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DTSTART;TZID=Europe/Rome:20231218T080000
DTEND;TZID=Europe/Rome:20251228T180000
DTSTAMP:20260620T174247
CREATED:20231218T084748Z
LAST-MODIFIED:20251124T143035Z
UID:137854-1702886400-1766944800@www.castellodirivoli.org
SUMMARY:Merenda Reale 2025
DESCRIPTION:Our contemporary Museum café\, decorated with the wall painting designed by the Swiss artist Claudia Comte “Slurp\, Boing\, Puff”\, also offers\, upon reservation\, the Merenda Reale\, a delicious moment\, where hot chocolate is prepared as in the 18th century accompanied by bagnati\, biscuits\, of the Piedmontese tradition. \nAnd you can also give it as a gift! Ask us how! \nInfo and reservations required at our Museum café on 011-9565273 \n  \nPhoto Le Strade di Torino
URL:https://www.castellodirivoli.org/en/evento/merenda-reale-2023/
CATEGORIES:food
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231218T110000
DTEND;TZID=Europe/Rome:20241231T180000
DTSTAMP:20260620T174247
CREATED:20230130T090257Z
LAST-MODIFIED:20230130T091436Z
UID:128122-1702897200-1735668000@www.castellodirivoli.org
SUMMARY:Guided tours of the Collections and temporary exhibitions at the weekend by the Education Department
DESCRIPTION:On Saturdays and Sundays\, Artenaute of the Castello di Rivoli Education Department accompany visitors on their discovery of the exhibition Olafur Eliasson: Trembling Horizons and the works part of the Permanent Collection of the Museum and the Cerruti Collection.
URL:https://www.castellodirivoli.org/en/evento/guided-tours-of-the-collections-and-temporary-exhibitions-at-the-weekend-by-the-education-department/
CATEGORIES:visita guidata
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240705T100000
DTEND;TZID=Europe/Rome:20241003T170000
DTSTAMP:20260620T174247
CREATED:20240704T150936Z
LAST-MODIFIED:20251124T124405Z
UID:142995-1720173600-1727974800@www.castellodirivoli.org
SUMMARY:UNA SCUOLA AL CASTELLO DI RIVOLI
DESCRIPTION:UNA SCUOLA AL CASTELLO DI RIVOLI is a new place for postgraduate art education\, founded in 2024\, and based at the Castello di Rivoli Museo d’Arte Contemporanea in the Piemonte region of Italy. Accompanied by a rotating ENSEMBLE of local educators\, a group of 12 recently-graduated PRACTITIONERS will work collectively and critically to dismantle their disciplines and delay production in a spirit of open dialogue. \nA pilot seminar class\, Prologue for a School in the Making\, will take place over 4 days\nfrom 23 – 26 September 2024 at UNA SCUOLA AL CASTELLO DI RIVOLI\, and in the context of Aperto\, a training project promoted by the Fondazione per l’Arte Moderna e Contemporanea CRT (www.aperto-crt.it).  The school will then continue the following week with its first dedicated cohort of PRACTITIONERS through an intensive series of workshops\,  An Attempt at Extending and Stretching\, provided by the ENSEMBLE from 30 September – 3 October 2024. \nwww.una-scuola.com \n— \nGlossary\nUNA SCUOLA AL CASTELLO DI RIVOLI is a new postgraduate art education programme. Each year 12 PRACTITIONERS build a mutually supportive dialogue at Castello di Rivoli Museo d’Arte Contemporanea\, Rivoli-Torino\, and in the Piedmont countryside\, supported with material presented by  THE ENSEMBLE\, a community of resident artists\, scientists\, curators\, writers\, performers\, philosophers\, and economists\, from the city of  Torino and surroundings. The school was established in the spring of 2024 by FACILITATORS – artist Cally Spooner and curator Lilou Vidal – via PUBLISHING CHANNELS shaped by  THE MEDIUM Stuart Bertolotti-Bailey. UNA SCUOLA AL CASTELLO DI RIVOLI is developed in the context of CRRI (Castello di Rivoli Research Institute) and will unfold annually. \nPRACTITIONERS are 12 annual recent graduates from Italian institutions enrolled in UNA SCUOLA AL CASTELLO DI RIVOLI. \nTHE ENSEMBLE is a community of artists\, scientists\, curators\, writers\, performers\, philosophers\, and economists from the city of  Torino and surroundings who create and share material (workshops\, lectures\, seminars\, screenings\, technical