp://www.amaci.org/gdc/tredicesima-edizione
URL:https://www.castellodirivoli.org/en/evento/giornata-del-contemporaneo-tredicesima-edizione/
CATEGORIES:conferenza,visita guidata
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/10/pane-quotidiano.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20171014T160000
DTEND;TZID=Europe/Rome:20171014T180000
DTSTAMP:20260610T123048
CREATED:20171009T100440Z
LAST-MODIFIED:20171009T100440Z
UID:104837-1507996800-1508004000@www.castellodirivoli.org
SUMMARY:Hans Ulrich Obrist in conversation with Anna Boghiguian
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/hans-ulrich-obrist-in-conversation-with-anna-boghiguian/
CATEGORIES:conferenza,Dipartimento Curatoriale
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/10/BOGHIGUIAN_OBRIST.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20171015T163000
DTEND;TZID=Europe/Rome:20171015T183000
DTSTAMP:20260610T123048
CREATED:20171009T110051Z
LAST-MODIFIED:20171009T110051Z
UID:104839-1508085000-1508092200@www.castellodirivoli.org
SUMMARY:La musica di una vita. Rohan De Saram (Concert)
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/la-musica-di-una-vita-rohan-de-saram-concert/
CATEGORIES:concerto
ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2017/09/Schermata-2017-10-04-alle-15.03.47.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20171022T210000
DTEND;TZID=Europe/Rome:20171022T230000
DTSTAMP:20260610T123048
CREATED:20171009T112024Z
LAST-MODIFIED:20171009T112024Z
UID:104841-1508706000-1508713200@www.castellodirivoli.org
SUMMARY:Winners of Luigi Nono Prize in concert
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/winners-of-luigi-nono-prize-in-concert/
CATEGORIES:concerto
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20171104T110000
DTEND;TZID=Europe/Rome:20171104T113000
DTSTAMP:20260610T123048
CREATED:20171023T095305Z
LAST-MODIFIED:20251128T121244Z
UID:104845-1509793200-1509795000@www.castellodirivoli.org
SUMMARY:Carolyn Christov-Bakargiev in conversation with Cecile B. Evans at "Museum Twenty-One"
DESCRIPTION:AMACI – the Association of Italian Contemporary Art Museums and OGR – Officine Grandi Riparazioni in Turin announce Museums at The ‘Post-Digital’ Turn\, the first major symposium conceived by AMACI in the framework of Museum Twenty-One\, a brand new research platform dedicated to the transformations of the contemporary art museum. \nMuseums at the ‘Post-Digital’ Turn will take place at the OGR in Turin over two days\, 3 – 4 November 2017\, and will encompass seven panels including presentations and lectures. \nOn November 4\, from 11 am to 11.30 am\, Carolyn Christov-Bakargiev – artistic director of dOCUMENTA(13) in 2012 and today Director of Castello di Rivoli and GAM in Turin – and emerging artist Cécile B. Evans – winner of the 2016 illy Prize – discuss the conditions of subjectivity and life in the digital age through a critique of current naïve beliefs and through a focus on artistic adventures and experiments that transform uncertainties and fragmentation into the grounds for an emotional and affective presence where communicating becomes communicaring. \nInfo and ticket: AMACI \n 
URL:https://www.castellodirivoli.org/en/evento/carolyn-christov-bakargiev-in-conversation-with-cecile-b-evans-at-museum-twenty-one/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/06/What-the-Heart-Wants-2016-HD-video_9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20171104T173000
DTEND;TZID=Europe/Rome:20171104T183000
DTSTAMP:20260610T123048
CREATED:20171023T104936Z
LAST-MODIFIED:20251128T121110Z
UID:104847-1509816600-1509820200@www.castellodirivoli.org
SUMMARY:Gilberto Zorio in conversation with Marcella Beccaria - Artissima 17
