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DTSTART;TZID=Europe/Rome:20180917T170000
DTEND;TZID=Europe/Rome:20180917T183000
DTSTAMP:20260610T045200
CREATED:20180903T144905Z
LAST-MODIFIED:20251127T121524Z
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SUMMARY:Mieke Bal: How to Change the World with Pigment
DESCRIPTION:The event is free for museum ticket holders.\nTo register click HERE  \nMieke Bal\nHow to Change the World with Pigment\nSeptember 17\, 5 pm\nTheatre of Castello \n“Considering some of the artistic and technical modes of painting Nalini Malani deploys\, I will make a case for a concept of political art that surpasses the thematic in instead shows how art works to trigger affective response.” \nMieke Bal \nA founder of ASCA\, the Amsterdam School of Cultural Analysis\, Mieke Bal’s primary commitment is to develop meaningful interdisciplinary approaches to cultural artifacts. She is a cultural theorist\, critic\, video artist and occasional curator. She works in cultural analysis\, literature and art\, focusing on gender\, migratory culture\, psychoanalysis\, and the critique of capitalism. Her 38 books include a trilogy on political art: Endless Andness(on abstraction)\, Thinking in Film (on video installation)\, both 2013\,Of What One Cannot Speak(on sculpture\, 2010). Her work comes together in A Mieke Bal Reader(2006).In 2016 appeared In Medias Res: Inside Nalini Malani’s Shadow Plays(Hatje Cantz)\, and in Spanish\, Tiempos trastornados on the politics of visuality (AKAL). Her video projects of documentaries on migratory culture have been exhibited internationally\, including in the Museum of the History of Saint Petersburg in 2011. After this she embarked on making “theoretical fictions”. A Long History of Madness argues for a more humane treatment of psychosis\, and was exhibited internationally\, including in a site-specific version\,Saying It\, in the Freud Museum in London. In Fall 2017 it was combined with Reasonable Doubt in Warsaw. Madame B\, with Michelle Williams Gamaker\, is widely exhibited\, in 2017 in Museum Aboa Vetus & Ars Nova in Turku\, in the Centro Galego de Arte Contemporáneo\, Santiago de Compostela(2017-18)\, and combined with paintings by Edvard Munch in the Munch Museum in Oslo in a museum-wide exhibition she curated\, accompanied by a book. It has also been exhibited in shorter versions\, Cause & Effect (13 screens) and Precarity(5 screens). Her most recent film and installation\, Reasonable Doubt\, on René Descartes and Queen Kristina\, explores the social and audio-visual aspects of the process of thinking (2016). The installation of that project has premiered in Kraków\, and was shown in Amsterdam\, Brisbane\, Warsaw and Berlin\, and in 2018 in two exhibition-specific installations in the Frans Hals Museum in Haarlem. \n  \nClick to return to the Public Program’s page \n  \nCurated by Nalini Malani and Carolyn Christov-Bakargiev \nThanks to Nicoletta Fiorucci for making this program possible
URL:https://www.castellodirivoli.org/en/evento/mieke-bal-how-to-change-the-world-with-pigment/
CATEGORIES:conferenza,Dipartimento Curatoriale,workshop
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20180923T140000
DTEND;TZID=Europe/Rome:20180923T193000
DTSTAMP:20260610T045200
CREATED:20180903T151543Z
LAST-MODIFIED:20251127T121057Z
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SUMMARY:Research Event: Living Oceans
DESCRIPTION:Event is free for Museum ticket holders \nOn the occasion of Terra Madre\, a Slow Food project dedicated to the culture of food as a responsible act\, the Castello di Rivoli Museum of Contemporary Art presents\, in collaboration with TBA21 Academy\, Living Oceans\, a day of interdisciplinary study and performative lectures dedicated to the discovery of the marine ecosystem\, its biodiversity and its delicate balance with the participation of the American artist Joan Jonas\, the duo artists Cooking Sections\, the Italian artist Elena Mazzi\, the Professor Jeffrey Peakall\, the marine biologist Dr. Dayne Buddo and the farm-to-table Stush in the Bush.\nTerra Madre Salone del Gusto will take place from 20 to 24 September 2018 in Turin. It is organized by Slow Food\, City of Turin and Piedmont Region\, in collaboration with the Ministry of Politics Agricultural and Forestry Activities and with the involvement of the Ministry of Cultural Heritage and Activities and of Tourism\, as part of the activities planned for the “year of Italian food”. \nFood for Change is the theme of the 2018 edition\, starting from the project itself\, widespread and open\, up to the contents of the forums and conferences. One of the five thematic areas of this year is Slow Fish. According to Terra Madre\, in 2014 European countries spent 34.57 billion to buy fish products. In total\, 7.5 million tons of fish are consumed each year in European countries (33.4 kilos per capita compared to the average of 19.2 kilos consumed globally). Of these\, 2.75 million tons are locally fished\, the remaining 5 million are imported products. \n Living Oceans\, hosted in the museum’s theater\, will be an opportunity to preview Moving off the Land. Oceans – Sketches and Notes\, the new work by the American artist Joan Jonas that is supported by TBA21 and will be presented in its final version in 2019.\nRecently exhibited by a major exhibition at the Tate Modern in London\, Jonas is one of the most important contemporary artists and a pioneer of video and performance art\, which emerged in the late 60s and early 70s. Castello di Rivoli hosted a solo exhibition of Jonas’ work in 2006.\nProduced by TBA21-Academy born from the desire to promote cross-cultural projects\, this new work by Jonas is a hypnotic combination of images of underwater life\, sounds and drawings\, which will merge in the exhibition promoted by the Austrian foundation for the summer of 2019 in Church of San Lorenzo in Venice\, at the same time as the 58th International Art Exhibition La Biennale di Venezia.\nTo foster a transdisciplinary debate around the subject\, Living Oceans also invite personalities from the artworld and the science and sustainable agriculture communities to intervene. These are Jeffrey Peakall\, Professor of Sedimentology Processes at the University of Leeds\, Dr. Dayne Buddo\, marine ecologist and biologist with expertise in invasive alien species and marine biodiversity\, the duo artists Cooking Sections (Daniel Fernández Pascual & Alon Schwabe)\, the Italian artist Elena Mazzi and Lisa and Christopher Binns who founded the organic farm Stush in the Bush in Jamaica. \n  \nNB: Exceptionally\, the bus Rivoli Express will depart from Castello towards Turin at 7.10pm. \n  \nProgram schedule\n14.00\nIntroduction by Carolyn Christov-Bakargiev\, Castello di Rivoli Museo d’Arte Contemporanea \n14.20\nMarkus Reymann\, Thyssen-Bornemisza Art Contemporary (TBA21)| TBA21-Academy | Presenting Oceans. Imagining a Tidalectic Worldview \n14.45 – 15.15  \nCooking Sections\, CLIMAVORE: On Tidal Zones \nFor the Terra Madre event at Castello di Rivoli Cooking Sections (Daniel Fernández Pascual and Alon Schwabe) will present a new version of their lecture-performance\, CLIMAVORE: On Tidal Zones which focuses on sea pollution by fish farms and the cultural construction of “Scottish Salmon”\, looking specifically into the case of the Isle of Skye. Commissioned by Atlas Arts\, the project investigated the detrimental effects of salmon farming and explored alternative ecological imaginaries. The resulting installation consisted of an “oyster table”—home for 1\,000 common oysters on the tidal zone filtering thousands of liters of water daily at high tide. As the structure emerged out of the water at low tide\, it served as a dining table for humans\, where performative lectures\, public workshops and tastings allowed participants to discuss alternative aqua-cultures. The project is evolving into a permanent installation there titled The Climavore Centre(scheduled to open 2019-2020). \n15.15 – 15.30\nElena Mazzi\, Reflecting Venice (2012-2014) and Becoming with and Unbecoming with (upcoming) \nThe artist presents a first project about the history of Venice and its lagoon\, which is threatened by mass tourism and industrial exploitation\, to look for a possible sustainable future. Starting from a biographical episode\, the second project presented\, still in progress\, examines the life of cetaceans in conjunction and conflict with the forces of nature to investigate how different species can relate to each other. \n15.30 – 16.00\nJeffrey Peakall\, Underwater Rivers: An Underexplored Habitat \n The world’s oceans are traversed by a range of seafloor channels that can extend for hundreds\, or in some cases thousands\, of kilometers. These underwater rivers are typically found on ocean floors at several kilometers water depth\, where they can be kilometers wide\, and sit up to a hundred meters above the surrounding seafloor. These channels can exhibit rare but extremely powerful flows that are poorly understood\, due to their great depth\, and the difficulty of measuring such flows. Flows in these underwater rivers are known to be important for the transport of organic carbon\, nutrients\, and pollutants. They can also have major effects on marine organisms\, although much of our knowledge comes not from the modern but from ancient rocks\, where we see the traces of a range of organisms. Recent experiments have shown that many of these organisms survive transport in these extreme flows and then live on the seafloor for some time\, utilizing the nutrients that the flow has brought in. \n16.00 – 16.30\nDayne Buddo\, Marine Protected Areas: An Opportunity to Press the Reset Button \n Marine Protected Areas (MPAs) are critical to improving the resilience of marine ecosystems. They are also a mechanism to reverse some of the negative anthropogenic impacts on the marine ecosystem. We have now finally paid attention\, simply for the primary reason that the poor state of the marine environment is significantly affecting the ecosystems services it provides to humans. We have lost sight of the value of using a resource without losing that resource. Fish stocks are a renewable resource\, but we must realize that it is only renewable once we give it the opportunity to do so. The Conservationists and the Fishing Industry both want the same thing\, healthy and sustainable fish stocks\, therefore we must work together to achieve this common goal. The number of marine scientists has increased significantly over the past 30 years\, while ironically\, the state of the marine environment has declined to alarming levels. Governments have committed to protecting 30% of the marine environment by 2030\, but the real work will be done by the local communities. Many MPAs are managed not by Governments\, but by local environmental NGOs and local communities\, which despite glaring gaps in institutional capacity\, have improved the MPAs and are showing success towards sustainable fisheries. We have an opportunity to change the current trajectory of the world’s marine ecosystems; imagine what we can achieve when we take this seriously. \n16.30 – 17.00\nJoan Jonas documentary Moving off the Land: Oceans – Sketches and Notes\, 2018 Tate Modern\, Londra\, 2018. A multi-layered performance exploring the poetics and ecology of ocean life. \n17.00 – 18.00 \nConversation between Joan Jonas and Jeffrey Peakall\, moderated by Carolyn Christov-Bakargiev \n18.00 – 19.00\nStush in the Bush\, Sexy Vegetarian  \nLisa and Christopher Binns take us on a culinary journey that enhances the knowledge of vegetables\, their hidden powers and their varying textures and flavors to trigger a sensory and sensual appeal in the public. The Binns promote sustainable agriculture based on respect and love for soil and its products. \nClosed-doors symposium with wine (*) \n20.30\nDinner \n(*)   All proceedings\, including the closed-doors symposium will be recorded \n  \nBiographies\nDayne Buddo is Marine ecologist and Biologist. He currently holds a Bachelor of Science (Hons.) degree in Zoology and Botany and a Doctor of Philosophy degree in Zoology – Marine Sciences from The University of the West Indies (UWI Mona – Jamaica). Dr. Buddo served the UWI as Lecturer and Academic Coordinator 2009-2017\, and was stationed at the UWI Discovery Bay Marine Laboratory and Field Station with responsibility for Marine Research and Teaching. He has published several pieces of work on marine invasive species and fisheries management in the region\, including the co-authored book on Lionfish Management in the Caribbean.