DESCRIPTION:In conjunction with the exhibition at Castello di Rivoli Museo d’Arte Contemporanea\, the conversation between the curator Marcella Beccaria and Gilberto Zorio focuses on the exhibition currently on view. Covering more than fifty years of artistic career\, the exhibition includes a wide selection\, from rare historical artworks jealously kept by the artist for his own collection\, to new works specifically created for the museum. \nMeeting Point Area \nArtissima 2017
URL:https://www.castellodirivoli.org/en/evento/gilberto-zorio-in-conversation-with-marcella-beccaria-artissima-17/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/10/GZ-Stella-incandescente_studio-calda.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20171110T203000
DTEND;TZID=Europe/Rome:20171112T170000
DTSTAMP:20260610T123048
CREATED:20171023T111722Z
LAST-MODIFIED:20171023T111722Z
UID:104849-1510345800-1510506000@www.castellodirivoli.org
SUMMARY:RUY BLAS. A contemporary fable
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/ruy-blas-a-contemporary-fable/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/10/Ruy-Blas_disegno.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20171125T160000
DTEND;TZID=Europe/Rome:20171125T173000
DTSTAMP:20260610T123048
CREATED:20171113T101334Z
LAST-MODIFIED:20251128T120938Z
UID:104857-1511625600-1511631000@www.castellodirivoli.org
SUMMARY:Matteo Nucci. Going Home
DESCRIPTION:“You can never go home. \nWhen Odysseus finally wakes up on the island he longed for twenty years\, he doesn’t realize it. When he returns to his palace\, no one except a dog recognizes him—a king so missed yet so forgotten. And when\, after the famous challenge with bow and arrow\, he wipes out all his adversaries—Penelope’s suitors who’ve lived off him for years—at that moment as we sense everything is finally over\, we realize that Odysseus is a new man at home and that\, ultimately\, his Ithaca no longer exists. But maybe it never really existed.” \nMatteo Nucci was born in Rome in 1970. He studied ancient ideas and philosophy and published essays on Empedocles\, Socrates\, and Plato. In 2009\, he translated and edited Plato’s Symposium for Einaudi\, and in 2013\, also for the same publisher\, Le lacrime degli eroi\, a narrative essay on crying in Homer’s world. Novels that have been published by Ponte alle Grazie include: Sono comuni le cose degli amici (2009\, among the five finalists of the Premio Strega)\, Il toro non sbaglia mai (2011)\, È giusto obbedire alla notte (2017\, among the five finalists of the Premio Strega). His stories have appeared in anthologies\, magazines\, and e-books. He has authored cultural reportage works and articles on a regular basis for venerdì di Repubblica which can also be found online at minimaetmoralia.it. He also curates a site devoted to information on and the culture of bulls: www.uominietori.it. \nThis lecture is part of the public programs of the exhibition Anna Boghiguian.
URL:https://www.castellodirivoli.org/en/evento/matteo-nucci-going-home/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/11/Matteo_Nucci_Immagine.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20171205T180000
DTEND;TZID=Europe/Rome:20171205T190000
DTSTAMP:20260610T123048
CREATED:20171204T095727Z
LAST-MODIFIED:20251128T120214Z
UID:104865-1512496800-1512500400@www.castellodirivoli.org
SUMMARY:Anna Boghiguian\, artist of our time - Circolo dei Lettori
DESCRIPTION:Circolo dei Lettori\nSala Musica \n6 pm \nAnna Boghiguian\, an artist of our time \nPresentation of the catalog with exhibition curators Carolyn Christov-Bakargiev and Marianna Vecellio. \nPublished on the occasion of her retrospective exhibition at Castello di Rivoli Museo d’Arte Contemporanea and Sharjah Art Foundation\, this catalog includes Boghiguian’s unpublished texts and poems\, a new artist’s project consisting of gouaches inspired by Friedrich Nietzsche’s stay in Turin (1888–1889)\, and new critical essays by Carolyn Christov-Bakargiev\, Marianna Vecellio\, Hoor Al Qasimi\, Chiara Vecchiarelli\, as well as a conversation between Milovan Farronato and the artist.