\nIn addition to marine invasive species\, Dr. Buddo also has significant research interests in marine protected areas management\, seagrass ecology\, fisheries management and sustainable development. He has been a consultant for marine projects for CARICOM\, Government of Japan\, the World Bank\, International Maritime Organization\, the Nature Conservancy\, among others\, and has conducted work in over 30 countries. He has worked closely with the United Nations Convention on Biological Diversity (UNCBD)\, International Union for the Conservation of Nature (IUCN)\, United Nations Environment Programme (UNEP)\, and the Global Environment Facility (GEF)\, The National Oceanic and Atmospheric Administration (NOAA) among other multilateral agencies. \nJoan Jonas graduated from Mount Holyoke College in 1958 and then graduated from Columbia University in 1965. Jonas has exhibited in solo exhibitions at prestigious institutions including the Stedelijk Museum\, Amsterdam (1994)\, the Staatsgalerie\, Stuttgart (2000)\, Queens Museum of Art\, New York (2003) e the Bicocca Hangar\, Milan (2014). In 2015\, the artist represented the United States at the 56th International Art Exhibition The Venice Biennale and in 2018 the Tate Modern in London dedicated a large exhibition to her with an extensive program of performances and film screenings\, organized later also at the Haus der Kunst in Munich. Jonas has participated in numerous group exhibitions such as Documenta V\, VI\, VII in Kassel\, Germany and was commissioned to develop an installation and then a performance entitled Lines in the Sand for Documenta XI\, then revived at the Tate Modern in London and Kitchen of New York in 2004. In 2009\, the artist was awarded the first annual Lifetime Achievement Award of the Guggenheim Museum. Jonas has exhibited in numerous other institutions such as: Haus der Kulturen der Welt\, Berlin; Sigmund Freud Museum\, Vienna; Dia: Beacon\, Beacon\, New York; Fundacion Botin\, Santander; Museo Nacional Centro de Arte Reina Sofia\, Madrid; Museu d’Art Contemporani de Barcelona\, Barcelona; Le Plateau and Jeu de Paume / Hôtel de Sully\, Paris; Renaissance Society\, University of Chicago\, Chicago\, Illinois; CCA Kitakyushu\, Kitakyushu\, Japan. \nElena Mazzi is an artist\, whose research explores the relationship between man and the environment through an anthropological analysis that investigates the concept of identity of places and people. With the Atlante Energetico project\, presented at the Spinola Banna Foundation in 2017\, he tackled the topic of energy declined in the Piedmont area\, placing rice at the center of his research. He studied History of Art at the University of Siena\, then obtaining a degree in Visual Arts at the IUAV of Venice. He spent a period of study abroad at the Royal Academy of Art (Konsthogskolan) in Stockholm. \nJeff Peakall teaches Sedimentology Processes at the University of Leeds. His research fields range from natural processes to industrial systems. He is director of the Environmental Fluid Dynamics Laboratory of Sorby\, a national research facility recognized by NERC (Natural Environment Research Council) that studies environmental fluids in the United Kingdom. Peakall has specialized in the study of giant channels that cross the sea floor of the world\, focusing on the evolution of the submarine channel\, on the sedimentation and on the dynamics of the flow of currents that pass through these systems. Peakall measured flows through active submarine channels in the Black Sea and in a reservoir on the Yellow River in China. \nMarkus Reymann is Director and Co-Founder of TBA21-Academy. Trained as an actor\, Markus successfully performed on screen and stage for many years\, in major productions. In 2011\, Markus joined TBA21 and\, together with the founder and Chairperson Francesca von Habsburg\, co-founded TBA21-Academy where he subsequently took on the role of a director. As a central programming unit of TBA21\, TBA21-Academy’s mission is to foster interdisciplinary dialogue and exchange surrounding the most urgent ecological\, social\, and economic issues facing our oceans today. As Director\, Markus has overseen the non-profit’s engagement with artists\, activists\, scientists\, and policy-makers\, resulting in the creation of new commissions\, new bodies of knowledge\, and new policies advancing the conservation and protection of the oceans. From July 2011 to present he has initiated and conducted numerous expeditions. Each trip is designed as a collaboration with invited artists\, scientists and thinkers eager to embark on oceanic explorations. Inspired by this unusual encounter with both human and natural elements\, the Academy commissions ambitious projects informed by the itinerary of the research vessel Dardanella. In June of 2016 TBA21-Academy was granted Observer Status at the International Seabed Authority\, becoming the first art organization ever to be given this status. This allows TBA21–Academy to contribute to the international climate change agenda on a policy making level.  Markus has presented and participated in conferences around the world\, including the Conference of Parties 23 (COP23) part of the United Nations Framework Convention on Climate Change (UNFCCC)\, the International Seabed Authority 24th Session and The United Nations Ocean Summit in 2017. \nCooking Sections (Daniel Fernández Pascual and Alon Schwabe) is a duo of professionals based in London\, interested in exploring the systems that organize the world through food. Using the installation\, mapping and video\, their research-based practice explores the boundaries between visual arts\, architecture and geopolitics. Cooking Sections exhibited in the United States Pavilion\, 2014\, for the 14th International Architecture Exhibition La Biennale di Venezia. Their work has also been exposed to: XIII Sharjah Biennial; Neue Nationalgalerie in Berlin; Storefront for Art & Architecture New York; dOCUMENTA (13); Peggy Guggenheim Collection; CA2M\, Madrid; The New Institute\, Rotterdam; UTS\, Sydney; ETSAM; TEDx Talks Madrid; Fiorucci Art Trust\, London; ACC Weimar; SOS 4.8; HKW Berlin; Akademie der Künste\, Berlin; Biennale 2014 INTERIEUR Courtrai; and have resided in The Politics of Food at the Delfina Foundation\, in London. Their work has been presented in several international publications (including Lars Müller\, Sternberg Press\, Volume\, Frieze Magazine). \nStush in the Bush (Lisa and Christopher Binns) is a farm-to-table located on a 15-acre organic farm called Zionites on the Free Hill\, in St. Ann Jamaica. Combining Rastafari Ital farming\, exotic vegetables and a love of fine dining\, Stush in the Bush is a sustainable business based on the production and selling of organic and local food. \n  \nOrganized in collaboration with TBA21-Academy for Terra Madre\, a Slow Food project. \n   \n  \n  \nPhoto credit: Joan Jonas\, Moving off the Land: Oceans – Sketches and Notes\, 2018\nTate Modern\, Londra\, 2018\, photo by Brotherton-Lock \n  \n 
URL:https://www.castellodirivoli.org/en/evento/research-event-living-oceans/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20181027T160000
DTEND;TZID=Europe/Rome:20181027T173000
DTSTAMP:20260610T045200
CREATED:20180906T155423Z
LAST-MODIFIED:20251127T120815Z
UID:104931-1540656000-1540661400@www.castellodirivoli.org
SUMMARY:Coco Fusco: The Face of Violence and its Fictional Renderings
DESCRIPTION:Entry is free for museum ticketholders (full price 8.50 €- concessions 6.50 €).\nMembers of Torino Musei\, Torino Piemonte Card and journalists are offered the reduced rate of 6.50 €\n\nRegistration essential HERE \nCoco Fusco\nThe Fact of Violence and its Fictional Renderings\nOctober 27\, 4 pm\nTheatre of Castello \n“While the reality of the persistence of violence against women is widely acknowledged\, the question of whether or not these conditions should be manifest in art remains unresolved for many in our field. In my lecture\, I will consider the history of positions on this matter within feminist theory and art of the past forty years. I will take into account the differences between works that depict discreet acts of violence and those that address institutional and representational forms of oppression. I will also talk about the strategies and rationals for arguing both for and against the visualization of gendered violence in art. In the context of this discussion\, it is pertinent to ask what the recent public debates sparked by the #MeToo movement have done to sensitize us to certain aspects of gendered violence while overlooking others.” \nCoco Fusco is an interdisciplinary artist and writer and the Andrew Banks Endowed Professor of Art at the University of Florida. She is a recipient of a 2018 Rabkin Prize for Visual Arts Journalism\, a 2016 Greenfield Prize\, a 2014 Cintas Fellowship\, a 2013 Guggenheim Fellowship\, a 2013 Absolut Art Writing Award\, a 2013 Fulbright Fellowship\, a 2012 US Artists Fellowship and a 2003 Herb Alpert Award in the Arts. Fusco’s performances and videos have been presented in the 56th Venice Biennale\, Frieze Special Projects\, two Whitney Biennials (2008 and 1993)\, BAM’s Next Wave Festival\, The Liverpool Biennial\, the Sydney Biennale\, The Johannesburg Biennial\, The Kwangju Biennale\, The Shanghai Biennale\, Mercosul\, and VideoBrasil. A solo exhibition of her work recently opened at The Ringling Museum in Sarasota\, Florida. She is represented by Alexander Gray Associates in New York.\nFusco is the author of English is Broken Here: Notes on Cultural Fusion in the Americas (1995) and The Bodies that Were Not Ours and Other Writings (2001)\, and A Field Guide for Female Interrogators (2008). She is also the editor of Corpus Delecti: Performance Art of the Americas (1999) and Only Skin Deep: Changing Visions of the American Self (2003). Her latest book Dangerous Moves: Performance and Politics in Cuba was issued by Tate Publications in 2015 and a Spanish translation was published by Turner Libros in 2017. Fusco received her B.A. in Semiotics from Brown University (1982)\, her M.A. in Modern Thought and Literature from Stanford University (1985) and her Ph.D. in Art and Visual Culture from Middlesex University (2008). \n  \nClick to return to the Public Program’s page \nCurated by Nalini Malani and Carolyn Christov-Bakargiev \nThanks to Nicoletta Fiorucci for making this program possible \n  \n 
URL:https://www.castellodirivoli.org/en/evento/coco-fusco-the-face-of-violence-and-its-fictional-renderings/
CATEGORIES:conferenza,Dipartimento Curatoriale,performance
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20181103T130000
DTEND;TZID=Europe/Rome:20181103T140000
DTSTAMP:20260610T045200
CREATED:20181010T162144Z
LAST-MODIFIED:20251127T120414Z
UID:104941-1541250000-1541253600@www.castellodirivoli.org
SUMMARY:Eric Sadin