URL:https://www.castellodirivoli.org/en/evento/anna-boghiguian-artist-of-our-time-circolo-dei-lettori/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/12/37_Anna-Boghiguian-Photo-by-Renato-Ghiazza.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20180120T160000
DTEND;TZID=Europe/Rome:20180120T180000
DTSTAMP:20260610T123048
CREATED:20180111T152144Z
LAST-MODIFIED:20180111T152144Z
UID:104873-1516464000-1516471200@www.castellodirivoli.org
SUMMARY:Maria Thereza Alves and Jimmie Durham at Castello di Rivoli
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/maria-thereza-alves-and-jimmie-durham-at-castello-di-rivoli/
CATEGORIES:conferenza,CRRI,Dipartimento Curatoriale
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2018/01/Maria-Thereza-Alves_Jimmie-Durham_photo_VeracruzVirginia.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20180121T170000
DTEND;TZID=Europe/Rome:20180121T183000
DTSTAMP:20260610T123048
CREATED:20171218T094447Z
LAST-MODIFIED:20171218T094447Z
UID:104871-1516554000-1516559400@www.castellodirivoli.org
SUMMARY:Listen with your eyes
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/listen-with-your-eyes/
CATEGORIES:concerto
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2017/12/08.-ABELIN-HALPERIN.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20180123T180000
DTEND;TZID=Europe/Rome:20180123T193000
DTSTAMP:20260610T123048
CREATED:20180115T114439Z
LAST-MODIFIED:20180115T114439Z
UID:104875-1516730400-1516735800@www.castellodirivoli.org
SUMMARY:Gilberto Zorio. The exhibition at Castello di Rivoli
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/gilberto-zorio-the-exhibition-at-castello-di-rivoli/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2018/01/Zorio-091-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20180210T210000
DTEND;TZID=Europe/Rome:20180210T230000
DTSTAMP:20260610T123048
CREATED:20180124T095529Z
LAST-MODIFIED:20180124T095529Z
UID:104877-1518296400-1518303600@www.castellodirivoli.org
SUMMARY:Commedy\, Commedy!
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/commedy-commedy/
CATEGORIES:concerto
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2018/01/rivolimusica_febbraio.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20180217T153000
DTEND;TZID=Europe/Rome:20180217T180000
DTSTAMP:20260610T123048
CREATED:20180208T175204Z
LAST-MODIFIED:20180208T175204Z
UID:104879-1518881400-1518890400@www.castellodirivoli.org
SUMMARY:ENTANGLING THE MINERAL with NERO\, Tretie Galaxie and Vdrome
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/entangling-the-mineral-with-nero-tretie-galaxie-and-vdrome/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2018/02/643_OpalUnit_HiRISE_Milliken-full2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20180223T143000
DTEND;TZID=Europe/Rome:20180223T183000
DTSTAMP:20260610T123048
CREATED:20180208T175859Z
LAST-MODIFIED:20180208T175859Z
UID:104881-1519396200-1519410600@www.castellodirivoli.org
SUMMARY:Gilberto Zorio: utopia\, reality\, revelations. Study Day
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/gilberto-zorio-utopia-reality-revelations-study-day/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2018/02/Schermata-2018-02-08-alle-19.21.32.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20180306T100000
DTEND;TZID=Europe/Rome:20180306T180000
DTSTAMP:20260610T123048
CREATED:20180213T101647Z
LAST-MODIFIED:20251128T115823Z
UID:104883-1520330400-1520359200@www.castellodirivoli.org
SUMMARY:The House as Museum\, The Museum as House: The Making of Great Collections. International conference
DESCRIPTION:Conference Hall \nTo prepare for the opening of the Cerruti Collection to the public in early 2019\, Castello di Rivoli will be holding an important one-day international conference on 6 March entitled The House as Museum\, The Museum as House: The Making of Great Collections with some of the leading experts in the field. The aim is to stimulate reflection on the importance of reciprocity between museums and private collections in connection with the extraordinary acquisition of the legendary Cerruti Collection – one of the most important private collections in Europe – by the Castello di Rivoli. \nExcept for the large blockbuster museums in major urban centers\, most art museums we know today were originally founded by collectors and art lovers who decided themselves\, or whose heirs decided\, to share their collections with the public. Either with an educational mission of civic society building or in order to create a legacy through which their memory might be preserved by future generations\, these museums are active around the world today. Some of them were founded by artists and other intellectuals\, whose estates have thus become public. The modern “white cube” detached this domestic and private origin from a sense of the autonomy of the artwork. While today new museums appear all over the world\, artists and visitors seek out the personality and domesticity of the exhibition spaces\, as a way of grounding their experiences in life. \nDuring this conference\, the directors and representatives of illustrious Italian and international institutions − comprising the J. Paul Getty Trust in Los Angeles\, the Isabella Stewart Gardner Museum in Boston\, the Phillips Collection in Washington D.C.\, the Judd Foundation in Marfa and New York\, Sir John Soane’s Museum in London\, the Musée Jacquemart-André in Paris\, the Sigmund Freud Museum in Vienna\, the Villa Borghese in Rome\, the Museo Poldi Pezzoli in Milan\, the Villa e Collezione Panza in Varese and the Pinacoteca Giovanni e Marella Agnelli in Turin − will discuss the growing importance of dialog between private collections and museums and its impact on the fundamental relationship between contemporary art and the legacy of the past. The participants will talk about their experiences and the close and positive relations between museums and private collections born out of the drive for knowledge peculiar to art. \nThe conference is the fruit of the important agreement signed in 2017 with the Fondazione Francesco Federico Cerruti per l’Arte\, whereby Italy’s leading museum of contemporary art holds responsibility for the conservation\, study\, promotion and management of the extraordinary collection built up by the entrepreneur\, industrialist and collector of rare sensitivity Francesco Federico Cerruti\, who passed away in 2015 at the age of 93. Once renovated\, the villa built by Cerruti to house his works in Rivoli\, close to the Castello\, will present this artistic heritage to the public in 2019. \nBetween the 1950s and his death in 2015\, Francesco Federico Cerruti built up a collection of approximately three hundred paintings and sculptures\, ranging from medieval times to the present\, as well as nearly two hundred rare and ancient books with bindings and gilded illustrations\, and over three hundred items of furnishing\, including carpets and desks by renowned cabinetmakers. Revealing an extraordinary development of artistic acumen\, this priceless private collection includes works by Segno di Bonaventura\, Bernardo Daddi\, Pontormo\, Ribera\, Zurbarán\, Renoir\, Modigliani\, Kandinsky\, Giacometti\, Picasso\, Klee\, Severini\, Boccioni\, Balla and Magritte all the way up to Bacon\, Burri\, Fontana\, Warhol\, De Dominicis and Paolini. \nCarolyn Christov-Bakargiev\, director of the Castello di Rivoli\, is firmly convinced that the Collection Cerruti “will become a driving force of creativity for the museum to create a unique dialog between the past and contemporary art.” \nHolders of tickets to the museum will be admitted to the conference free of charge on a first come\, first served basis. \nThe historic stately rooms on the first floor of the museum house the exhibition Giorgio de Chirico. Major Works from the Collection of Francesco Federico Cerruti\, drafted by Carolyn Christov-Bakargiev and Marcella Beccaria\, while the Manica Lunga presents Metamorphoses – Let Everything Happen to You\, a group exhibition of works by emerging artists drafted by Chus Martínez. \n  \nRivoli Express Shuttle\nThe Rivoli Express shuttle service will operate for the conference with the following timetable: \n9.15 – Piazza Carlina (corner of Via Maria Vittoria) \n9.25 – Piazza XVIII Dicembre (direction Corso San Martino) \n18.00 – Departure from the Castello di Rivoli for Turin \nPassengers will be admitted free of charge until capacity is reached.
URL:https://www.castellodirivoli.org/en/evento/the-house-as-museum-the-museum-as-house-the-making-of-great-collections-international-conference/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2018/02/foto-Villa-Fondazione-Cerruti.jpg
END:VEVENT
END:VCALENDAR