DESCRIPTION:Entry is free for museum ticketholders (full price 8.50 €- concessions 6.50 €).\n Members of Torino Musei\, Torino Piemonte Card and journalists are offered the reduced rate of 6.50 € \nRegistration essential HERE \nCastello di Rivoli hosts for the first time in Italy a lecture by the writer and philosopher Eric Sadin\, known for his research in digital technologies and on their the impact on economics\, politics and the emotions of individuals. \nThe conversation will be an opportunity to present his first published book in Italian World Siliconization. The irresistible expansion of digital liberalism (Einaudi\, 2018)\, and will offer a preview of his latest publication L’Intelligence artificielle ou l’enjeu du siècle. Anatomie d’un antihumanisme radical\, available in Italy from 2019. \nTheater \n  \nIn collaboration with:
URL:https://www.castellodirivoli.org/en/evento/eric-sadin/
CATEGORIES:conferenza,CRRI,Dipartimento Curatoriale
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20181117T160000
DTEND;TZID=Europe/Rome:20181117T173000
DTSTAMP:20260610T045200
CREATED:20180906T160458Z
LAST-MODIFIED:20251127T120256Z
UID:104933-1542470400-1542475800@www.castellodirivoli.org
SUMMARY:Cauleen Smith: a screening of Smith's works in the context of the discussion on violence against women
DESCRIPTION:Registration essential HERE \nFor the first time in Italy\, renowned American artist and filmmaker Cauleen Smith will present a selection of her video works. \n“The violences perpetrated against cis-gendered women throughout the world emerge from conditions and circumstances directly related not only to gender but to race and class as well. I can discuss these conditions as they relate to the history of sexual violence in North America. However\, in the United States\, violence against African American women cannot be uncoupled from violence against African American men. Black feminism does not separate the violences enacted through the deployment of capital growth. A crucial source for my lecture is The Combahee River Collective Statemen penned in 1977 by a group of African American women scholars.”  \nCauleen Smith (born Riverside\, California\, 1967) is an interdisciplinary artist whose work reflects upon the everyday possibilities of the imagination. Operating in multiple materials and arenas\, Smith roots her work firmly within the discourse of mid-twentieth-century experimental film. Drawing from structuralism\, third world cinema\, and science fiction\, she makes things that deploy the tactics of these disciplines while offering a phenomenological experience for spectators and participants. Her films\, objects\, and installations have been featured in group exhibitions. Studio Museum of Harlem\, Houston Contemporary Art Museum; Yerba Buena Center for Art\, and the New Museum\, New York\, D21 Leipzig and Decad\, Berlin. She has had solo shows for her films and installations at The Kitchen\, MCA Chicago\, Threewalls\, Chicago. She shows her drawings and 2D work with Corbett vs. Dempsey.  Smith is the recipient of several grants and awards including the Rockefeller Media Arts Award\, Creative Capital Film /Video\, Chicago 3Arts Grant\, and the Foundation for Contemporary Arts\, Chicago Expo Artadia Award\, and Rauschenberg Residency. Smith was born in Riverside\, California and grew up in Sacramento. She earned a BA in Creative Arts from San Francisco State University and an MFA from the University of California\, Los Angeles School of Theater Film and Television. Smith lives in Los Angeles and faculty in the Art Program at California Institute of the Arts. \n  \nEntry is free for museum ticketholders (full price 8.50 €- concessions 6.50 €).\nMembers of Torino Musei\, Torino Piemonte Card and journalists are offered the reduced rate of 6.50 € \nCurated by Nalini Malani and Carolyn Christov-Bakargiev\nThanks to Nicoletta Fiorucci for making this program possible \n  \nClick to return to the Public Program’s page \n  \n 
URL:https://www.castellodirivoli.org/en/evento/cauleen-smith-a-screening-of-smiths-works-in-the-context-of-the-discussion-on-violence-against-women/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20181128T183000
DTEND;TZID=Europe/Rome:20181128T200000
DTSTAMP:20260610T045200
CREATED:20181128T103021Z
LAST-MODIFIED:20251125T155025Z
UID:104949-1543429800-1543435200@www.castellodirivoli.org
SUMMARY:A Life for Art: Conversation in Memory of Eliana Guglielmi between Marcella Beccaria and Marinella Guglielmi
DESCRIPTION:Part of the Cycle: Conversations about collecting\nNovember 28\, 6.30 pm\nPinacoteca Giovanni e Marella Agnelli\, Sala di Consultazione \nPhoto: Eliana Guglielmi\, by Paolo Pellion \n \n  \n  \n  \n  \n  \n  \n 
URL:https://www.castellodirivoli.org/en/evento/a-life-for-art-conversation-in-memory-of-eliana-guglielmi-between-marcella-beccaria-and-marinella-guglielmi/
LOCATION:Pinacoteca Giovanni e Marella Agnelli\, Via Nizza\, 230/103\, Torino\, 10126\, Italia
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20181202T160000
DTEND;TZID=Europe/Rome:20181202T170000
DTSTAMP:20260610T045200
CREATED:20181128T135227Z
LAST-MODIFIED:20251125T135438Z
UID:104951-1543766400-1543770000@www.castellodirivoli.org
SUMMARY:EstOvest Festival 2018: Tail of Silence
DESCRIPTION:Co-organization EstOvest-Le Strade del Suono \nTheater \nLast event of the seventeenth edition of EstOvest\, the festival promoted by the Ensemble Xenia. The Tail of Silence decodes the theme of the story in its most impervious dimension\, that of emptiness and absence. It does so with three First performances and a first Italian performance. The protagonists are the musicians of Eutopia Ensemble and NEXT – New Ensemble Xenia Turin and the extraordinary visual performances of Marc Molinos\, an artist of the famous theater company La Fura dels Baus.
URL:https://www.castellodirivoli.org/en/evento/estovest-festival-2018-tail-of-silence/
CATEGORIES:concerto
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20181208T160000
DTEND;TZID=Europe/Rome:20181208T173000
DTSTAMP:20260610T045200
CREATED:20180906T161912Z
LAST-MODIFIED:20251125T135335Z
UID:104935-1544284800-1544290200@www.castellodirivoli.org
SUMMARY:Milovan Farronato: Between Truth and Pretense: the 'Disturbing' Muses of Chiara Fumai / Carolyn Christov-Bakargiev: On Medea\, Mothers and Cruelty
DESCRIPTION:Entry is free for museum ticketholders (full price 8.50 €- concessions 6.50 €).\nMembers of Torino Musei\, Torino Piemonte Card  are offered the reduced rate of 6.50 € \nRegistration essential HERE \nMilovan Farronato  \nBetween Truth and Pretense: the ‘Disturbing’ Muses of Chiara Fumai\nand\nCarolyn Christov-Bakargiev\nOn Medea\, Mothers and Cruelty\nDecember 8\, 4 pm\nTheater \n“Zalumma Agra\, Dope Head\, Carla Lonzi\, Rosa Luxemburg\, Ulrike Meinhof\, Eusapia Palladino\, the dogaressa Elisabetta Querini Valier\, Valerie Solanas: these are the faces\, personalities\, comrades that accompanied Chiara Fumai\, alongside the occasional man such as Harry Houdini or Baron Julius Evola.\nIn a long gallery that would have incorporated Christine de Pizan\, French-Venetian XV century writer\, with whom she shared a vision of an allegorical city\, measured for her noble women: disfortunate\, honest about their non-virtuosity. All strong figures\, illustrious lives\, united in some way by a need\, impelling\, atavistic\, redemptive. “I really like the militant\, combative aspect of most of the figures I try to embody”.\nCreative\, in equal measure\, of artistic scams and deep magic; the verisimilitude\, above all\, to support a peculiar speculative system. \nMilovan Farronato (lives and works in Milan and London) is the director and curator of Fiorucci Art Trust\, for which he has developed the Volcano Extravaganza festival in Stromboli since 2011. In 2019 he will curate the Italian Pavilion of the 58ª Esposizione Internazionale d’Arte di Venezia. \nCarolyn Christov-Bakargiev\, director of Castello di Rivoli Museo d’Arte Contemporanea will reflect on the mythological figure of Medea\, in relation to cruelty and motherhood. \n  \nClick to return to the Public Program’s page \n  \nCurated by Nalini Malani and Carolyn Christov-Bakargiev \nWith thanks to Nicoletta Fiorucci for making this program possible
URL:https://www.castellodirivoli.org/en/evento/milovan-farronato-between-truth-and-pretense-the-disturbing-muses-of-chiara-fumai-carolyn-christov-bakargiev-on-medea-mothers-and-cruelty/
CATEGORIES:conferenza,Dipartimento Curatoriale
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20181212T110000
DTEND;TZID=Europe/Rome:20181212T170000
DTSTAMP:20260610T045200
CREATED:20181114T160817Z
LAST-MODIFIED:20251125T135045Z
UID:104947-1544612400-1544634000@www.castellodirivoli.org
SUMMARY:AI Symposium
DESCRIPTION:Wednesday\, December 12\, 2018  \nfrom 11 am until 5 pm \nConference Hall \n  \nCastello di Rivoli launches a symposium on Artificial Intelligence with the participation of theorists\, privacy and data management experts\, consultants in the field of architecture and security development systems\, chosen with artist Hito Steyerl. TitledThe City of Broken Windows\,Hito Steyerl’snew sound and video-based multimedia installation presented in the Manica Lunga at Castello di Rivoli\, drafted by Carolyn Christov-Bakargiev and Marianna Vecellio\, stems from her research into Artificial Intelligence industry practices and surveillance technologies.Through this work\, Steyerl explores how AI affects our urban environment and how alternative practices may emerge through pictorial acts in the public space. The City of Broken Windows revolves around altered sounds resembling atonal and discordant symphonies. These recordings document how robots (artificial intelligence) are taught to recognize the sound of breaking windows\, a reference to both the industry and technology of surveillance. In this context\, the symposium aims to critically explore the philosophical\, economic and political consequences of the development of the digital system globally and it looks at the technologies which collect\, manage and interpret data\, allowing for the development of the artificial intelligence industry. Privacy\, new forms of surveillance\, the ontological question of who and what are human beings in the age of artificial intelligence\, and the recognition of an ‘age of liquid crystals’\, are some of the issues that will be addressed. \n  \nProgram\n  \nCarolyn Christov-Bakargiev\, Welcome \n11 am – 11.15 am \n  \nHito Steyerl and Jules Laplace\, How to Teach Machines To Break Glass \n11.15 am – 12 pm \n  \nThe application of machine learning to art is still new and slowly becoming understood.  In this lecture\, we will describe our experience using neural networks to generate sound for this exhibition and the particular challenges in teaching a computer to break glass\, and even to do so musically.  Additionally\, we will show how this research led us to study sonic complexity\, and demonstrate strange new sounds generated by the AI.  \nHito Steyerl (Munich\, 1967) is a filmmaker\, visual artist and theorist. In 1987 she moved to Japan\, where she studied at the Japan Institute of the Moving Image in Tokyo. Between1992and 1998\, she returned to Germany to attend documentary filmmaking course at the HFF in Munich. In 2003\, she achieved a PhD in Philosophy at the Akademie der bildenden Künste in Vienna. Her work and her writings focus on the media’s pervasive presence in the age of globalization\, violence in the digital era\, the use of technology within the military milieu\, and the production and mass-dissemination of digital images. She has expressed her critical thinking in immersive video installations\, such as Liquidity Inc.\, 2014\, and Hell Yeah We Fuck Die\, 2016\, which focus on the pervasive nature of the digital language and on the features and consequences of artificial intelligence in the contemporary world. Today\, Steyerl is professor in experimental film and video at the Universität der Künste in Berlin. \nJules Laplace is an artist and programmer who uses technology to create new art-making practices online and off.  He is based in Berlin\, where he works with the artists Hito Steyerl\, Holly Herndon and Adam Harvey and has shown his art at Panke Gallery.  His sound work “The Neural Auctioneer” was recently selected for the NeurIPS 2018 Workshop on Machine Learning for Creativity.  Until 2017 he was CTO of OKFocus\, a boutique digital agency based in NYC with clients including Google\, Red Bull and the Met Museum.  Previously he was sous chef with a west coast food hacking collective and toured the US and Europe hosting renegade supper clubs. \n  \nEsther Leslie\, Turbid media and the intelligence of liquid crystals \n12 pm – 12.45 pm \n \nTechno-science is now unthinkable without the intelligence of the liquid crystal. It makes possible the very application of intelligence in its data-crunching algorithmic somersaults\, in the form of government and commercial intelligences. Liquid crystal enables the virtual border guard\, iBorderCTRL\, who determines if the stranger is telling lies or truth\, which are the conditions of the stranger’s entry into states. This paper posits a deep history of intelligence wrapped up in the liquid and the crystal and asks how the extending vocabularies of qualified intelligence – military\, emotional\, artificial – are augmented in the age of the device\, and with the emergence of device intelligence\, whose capacities include pre-cognition\, and in whose future lies the promise of radical atomic intelligence. \nEsther Leslie is Professor of Political Aesthetics at Birkbeck\, University of London. Her books include various studies and translations of Walter Benjamin\, as well as Hollywood Flatlands: Animation\, Critical Theory and the Avant-Garde (Verso\, 2002); Synthetic Worlds: Nature\, Art and the Chemical Industry (Reaktion\, 2005); Derelicts: Thought Worms from the Wreckage (Unkant\, 2014)\, Liquid Crystals: The Science and Art of a Fluid Form (Reaktion\, 2016) and Deeper in the Pyramid (with Melanie Jackson: Banner Repeater\, 2018). \n12.45 pm – Q&A and Discussion \n1 pm – Lunch \n  \nAnne Roth\, Mass Surveillance and Pattern Recognition in Big Data \n2 – 2.45 pm \n \nFor five years now we know about mass surveillance targeting everyone using modern communication – in 2013 Edward Snowden revealed to the world what until then was only known to a few experts. The talk will explore the use of mass data and pattern recognition by police and secret services. \nA political scientist by education\, Anne Roth is senior advisor for digital policy for the ‘Left Party’ in the German federal parliament. She co-founded the first interactive media activist website\, Indymedia\, in Germany in 2001 and has been involved with media and digital rights activism ever since. She was senior advisor for the Parliamentary Inquiry on Mass Surveillance of the German Bundestag 2014 – 2017. Until August 2014 she was a member of the Tactical Technology Collective with a focus on digital security and tracking\, primarily directed at activists and communities at risk. \n  \nEleanor Saitta\, Statistical Automation and the Death of Enlightenment \n2.45 – 3.30 pm \n \nThe concept of artificial intelligence is mostly a false flag for very old processes that are simply being run faster and at a larger scale\, but it’s a useful shibboleth for entities attempting social control in what is largely a post-rational world. The Age of Systems is our next epochal war\, and from it\, the survivors will emerge into a fundamentally different way of understanding themselves\, their states and societies\, and this thing we currently call the “tech industry”.  \nEleanor Saitta is a hacker\, designer\, artist\, writer\, and barbarian. She makes a living and a vocation of understanding how complex transdisciplinary systems and stories fail and redesigning them to fail better. Saitta runs Systems Structure Ltd.\, a boutique security architecture and strategy consultancy that works with firms seeking to build or grow security practices or specific high-exposure products\, advises news organizations and NGOs targeted by nation states\, and builds immersive transmedia participation events.  She is also a member of the advisory boards of the Freedom of the Press Foundation\, the IFTF Governance Futures Lab\, and the Calyx Institute\, and works on the Trike security ecosystem modeling project and the Briar/Bramble distributed messaging system. Saitta is a regular speaker at conferences\, universities\, and other institutions including the O’Reilly Velocity\, KiwiCon\, CCC Congress\, Hack in The Box\, Transmediale\, ToorCon\, Knutepunk\, HOPE\, Arse Electronika\, Harvard\, Yale\, and the London ICA. \n3.30 – Q&A and Discussion \n4 – 5 pm – Conversation between participants and possible conclusion \n  \nThe Symposium was made possible thanks to Goethe-Institut Turin\n \n  \nWith thanks to \n \n  \n  \n  \nMedia Partner \n \n  \n  \n  \n  \nFree admission at the Symposium. \nBooking requested: c.molteni@castellodirivoli.org \n  \n 
URL:https://www.castellodirivoli.org/en/evento/ai-symposium/
CATEGORIES:CRRI,Dipartimento Curatoriale
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190117T160000
DTEND;TZID=Europe/Rome:20190117T170000
DTSTAMP:20260610T045200
CREATED:20181228T100953Z
LAST-MODIFIED:20251125T134928Z
UID:104956-1547740800-1547744400@www.castellodirivoli.org
SUMMARY:City of Desires – Global Parasites. Erasure performance
DESCRIPTION:Castello di Rivoli\, Room 34 \n  \nCity of Desires – Global Parasites is the ephemeral charcoal drawing created by Nalini Malani for her solo exhibition at Castello di Rivoli. On the occasion of the closing of the exhibition\, the drawing will be the object of an “erasure performance”\, during which some young visitors – as many as the characters represented – will be invited to cancel it with peacock feathers. \nFree admission from 4 until 5 pm \nThe Cafeteria closes at 6 pm \n  \nVisit the exhibition Nalini Malani: The Rebellion of the Dead. Retrospective 1969-2018. Part II \n  \n 
URL:https://www.castellodirivoli.org/en/evento/city-of-desires-global-parasites-erasure-performance/
CATEGORIES:Dipartimento Curatoriale,Dipartimento Educazione
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190127T170000
DTEND;TZID=Europe/Rome:20190127T190000
DTSTAMP:20260610T045200
CREATED:20181212T133947Z
LAST-MODIFIED:20181212T133947Z
UID:104953-1548608400-1548615600@www.castellodirivoli.org
SUMMARY:Cinema al Castello\, Manifesto
DESCRIPTION:Domenica 27 gennaio\, ore 17\, Manifesto\, di Julian Rosefeldt\, 2017 \nCate Blanchett interpreta\, in 94 minuti\, tredici personaggi differenti per aspetto\, atteggiamento\, estrazione sociale e accento. Ognuna di queste donne non recita\, ma sente e vive un diverso manifesto del ‘900. Oltre al Dada\, quindi\, il Surrealismo\, l’Arte Concettuale\, Fluxus\, l’Arte Pop\, e perfino il Manifesto Comunista e il Dogma 95 di Lars Von Trier. \nBiglietti in vendita presso la Biglietteria del museo (ingresso Manica Lunga)  \nBiglietto 6\,50 euro; ingresso omaggio per i possessori di Torino Piemonte Card\, Abbonamento Torino Musei\, giornalisti\, ragazzi sotto gli 11 anni. \n  \n 
URL:https://www.castellodirivoli.org/en/evento/cinema-al-castello-manifesto/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190131T160000
DTEND;TZID=Europe/Rome:20190131T193000
DTSTAMP:20260610T045200
CREATED:20190123T133732Z
LAST-MODIFIED:20251125T134548Z
UID:104962-1548950400-1548963000@www.castellodirivoli.org
SUMMARY:Liu Ding - Lecture at Accademia Albertina\, Turin
DESCRIPTION:Salone d’Onore\, Accademia Albertina delle Belle Arti\, Torino \n4 pm \n  \nThe Castello di Rivoli Museo d’Arte Contemporanea organizes a lecture by the artist and curator Liu Ding (Changzhou\, China\, 1976)\, at the Albertina Academy of Fine Arts\, on Thursday\, January 31 at 4 pm. The event is organized in the context of the Convention stipulated between the Museum and the Academy to foster the encounter between internationally renowned contemporary artists and students. \nLiu Ding’s artistic creation and curatorial practice bring attention to multiple viewpoints and modes of description in Chinese art history\, exploring a trajectory of discursive thoughts that connect the contemporary and the historical. Continuously tracing the intellectual roots of contemporary Chinese art\, Liu Ding weaves multiple threads in expanding the narrative of Chinese art subjectivity. His art benefits from his extensive researches in history and his interest in literature. Liu Ding has recognized the predicament that China’s art history is often legitimated only through its comparison with Western art history\, and realized that the undiscerned discursive vocabulary formed within such a process of comparison restricts visions of researchers and creators. In his practice\, he looks at the intellectual roots of contemporary Chinese art and studies the lasting legacy of Socialist Realism in China’s contemporary society. His artistic and curatorial work revisits the process of intellectual liberation since the end of the Cultural Revolution\, rehearses a Chinese expression within a globalized context since the 1990s\, and describes the ideological roots and logic of Chinese contemporary art and culture. \n  \nFree admission \nThis lecture is translated into Italian \n  \nBiography \nHe has participated in international biennials such as: Busan Biennale (2018)\, Yinchuan Biennale (2018)\, Istanbul Biennial (2015); Asia Pacific Triennial\, Brisbane (2015); Shanghai Biennale (2014); Prospect 3 New Orleans (2014); Taipei Biennial\, (2012); Chinese Pavilion\, 53rd Venice Biennial (2009); Media City Seoul (2008); and Guangzhou Triennial (2005). His work has been shown at numerous major art institutions including Tate Modern\, London (2012/2013); Turner Contemporary\, Kent\, Arnolfini\, Bristol (2008); Kunsthalle Wien\, Vienna (2007); Astrup Fearnley Museum of Modern Art\, Oslo (2007); São Paulo Muse­um of Art\, São Paulo (2008); ZKM\, Karlsruhe (2011); Kunstmuseum Bern\, Bern (2016); PasquArt\,Biel (2008); Fondazione Sandretto Re Rebaudengo\, Turin (2006); Seoul Museum of Art\, Seoul (2006); Luggage Store Gallery\, San Francisco (2006); Frye Art Museum\, Seattle (2012/2016); 4A\, Sydney (2017); Iberia Center for Contemporary Art\, Beijing (2008); Museum of Contemporary Art Shanghai\, Shanghai (2006); Times Museum\, Guangzhou (2011/2012); Taipei Fine Arts Museum\, Taipei (2012); Para Site\, Hong Kong (2016); Red Brick Museum\, Beijing (2016); Hiroshima City Museum of Contemporary Art\, Hiroshima (2015); Guandu Museum of Art\, Taipei (2016); and MOMA PS1\, New York (2015). He co-curated Little Movements: Self-Practice in Contemporary Art at OCAT\, Shenzhen (2011)\, which traveled to Museion in Bolzano\, Italy (2013) and Asia Cultural Complex\, Gwangju\, (2015). Other curatorial projects include: Fine Art Practices from 1972 to 1982 in Profile – A Beijing Perspective\, Inside-Out Art Museum\, Beijing (2017); New Measurement Group and Qian Weikang\, OCAT Shenzhen\, Shenzhen (2015); From the Issue of Art to the Issue of Position: Echoes of Socialist Realism\, OCAT Shenzhen\, Shenzhen (2014); and the 7th Shenzhen Sculpture Biennale (Accidental Message: Art is Not a System\, Not a World)\, Shenzhen (2012). His writing and editorial works include: Little Movements: Self-Practice in Contemporary Art(Guilin: Guangxi Normal University Press\, 2011); Little Movements II: Self-Practice in Contemporary Art (Cologne: Walther König\, 2013); Accidental Message: Art Is Not A System\, Not A World(Guangzhou: Lingnan Art Publishing House\, 2012); Individual Experience: Conversations and Narratives of Contemporary Art Practice in China from 1989 to 2000(Guangzhou: Lingnan Art Publishing House\, 2013); and Reef: A Prequel(Bonnerfantenmuseum\, Maastrict\, Holland\, 2016).
URL:https://www.castellodirivoli.org/en/evento/liu-ding-lecture-at-accademia-albertina-turin/
CATEGORIES:conferenza
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190202T160000
DTEND;TZID=Europe/Rome:20190202T173000
DTSTAMP:20260610T045200
CREATED:20190122T155051Z
LAST-MODIFIED:20251125T134503Z
UID:104960-1549123200-1549128600@www.castellodirivoli.org
SUMMARY:Donna De Salvo on Andy Warhol
DESCRIPTION:Theater\, 4 pm \n  \nThe Castello di Rivoli Museo d’Arte Contemporanea organizes\, in the context of the exhibition Andy Warhol. Two masterpieces from the collection of Francesco Federico Cerruti curated by Fabio Belloni\, a lecture by Donna De Salvo\, Deputy Director for International Initiatives and Senior curator at the Whitney Museum of American Art in New York\, one of the greatest scholars and experts in the work of Andy Warhol. Donna De Salvo\, senior curator of the Whitney Museum of American Art’s current retrospective Andy Warhol — From A to B and Back Again\, will discuss Warhol’s career and legacy\, and his enduring relevance in the 21st century. Taking the exhibition as an entry point\, this lecture will delve into lesser-known aspects of the artist’s career\, including his groundbreaking experiments in film\, his engagement with the history of art as well as with new technologies\, and his sustained interest in abstraction. Andy Warhol — From A to B and Back Again is the largest monographic exhibition to date at the Whitney’s new location\, with more than 350 works of art\, many assembled together for the first time. It is currently on view at the Whitney until March 31\, 2019\, before traveling to the San Francisco Museum of Modern Art and the Art Institute of Chicago. Donna De Salvo will be in conversation with Carolyn Christov-Bakargiev to discuss the particular bond that brings together Andy Warhol and the poetics and the history of the protagonist of metaphysical painting\, Giorgio de Chirico. \n  \nBiographies\nDonna De Salvo is the Deputy Director for International Initiatives and Senior Curator at the Whitney Museum of American Art\, New York. She joined the museum in 2004 and was appointed the museum’s first Chief Curator in 2006\, a post she held until 2015. In her previous role\, De Salvo oversaw the museum’s artistic program\, was instrumental in the design of the Whitney’s new building\, and led the curatorial team for the museum’s inaugural presentation\, America Is Hard to See (2015). Currently\, she is leading the museum’s efforts to define and communicate an expanded notion of art in the United States\, both domestically and internationally. In addition\, she organizes exhibitions and collection displays\, co-directs the Painting and Sculpture Acquisition Committee\, and oversees the Andy Warhol films catalog raisonné project. Exhibitions she has curated or co-curated at the Whitney include: Andy Warhol—From A to B and Back Again (2018—ongoing)\, Hélio Oiticica: To Organize Delirium(2017)\, Open Plan: Michael Heizer (2016)\, Open Plan: Steve McQueen (2016)\, Sinister Pop (2012—2013)\, Roni Horn aka Roni Horn (2009-2010)\, and Lawrence Weiner: AS FAR AS THE EYE CAN SEE (2007-2008). A noted expert on art of the 1960s\, and Andy Warhol in particular\, De Salvo was Adjunct Curator for the Andy Warhol Museum and was curator of Andy Warhol: Disaster Paintings\, 1963 (Dia Art Foundation\, 1986); Andy Warhol: Hand-Painted Images\, 1960-62 (Dia Art Foundation\, 1987); Hand Painted Pop: American Art in Transition 1955-1962 (LAMoCA\, 1992)\, “Success is a Job in New York”: The early art and business of Andy Warhol\, (Grey Art Gallery\, 1989); and a retrospective of the artist’s work held at Tate Modern (2002). From 1981 to 1986\, De Salvo was a curator at the Dia Art Foundation\, where she worked closely with several artists\, including John Chamberlain\, Walter De Maria\, Donald Judd\, Cy Twombly\, and Andy Warhol. She has served as senior curator at Tate Modern; Curator-at-Large\, Wexner Center for the Arts; and Robert Lehman Curator\, The Parrish Art Museum. She is a recipient of the Alfred H. Barr Jr. Award from the College Art Association. \nAndy Warhol was born in Pittsburg in 1928 to Czechoslovakian immigrant parents. At seventeen he enrolled in the drawing and decorative arts courses at the Carnegie Institute of Technology. In 1949 he moved to New York\, where he began to work as an illustrator for fashion magazines and advertising agencies. He switched to painting in 1960. A couple of years later he began to work with silkscreen\, a technique that made execution impersonal and also gave him the possibility of reproducing a potentially infinite number of prints while maintaining the original quality. “The reason I’m painting this way\,” he said in 1967\, “is that I want to be a machine\, and I feel that whatever I do and do machine-like\, is what I want to do. I think everybody should be a machine.” In 1963 Warhol moved his studio to a large loft on 47th Street\, where\, with the help of a team of assistants\, he expanded his creative activity. The Factory – which was the name given to his workshop – produced silkscreen prints\, but also photographic and cinematic works. The iconography was certainly wide-ranging: themes of violent death (victims of an airplane crash\, the electric chair); Hollywood celebrities (Marilyn Monroe\, Elvis Presley\, Liz Taylor) and typical American food and beverage products (Coca-Cola bottles\, Campell’s soup cans). In his last years\, the artist also devoted himself to television and publishing projects. At the same time\, he began to revisit the great masterpieces of the past (from Leonardo to de Chirico) and also collaborated with new-generation artists. He died in 1987\, from complications following surgery.
URL:https://www.castellodirivoli.org/en/evento/donna-de-salvo-on-andy-warhol/
CATEGORIES:conferenza,Dipartimento Curatoriale
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190209T160000
DTEND;TZID=Europe/Rome:20190209T170000
DTSTAMP:20260610T045200
CREATED:20190206T151343Z
LAST-MODIFIED:20190206T151343Z
UID:104968-1549728000-1549731600@www.castellodirivoli.org
SUMMARY:Guided Tour to "Andy Warhol from the Cerruti Collection" with Carolyn Christov-Bakargiev
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/guided-tour-to-andy-warhol-from-the-cerruti-collection-with-carolyn-christov-bakargiev/
CATEGORIES:conferenza,Dipartimento Curatoriale
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190216T160000
DTEND;TZID=Europe/Rome:20190216T170000
DTSTAMP:20260610T045200
CREATED:20190206T123440Z
LAST-MODIFIED:20190206T123440Z
UID:104966-1550332800-1550336400@www.castellodirivoli.org
SUMMARY:Guided Tour to "Andy Warhol from the Cerruti Collection" with Fabio Belloni
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/guided-tour-to-andy-warhol-from-the-cerruti-collection-with-fabio-belloni/
CATEGORIES:conferenza,Dipartimento Curatoriale,visita guidata
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190511T160000
DTEND;TZID=Europe/Rome:20190511T170000
DTSTAMP:20260610T045200
CREATED:20190405T094739Z
LAST-MODIFIED:20190405T094739Z
UID:104972-1557590400-1557594000@www.castellodirivoli.org
SUMMARY:Rosi Braidotti: Lecture
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/rosi-braidotti-lecture/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190512T110000
DTEND;TZID=Europe/Rome:20190512T120000
DTSTAMP:20260610T045200
CREATED:20190405T101149Z
LAST-MODIFIED:20251125T134235Z
UID:104976-1557658800-1557662400@www.castellodirivoli.org
SUMMARY:Anri Sala in conversation with Marcella Beccaria and Carolyn Christov-Bakargiev
DESCRIPTION:11 am \nTheater \nA Public Talk with Anri Sala\, Carolyn Christov-Bakargieve Marcella Beccaria. The exhibition AS YOU GO\, specifically designed for the spaces on the third floor of the Castello di Rivoli Museo d’Arte Contemporanea\, will be the starting point for the conversation. \n \nBiography \nAnri Sala (Tirana\, 1974) is a contemporary artist who lives and works in Berlin. After having lived for many years in Paris\, he represented France at the 55th Venice Biennale in 2013. He studied at the National Academy of Arts from 1992 to 1996 and in 1996-98 he studied video at the École Nationale Supérieure des Arts Décoratifs in Paris. In 1998-2000 he attended the Postgraduate Studies in film directing\, Le Fresnoy\, Studio National des Arts Contemporains\, Tourcoing. Some most recent solo exhibitions include: The Last Resort\, Garage\, Moscow (2018); Anri Sala\, Museo Tamayo\, Mexico City (2017); Anri Sala: Answer Me\, New Museum\, New York (2916); NO NAMES NO TITLE\, The Helena Rubinstein Pavilion for Contemporary Art\, Tel Aviv Museum of Art\, Tel Aviv\, Black Box: Anri Sala\, The Baltimore Museum of Art\, Baltimore\, The Present Moment\, Middle Hall\, Haus der Kunst\, Munich (2014); Ravel Ravel Unravel\, French Pavilion\, 55th Venice Biennale\, Venice (2013); Anri Sala: Louisiana\, Louisiana Museum of Art\, Humlebaek; Anri Sala\, Centre Pompidou\, Paris (2012); Anri Sala\, Serpentine Gallery\, London (2011). Sala has received the Vincent Award (2014)\, the 10th Benesse Prize (2013)\, the Absolut Art Award (2011)\, and the Young Artist Prize at the Venice Biennale (2001). He has taken part in many group exhibitions and biennials\, including the 57th and most recent Venice Biennale (2017)\, the 12th Havana Biennial (2015)\, the Sharjah Biennial 11 (2013)\, the 9th Gwangju Biennale (2012)\, dOCUMENTA(13) (2012)\, the 29th São Paulo Biennial (2010)\, the 2nd Moscow International Biennale of Contemporary Art (2007)\, and the 4th Berlin Biennial (2006).
URL:https://www.castellodirivoli.org/en/evento/anri-sala-in-conversation-with-marcella-beccaria-and-carolyn-christov-bakargiev/
CATEGORIES:conferenza
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190512T120000
DTEND;TZID=Europe/Rome:20190512T123000
DTSTAMP:20260610T045200
CREATED:20190504T104901Z
LAST-MODIFIED:20251125T134122Z
UID:104981-1557662400-1557664200@www.castellodirivoli.org
SUMMARY:Camille Henrot on "Maison absolue" (Absolute House)
DESCRIPTION:May 12\, noon \nRoom 12 \n  \nCamille Henrot introduces the public to Maison absolue (Absolute House\, 2019)\,  a work conceived on the occasion of By Artists: From the Home to the Museum\, from the Museum to the Home. Homages to the Works of the Cerruti Collection. Chapter 1. Both a house and a ‘piggy bank’\, this sculpture is inspired by Picasso’s Oiseau sur une branche (1913) from the Cerruti Collection\, as well as is referred to instruments used every day to measure and monitor\, as if held by a child in his piggy bank. The sculpture’s shape resembles the Cubist Picasso\, and the Egyptian pyramids. On the one hand\, Maison absolue is a reflection on the ‘things of the Self’ – the objects making up our personal ‘sacred space’ – and on the concept of the ‘talisman’ or ‘contractual gift’\, miraculous and restorative. The house – Villa Cerruti – conceived of as a museum\, hence becomes an extension of the depth of the spirit towards the totality of the universe: an ‘absolute house’ and a gift-talisman. \nCamille Henrot explores the objects and systems of consciousness that humanity surrounds itself with by combining film\, drawing and sculpture with her thorough research of different areas and disciplines\, from anthropology to cinema\, mythology to ordinary daily life.
URL:https://www.castellodirivoli.org/en/evento/camille-henrot-on-maison-absolue-absolute-house/
CATEGORIES:conferenza,Dipartimento Curatoriale
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190512T160000
DTEND;TZID=Europe/Rome:20190512T170000
DTSTAMP:20260610T045200
CREATED:20190405T095614Z
LAST-MODIFIED:20251125T133328Z
UID:104974-1557676800-1557680400@www.castellodirivoli.org
SUMMARY:Giuseppe Penone\, "The Inner Life of Forms": Book Launch
DESCRIPTION:4 pm \nTheater \n  \nBook launch of The Inner Life of Forms\, a monograph which examines the more-than-forty-year career of Giuseppe Penone\, one of the protagonists of the Arte povera art movement. \nThis book\, edited by Carlos Basualdo and published by Gagosian Gallery and Rizzoli\, will be the starting point for a conversation between the artist and the director Carolyn Christov-Bakargiev. \n \n 
URL:https://www.castellodirivoli.org/en/evento/giuseppe-penone-the-inner-life-of-forms-book-launch/
CATEGORIES:conferenza,CRRI,Dipartimento Curatoriale
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190518T160000
DTEND;TZID=Europe/Rome:20190518T170000
DTSTAMP:20260610T045200
CREATED:20190501T171824Z
LAST-MODIFIED:20251125T133129Z
UID:104979-1558195200-1558198800@www.castellodirivoli.org
SUMMARY:Harald Szeemann: Museum of Obsessions | guided tour with Luca Cerizza
DESCRIPTION:May 18 \n4 pm \nGuided tour to Harald Szeemann: Museum of Obsessions  \nLuca Cerizza (Milan\, 1969) is a critic and curator. From 2000 to 2016 he lived in Berlin\, now he is based in Turin\, Milan and Mumbai. After graduating in History of Art Criticism at the State University of Milan\, in 1997-98 he attended the De Appel Curatorial Training Program in Amsterdam. Between 2006 and 2010 he was a guest professor of Curatorial Studies at NABA (New Academy of Fine Arts\, Milan). Since 2011 he holds the chair of Museology at the MA course. He also teaches Phenomenology of Contemporary Arts at IED in Turin. Cerizza has carried out a long critical activity with a particular focus on Italian and international art from the early 1990s to today\, and on post-minimalist practices. Cerizza was among the editors of the Kaleidoscope magazine (2009-2013) and collaborator of Frieze (2006-13). He currently works with Art Agenda and Flash Art. He is author of Alighiero Boetti. Map (Afterall\, London 2008 / Electa\, Milan 2009) and L’uccello e la piuma. La questione della leggerezza nell’arte italiana (Et al. Edizioni\, Milan 2010)\, Cerizza recently edited the anthology of critical texts by Tommaso Trini (Johan & Levi\, Milan\, 2016) and is completing the catalog on Gianni Pettena’s work (Mousse\, Milan 2019). Among the latest curatorial projects: the main exhibition of the Pune Biennale (Pune\, India\, 2016. With Zasha Colah) and solo exhibitions of Gianfranco Baruchello (Raven Row\, London\, 2017) and Tino Sehgal (OGR\, Turin\, 2018).
URL:https://www.castellodirivoli.org/en/evento/harald-szeemann-museum-of-obsessions-guided-tour-with-luca-cerizza/
CATEGORIES:conferenza,CRRI
ATTACH;FMTTYPE=image/png:https://www.castellodirivoli.org/wp-content/uploads/2017/07/Luca-Cerizza.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190630T160000
DTEND;TZID=Europe/Rome:20190630T180000
DTSTAMP:20260610T045200
CREATED:20190606T133702Z
LAST-MODIFIED:20251125T132840Z
UID:104984-1561910400-1561917600@www.castellodirivoli.org
SUMMARY:Sun & Sea (Marina): conversation with Rugilė Barzdžiukaitė\, Vaiva Grainytė and Lina Lapelytė
DESCRIPTION:Theater \n4 pm \n 
URL:https://www.castellodirivoli.org/en/evento/sun-sea-marina-conversation-with-rugile-barzdziukaite-vaiva-grainyte-and-lina-lapelyte/
CATEGORIES:conferenza
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2019/06/domus-lituania-biennale-venezia-4.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190715T100000
DTEND;TZID=Europe/Rome:20190718T170000
DTSTAMP:20260610T045200
CREATED:20190612T145642Z
LAST-MODIFIED:20251125T132733Z
UID:104989-1563184800-1563469200@www.castellodirivoli.org
SUMMARY:Living Matters by Claire Pentecost
DESCRIPTION:A workshop by Claire Pentecost\nto study compost through the body and dance forms \n  \nThe Gymn\, ex Conference room \nCastello di Rivoli Museo d’Arte Contemporanea \nJuly 15-18\, 2019 \n  \nWe are at the end of the age of extractive agriculture\, and now we have to give back nourishment to the terrain through the oxygenated decomposition of organic materials\, otherwise considered waste. How can we live better on Earth? Compost is the answer to the question because it concerns reciprocity. \nCompost is an alchemical phase in the life cycle. It is where death goes to prepare a new life. “We will use microscopes to witnessing the intricate activities and interdependent organisms that conduct this process. Aided by specialists in philosophy\, biology\, and sustainable farming – narrates the artist – we will spend time contemplating together\, writing\, drawing and dancing to perform our understandings of the miracle of death and life in compost.” \nFrom July 15 to July 18\, Castello di Rivoli will be the terrain and the gymnasium for the workshop Living matters. A workshop to study compost through the body and dance forms by American artist\, Claire Pentecost. The workshop will involve a group of students and explore the concept of compost through the body and dance forms. It will end on July 18 with the performance – open to the public – Living Matters\, followed by a conversation between the artist and Carolyn Christov-Bakargiev. \nLiving Matters is the first event of COMP(H)OST. This project investigates the concepts of hosting\, coexistence\, cooperation and cohabitation\, transition and fertility through a transdisciplinary approach\, which includes artworks\, performances and public programs held in Castello di Rivoli and various venues throughout Torino. \nCOMP(H)OST is curated by a.titolo\, NERO and Marianna Vecellio – Castello di Rivoli Museo d’Arte Contemporanea in collaboration with the Witte de With Center for Contemporary Art\, Rotterdam\, and was conceived by Marianna Vecellio and Sofía Hernández Chong Cuy. \nThe project is supported by Compagnia di San Paolo within the program “ORA! Produzioni di Cultura Contemporanea\,” with the collaboration of Duparc Contemporary Suites. \n  \nHow to participate:\nTeenagers\, young people and accompanying adults wishing to attend\, have to book the free four-day workshop. The workshop has a limited number of participants. The booking is subject to availability. Public interested in the initiative can participate in the lessons with the experts without registering. The workshop will be conducted mainly in English. According to the principle of reciprocity\, which underlies the process of creating compost\, the experts\, together with some of the participants\, will facilitate the understanding and communication among all. \n  \nDownload the program: Workshop Comphost \n  \nBiography:\nBorn in Baltimore in 1956\, Claire Pentecost is a visual artist\, writer and professor of Photography at the School of the Art Institute of Chicago. The artist explores the strategies of power that build knowledge using different media like photography\, painting\, writing\, performing art\, while she carries out her activity of teacher and activist. For many years her work investigated the contested line between the “natural” and the “artificial” in specific contexts\, such as the Institutions in charge of learning processes and production of knowledge. This research brought the artist to study the industrial food system with a particular interest in biotechnology in the agriculture field. Her works were presented in collective exhibitions such as Transmediale 05\, Berlin 2005; Mapping the Self\, Museum of Contemporary Art\, Chicago 2007; Heartland\, Smart Museum of Art\, Chicago 2009; dOCUMENTA(13)\, Kassel 2012; 13th Istanbul Biennial\, Istanbul 2013; Rights of Nature: Art and Ecology in the Americas\, Nottingham Contemporary\, Nottingham2015;Terra Anima\, Spencer Museum of Art\, University of Kansas\, Lawrence 2017. \n  \nFor further information\, please contact:\nEducation Department: \n011.9565213 \neduca@castellodirivoli.org \na.titolo: 011 8122634 \ncomphost.project@gmail.com
URL:https://www.castellodirivoli.org/en/evento/living-matters-by-claire-pentecost/
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190921T120000
DTEND;TZID=Europe/Rome:20190922T200000
DTSTAMP:20260610T045200
CREATED:20190902T081830Z
LAST-MODIFIED:20251125T132515Z
UID:105000-1569067200-1569182400@www.castellodirivoli.org
SUMMARY:For an Imaginist Renewal of the World. The Alba Congress: 1956-2019
DESCRIPTION:“Our Congress is like a huge and unknown chemical reaction”. \nPinot Gallizio\, 1956 \n   \nFor an Imaginist Renewal of the World. The Alba Congress: 1956-2019  \nFrom September 21 to 22\, 2019 \nAlba (CN) \nDrafted by Carolyn Christov-Bakargiev and Caterina Molteni \n  \nCastello di Rivoli Museo d’Arte Contemporanea and Fondazione CRC are organizing from 21 to 22 September 2019\, For an Imaginist Renewal of the World. The Alba Congress: 1956-2019\, a poetic reenactment of the First World Congress of Free Artists that took place from 2 to 8 September 1956 in Alba (Pinot Gallizio’s and Elena Verrone’s hometown)\, which anticipated by a year the foundation of the International Situationist in Cosio di Arroscia\, hometown of the artist Piero Simondo. \nWith the theme “The Free Arts and Industrial Activities”\, the congress gathered artists and intellectuals from eight different countries\, with the participation of representatives of the International Letterism\, of the Nuclear Art Movement and the dissolved CoBrA group\, under the coordination of the Experimental Laboratory of the International Movement for an “Imaginist Bauhaus” (MIBI)\, founded by Asger Jorn\, Pinot Gallizio and Piero Simondo in September 1955. \nThe three artists proposed a project of relationship between art and technique in contrast with the functionalist approach of the time. “Based on a subjective artistic research in favor of a democratic and collaborative vision of an art accessible to all”\, states the director of Castello di Rivoli Museo d’Arte Contemporanea Carolyn Christov-Bakargiev\, “their laboratories were conceived as a space of collective and experimental work\, in which artistic sensitivity met the scientific and alchemic knowledge of materials (dust\, resins\, pigments). The interests extended to popular cultures and urban planning with the aim of realizing the idea of a “free” artist\, capable of operating and developing his own research transversely in different fields of knowledge.” \nIn the years preceding the Congress\, Asger Jorn had recently completed his experience with the CoBrA group (1948-1951) and traveled around Europe in search of a new collective vitality in the artistic production.  Meanwhile\, Pinot Gallizio\, a central figure in the Alba socio-cultural life as city councilor\, former partisan\, passionate researcher of popular cultures\, nomadism\, botany\, chemistry and archeology\, had come into contact with the young artist and philosophy student Piero Simondo\, who moved to Alba in 1952\, where he attended his girlfriend and philosophy student Elena Verrone. Gallizio and Simondo met soon after at a conference in Alba by Simondo and Michele Lo Sacco on the theme of German Expressionism. \nIn Albisola in 1955\, Gallizio and Simondo met Asger Jorn for the first time. The Danish artist had organised in those years the International Ceramics Meetinginvolving part of the Nuclear’s\, Lucio Fontana\, Karel Appel and Corneille\, Emilio Scanavino and Tullio Mazzotti d’Albisola. This exhibition introduces the artists into the debate against functionalism thanks to a new exhibition organised on the occasion of the International Congress of Industrial Designof the X Triennale di Milano. In the dispute over the relationship between art and technique\, in particular addressed to Max Bill’s functionalist aesthetics\, the artists play a central role in ceramics. The use of this material\, thanks to the element of unpredictability present in the processes of cooking and taking color\, allowed to project standardized and functional design objects from a perspective based on the dynamic experience of matter. \nThe First Congress of Free Artists started from these assumptions and concluded with the adoption of a common theoretical platform centered on the idea\, dear to the Lettrists\, of a ‘unitary urbanism’: the construction of an environment that\, thanks to the synthesis of art and technique\, was the place of a future lifestyle. \n\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n		\n\nFor an Imaginist Renewal of the World. The Alba Congress: 1956-2019 will be a widespread event and will take place in the council hall of the Municipality of Alba\, in the Centro Studi Beppe Fenoglio\, in the “Beppe Fenoglio” Hall and the Alba Wine School “Umberto I”\, spreading into the streets and alleys of the city. The program includes a series of ‘reports’ that will retrace the historical background\, the development and the theoretical and artistic implications of the Congress in the present time\, thanks to the contribution of art historians Maria Teresa Roberto and Giorgina Bertolino (Archivio Gallizio\, Turin)\, of the art historian Francesca Comisso from the curatorial collective a.titolo\, of art critic and curator Achille Bonito Oliva\, of Lori Waxman\, Senior lecturer at the School of the Art Institute of Chicago\, art historian and journalist\, of Tom McDonough\, Associate Professor of Art History Department at Binghamton University. \nThe 1956 Congress will also be reactivated by a series of ‘communications’ entrusted to artists and curators who will reinterpret the poetic and artistic heritage of its participants\, literally taking on their roles. As short readings\, projections of archive materials (es. Cinema Lettrista) and poetic actions\, these communications involve: Luca Avanzini\, Bernard Blistène\, Ludovica Carbotta\, Alex Cecchetti\, Cooking Sections\, Irene Dionisio\, Liam Gillick\, Renato Leotta\, Michael Rakowitz\, Gianluigi Ricuperati\, Amelia Simondo\, Hans Ulrich Obrist and Alice Visentin. \nA third part of the Congress has been conceived by art historian Lori Waxman as a public performance program on the art of walking. This will consist of the re-performance of historical pieces of walking art\, all of which will relate to the Situationist spirit either directly or indirectly. \nThe program foresees the participation of the public that can\, following the instructions of a booklet\, recreate the different works along the streets of Alba in the movements between the different venues hosting the Congress.
URL:https://www.castellodirivoli.org/en/evento/for-an-imaginist-renewal-of-the-world-the-alba-congress-1956-2019/
CATEGORIES:conferenza,Dipartimento Curatoriale,workshop
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190924T170000
DTEND;TZID=Europe/Rome:20190924T190000
DTSTAMP:20260610T045200
CREATED:20190917T081317Z
LAST-MODIFIED:20251125T132429Z
UID:105011-1569344400-1569351600@www.castellodirivoli.org
SUMMARY:Provenance: Can You Bank on It?
DESCRIPTION:Tuesday\, September 24\, 2019\, 5:00 to 6:30 p.m.  \nConference Hall\, Castello di Rivoli Museum of Contemporary Art  \n  \nCastello di Rivoli is pleased to announce the forthcoming talk Provenance: Can You Bank on It? presented at Castello di Rivoli Conference Hall by Dr. Lynn Rother\, Senior Provenance Specialist at The Museum of Modern Art\, New York followed by a Q&A. The evening program is part of the Workshop for Provenance Research\, a two-week study session including lectures\, hands-on exercises and discussion rounds with international experts in Provenance Research and Art Law jointly run by CRRI\, Centre for Research Castello di Rivoli\, and the Education Department\, led by Dr. Lynn Rother. \n  \nThe biggest art deal of the Nazi era occurred in August 1935 when the Prussian Finance Minister paid the enormous amount of 7.5 million German marks to the Dresdner Bank to acquire 4\,401 works of art for the Berlin museums. This momentous historical event is hardly known; Lynn Rother is one of the few scholars to research this extraordinary transaction and analyze its consequences in her book. “Kunst durch Kredit” (Art as Collateral) was published in 2017 to great critical acclaim in Germany and won the translation prize “Geisteswissenschaften International.” Using the sale of the Flemish old master paintings from the former collection of the Prince of Hohenzollern-Sigmaringen as a case study\, Provenance: Can You Bank on It? will examine the methodology\, sources\, and challenges of Nazi-era provenance research as it relates to art as collateral and the hidden aspects of the art market. \n  \nThe talk is followed by a Q&A featuring Dr. Lynn Rother\, Dr. Mara Wantuch-Thole\, a Berlin-based attorney specialized in advising private clients as well as German and international public institutions in the art sector and Paul Cossu\, a member of New York’s Pryor Cashman’s Art Law Group\, where he handles a range of litigation and transactional matters on behalf of auction houses\, artists\, museums\, and collectors \n  \nThe talk and Q&A are in English. \n  \nThe evening program is organized in collaboration with Family office Tosetti Value\, a benchmark in the enhancement and maintenance of family wealth. \n  \n \n  \n  \n  \n  \n  \n  \n \n  \n  \n  \nLynn Rother joined The Museum of Modern Art as Senior Provenance Specialist in 2015. She oversees provenance research\, procedures\, documentation and funding in conjunction with all curatorial departments regarding works in the Collection\, loans\, acquisitions\, and deaccessions. Before coming to MoMA\, she held various research positions at the Berlin State Museums working on all facets of World War II-era provenance as well as on digital initiatives co-financed by the European Commission. A former Fellow of The Getty Research Institute in Los Angeles and of the German Historical Institute in Moscow\, she has a Master’s degree in art history\, economics and law from the University of Leipzig and a Ph.D. in art history from the Technical University of Berlin. Beyond her World War II provenance research\, her academic interests are the history of 20th-century collecting\, art market practices\, and the digital humanities. \n  \n \n  \n  \n  \n  \nMara Wantuch-Thole is an attorney admitted to the Bar in Germany. She is specialized in advising private clients as well as German and international public institutions in the art sector. Prior to founding her law firm\, Mara worked in several international corporate law firms\, for public cultural institutions\, as an advisor for the Spoliation Advisory Panel in the United Kingdom\, and for a Berlin-based law firm specialised in art and foundation law. \n \n  \n  \n  \nPaul Cossu is a member of Pryor Cashman’s Art Law Group\, where he handles a range of litigation and transactional matters on behalf of auction houses\, galleries\, artists\, museums\, collectors and other members of the arts community. Paul has litigated several high-profile stolen art and art forgery cases\, including cases concerning artwork alleged to have been looted by the Nazis. On the transactional side\, Paul handles a variety of purchase\, sale\, co-ownership\, consignment\, commission\, and loan agreements for a broad array of gallery\, advisory\, and art dealer clients.
URL:https://www.castellodirivoli.org/en/evento/provenance-can-you-bank-on-it/
CATEGORIES:conferenza,CRRI,workshop
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190925T190000
DTEND;TZID=Europe/Rome:20190925T220000
DTSTAMP:20260610T045200
CREATED:20190910T085225Z
LAST-MODIFIED:20190910T085225Z
UID:105004-1569438000-1569448800@www.castellodirivoli.org
SUMMARY:Street Workout Rivoli Castello
DESCRIPTION:
URL:https://www.castellodirivoli.org/en/evento/street-workout-rivoli-castello/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191012T190000
DTEND;TZID=Europe/Rome:20191012T200000
DTSTAMP:20260610T045200
CREATED:20191008T111018Z
LAST-MODIFIED:20251125T132222Z
UID:105016-1570906800-1570910400@www.castellodirivoli.org
SUMMARY:Vinciane Despret\, RETURN TO EARTH\, WITH THE BIRDS
DESCRIPTION:COMP(H)OST\nCastello Theater \n7 pm \n\nFree Admission \n  \n\nOne of the most prominent contemporary thinkers\, the Belgian philosopher and psychologist Vinciane Despret presents her most recent research for the first time in Italy\, only a few days after the publication of her latest book Habiter en oiseau (Actes Sud). \nAfter the LIVING MATTERS project by American artist Claire Pentecost\, the conference RETURN TO EARTH\, WITH THE BIRDS by Vinciane Despret is the second event of COMP(H)OST\, a project that deals with the transdisciplinary themes of hospitality\, exchange and coexistence\, cooperation and cohabitation\, transformation and fertility\, via artistic productions\, seminars\, workshops\, conferences\, panel discussions\, conversations\, and live performances at the Castello di Rivoli and in different locations throughout the city of Turin. \nLinked to authors such as Isabelle Stengers and Bruno Latour\, Despret has focused her analysis on the relationship with science\, on the animal world and the relationship between human psychology and ethology\, through which she explores “the political consequences of our theoretical choices”. \nDuring COMP(H)OST\, she will discuss her most recent research on the subject of the territory. As she herself explains: “In many texts we nd the idea that we humans are ‘instinctively territorial’. Could this instinct\, inherited from our animal ancestors\, explain our idea of private property\, territory\, frontier and lastly of nation? This would mean forgetting that these concepts are recent and historically positioned. Making animals into small bourgeois owners\, eager for exclusivity\, is not only a serious anachronism from the point of view of the history of evolution\, but it also means neglecting the inventiveness and the great diversity in the ways of living\, of sharing spaces and of being alone that is found among territorial beings”. \n\n\n\nIn particular the conference will look at the many researches conducted by ornithologists regarding birds. Why birds? Because they are the first to have aroused the curiosity of observers\, both amateurs and scientists\, on the question of territories. Then\, during these researches\, increasingly complex ways of organization were discovered. The territories become places of artistic performance\, of inventive forms of socialization; issues of composition and partition emerge. And the work of researchers\, since then\, has no longer been to seek a theory or an explanation\, but to honor these ways of organizing life together. \nRETURN TO EARTH\, WITH THE BIRDS by Vinciane Despret takes place on the occasion of GDC15 QUINDICESIMA GIORNATA DEL CONTEMPORANEO promoted by AMACI Associazione dei Musei d’Arte Contemporanea Italiani. The conference is in French with simultaneous translation in Italian\, with free admission subject to availability. \nBIOGRAPHY\nVinciane Despret (Anderlecht\, 1959) is a Belgian philosopher and psychologist\, associate professor at the University of Liège\, where she lives and works. Her entire career has focused on the relationship between human psychology and ethology. She worked for approximately twenty years mainly on the understanding of animals\, a field of research in which she has published a number of essays and various books\, including some that have been translated into Italian: What Would Animals Say If We Asked the Right Questions? (2016)\, Hans\, le cheval qui savait compter [Hans\, the Horse That Could Count] (2004)\, Quand le loup habitera avec l’agneau [When the Wolf Shall Dwell with the Lamb] (2002). In 2008 she also curated the exhibition Bêtes et hommes at the Grande Halle de La Villette in Paris. She has won important prizes\, including the “Humanités scienti ques” award from SciencesPo and the “Wernaers International Fund for Research and Dissemination of Knowledge” award. \nCOMP(H)OST is curated by a.titolo\, NERO and the Castello di Rivoli Museo d’Arte Contemporanea\, in collaboration with the Witte de With Center for Contemporary Art in Rotterdam\, and is supported by Compagnia di San Paolo as part of the call “ORA! Produzioni di Cultura Contemporanea”\, with the hospitality of Duparc Contemporary Suites and the collaboration of Film Commission Torino Piemonte. \nCOMP(H)OST is based on an idea from Marianna Vecellio and Sofía Hernández Chong Cuy\, and is curated by Francesca Comisso and Luisa Perlo for a.titolo\, Marianna Vecellio for the Castello di Rivoli\, Lorenzo Gigotti\, Valerio Mannucci and Valerio Mattioli for NERO.
URL:https://www.castellodirivoli.org/en/evento/vinciane-despret-return-to-earth-with-the-birds/
CATEGORIES:conferenza,Dipartimento Curatoriale
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2019/10/Territstory-collage-Gilles-T.-Lacombe-et-Vinciane-Despret.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191030T180000
DTEND;TZID=Europe/Rome:20191030T220000
DTSTAMP:20260610T045200
CREATED:20191022T074458Z
LAST-MODIFIED:20251125T122257Z
UID:105021-1572458400-1572472800@www.castellodirivoli.org
SUMMARY:Claudia Comte. How to Grow and Still Stay the Same Shape
DESCRIPTION:Claudia Comte. How to Grow and Still Stay the Same Shape \nDrafted by Carolyn Christov-Bakargiev and Marianna Vecellio \nOctober 31\, 2019 – August 30\, 2020 \nOpening: October 30\, 2019 \nAt 6 pm in the Theatre Marianna Vecellio in conversation with Claudia Comte.
URL:https://www.castellodirivoli.org/en/evento/claudia-comte-how-to-grow-and-still-stay-the-same-shape/
CATEGORIES:conferenza
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191101T080000
DTEND;TZID=Europe/Rome:20191101T190000
DTSTAMP:20260610T045200
CREATED:20190905T125555Z
LAST-MODIFIED:20251125T122023Z
UID:105002-1572595200-1572634800@www.castellodirivoli.org
SUMMARY:Becoming Male in the Middle Ages  Pedro Neves Marques
DESCRIPTION:Becoming Male in the Middle Ages \nPedro Neves Marques  \nIn collaboration with HAUT \nilly Present Future Prize 2018 Exhibition \ndrafted by Marianna Vecellio \n1 November 2019 – 23 February 2020
URL:https://www.castellodirivoli.org/en/evento/becoming-male-in-the-middle-ages-pedro-neves-marques/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2019/09/A-Mordida.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191102T180000
DTEND;TZID=Europe/Rome:20191102T200000
DTSTAMP:20260610T045200
CREATED:20191025T103156Z
LAST-MODIFIED:20251125T121928Z
UID:105025-1572717600-1572724800@www.castellodirivoli.org
SUMMARY:Living the Sprawl. Conversation with Metahaven
DESCRIPTION:LIVING THE SPRAWL\nConversation with Metahaven \nIntroduction by: Leonardo Dellanoce \n  \n  \nTeatro del Castello\, 6pm \n  \nLeading interpreters of the languages arisen with the use of new technologies\, protagonists of a research able to range from the world of design to theoretical thinking\, Metahaven will discuss for the first time in Italy their latest works in a live debate with curator Leonardo Dellanoce. \nFollowing the LIVING MATTERS project by American artist Claire Pentecost and the conference RETURN TO EARTH\, WITH THE BIRDS of Vinciane Despret\, LIVING THE SPRAWL is the third appointment of COMP(H)OST\, a project that deals with the trans-disciplinary themes of hospitality\, exchange and coexistence\, cooperation and cohabitation\, transformation and fertility\, via artistic productions\, seminars\, workshops\, conferences\, panel discussions\, conversations\, and live performances at the Castello di Rivoli and in different locations throughout the city of Turin. \nCreated as a “speculative design” collective\, Metahaven have over time focused on how our spaces are defined by the flow of information and propaganda that\, having originated in the digital world\, has ended up shaping the concrete reality of our daily experience. Key to Metahaven’s thought is the concept of sprawl: an ecosystem in which different versions of what we call “reality” coexist\, and in which so many parallel narratives proliferate that our notion of truth is redefined. So what value does the concept of identity acquire in an environment saturated with mutually contradicting stimuli\, starting from the overlap between the old rhetoric of sovereign states and the global scale on which today’s computational apparatus acts? \nStarting from their work in the field of documentaries and moving image\, the two founders of Metahaven Vinca Kruk and Daniel van der Velden will talk with curator Leonardo Dellanoce (Digital Earth) about their most recent works\, touching on themes ranging between art and cinema\, design and poetry\, and the representation of abstractions\, in an attempt to understand how\, through an imaginary defined by them as “soft sci-fi”\, it is possible to decipher an environment in which nature and culture coincide\, and in which it seems to have become impossible to distinguish between facts and fiction\, between imaginary pasts and artfully constructed futures. \nLIVING THE SPRAWL by Metahaven with Leonardo Dellanoce will take place in conjunction with the “Notte delle arti contemporanee”\, with the special late opening of the Castello di Rivoli until 10.00 pm. \nThe conference is in English with consecutive interpretation: free admission subject to availability. \nBIOGRAPHIES\nThe work of Metahaven consists of filmmaking\, writing\, and design\, and is united conceptually by interests in poetry\, storytelling\, propaganda\, and digital superstructures. Films by Metahaven include The Sprawl (Propaganda about Propaganda) (2015)\, Information Skies (2016)\, Hometown (2018) and Eurasia (Questions on Happiness)(2018). Recent solo exhibitions include Version History at the ICA London (2018)\, and Earth at Stedelijk Museum Amsterdam (2018). Recent group exhibitions include Ghost:2651 in Bangkok (2018)\, the Sharjah Biennial (2017)\, and the Gwangju Biennale (2016). Recent publications by Metahaven include PSYOP (2018)\, and Digital Tarkovsky (2018). \nLeonardo Dellanoce is an Italian curator who lives in Amsterdam. In his research he explores technological realities using art and design as navigation tools. He has worked with artists\, designers and theorists on various collaborative projects. Among these: Vertical Atlas: a Techno-political Cartography\, Het Nieuwe Instituut\, Rotterdam (2018) and Digital Earth (2019). He is the editor of the magazine “Volume”\, for which he developed the research project Trust in the Blockchain Society.
URL:https://www.castellodirivoli.org/en/evento/living-the-sprawl-conversation-with-metahaven/
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2019/10/metahaven_logo.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191117T160000
DTEND;TZID=Europe/Rome:20191117T180000
DTSTAMP:20260610T045200
CREATED:20191002T083201Z
LAST-MODIFIED:20191002T083201Z
UID:105014-1574006400-1574013600@www.castellodirivoli.org
SUMMARY:[:it]Est-Ovest Festival - Il ponte sulla Drina
DESCRIPTION: 
URL:https://www.castellodirivoli.org/en/evento/itest-ovest-festival-il-ponte-sulla-drina/
CATEGORIES:concerto
ATTACH;FMTTYPE=image/jpeg:https://www.castellodirivoli.org/wp-content/uploads/2019/10/Quartetto-Ascanio.jpeg
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