classes\, walks\, exercises\, food) with PRACTITIONERS. \nFACILITATORS are persons whom structure and organize UNA SCUOLA AL CASTELLO DI RIVOLI and lead sessions on RADICAL PEDAGOGY. \nTHE MEDIUM is a publisher of knowledge. \nPUBLISHING CHANNELS are exercises in writing\, scoring and journaling RADICAL PEDAGOGY and materials. \nRADICAL PEDAGOGY comprises material (from yesterday and for tomorrow) on educating ourselves and one another radically\, presented by FACILITATORS and  the ENSEMBLE. \n— \nSession 1: Prologue for a School in the Making\n\n23 – 26 September 2024\nA project by Una Scuola al Castello di Rivoli\nin the context of Aperto\ncurated by Cally Spooner and Lilou Vidal \nFACILITATORS\nCally Spooner\nLilou Vidal \nTHE MEDIUM\nStuart Bertolotti-Bailey \nTHE ENSEMBLE\nMaria Abdulhamid\nMarcella Beccaria\nSara Enrico\nVincenzo Estremo\nFrancesco Manacorda\nAmbra Pittoni\nMarianna Vecellio \nThe classes will be in English (en ) or Italian (it)\, or both. \nEach day begins with 2 hours of radical pedagogy from FACILITATORS\, followed by material on structures of power\, institutional psychoanalysis\, transmission through bodies and place\, as well as horizontality and dormancy\, collections and research presented by  THE ENSEMBLE. Each day ends with exercises in the PUBLISHING CHANNELS with  THE MEDIUM. \nDay 1\, 23/09 /24: ‘Structure of Power and Institutional Psychoanalysis’\nDay 2\, 24/09/24: ‘Transmission through Bodies and Place’\nDay 3\, 25/09/24: ‘Ethics Of  Technology and New Media In a Time of  War’\nDay 4\, 26/09/24: ‘Horizontality and Dormancy’ \n— \nSession 2: First Chapter – An Attempt at Extending and Stretching\n\n30 September – 3 October 2024\nA project by Una Scuola al Castello di Rivoli\ncurated by Cally Spooner and Lilou Vidal \nFACILITATORS\nCally Spooner\nLilou Vidal \nTHE ENSEMBLE\nMaria Abdulhamid\nSara Enrico\nVincenzo Estremo\nJesper List  Thomsen\nAmbra Pittoni \nThe classes will be in English (en ) or Italian (it)\, or both. \nDay 1\,  30/09/24:  ‘Archaeology of Oblivion’\nDay 2\,  1/10/24: ‘Differing Parts – A Workshop on Being More than One’\nDay 3\,  2/10/24:  ‘The Space of the Tongue’\nDay 4\,  3/10/24: ‘A Little Saliva + A Sleeping Mouth’ \n— \nHow  to Participate\nWho can participate in the open call?:\nGraduates from Italian institutions\n– who are between 22 and 35 years old (born between 1 January 1989 – 31 December 2001)\n– who have obtained at least a 3-year degree or a first-level academic diploma\n(High Artistic and Musical Education) in Italy. \nGiven the presence of Italian and international lecturers\, some lessons will be held in\nItalian and others in English. Knowledge of both languages is therefore required to\nparticipate in the seminar. \nThe number of participants admitted via open call is 12. \nParticipation is free of charge and selected participants undertake to attend\, in attendance\,\nall the days of the seminar and/or workshop programme.  Travel and accommodation\nexpenses are the responsibility of the participants. At the end of the Session 1 and/or Session 2 a certificate of attendance will be issued by UNA SCUOLA AL CASTELLO DI RIVOLI. \nIn order to participate in the open call\, the following materials must be sent no later than\n12:00 noon on 11 August 2024 to the e-mail address info@una-scuola.com with the subject line ‘Application Una Scuola Al Castello di Rivoli’\, along with\n– a copy of a valid identity document\n– an up-to-date CV\n– an artistic portfolio / portfolio of exhibitions or projects / summary document of research work\, respectively for applications of artist  /  curator  /  researcher\, or other (max. 2MB).\n– a motivational letter of a maximum of 1\,800 characters\, demonstrating the coherence between the topics discussed during the seminar and one’s own areas of interest\, study\nor research. \nOptionally\, you may also send a text\, published or unpublished (max. 3 pages). \n\nSelection Process\nThe selection of participants for the first and/or the second Session is carried out by a committee consisting of Cally Spooner\, Lilou Vidal and UNA SCUOLA AL CASTELLO DI RIVOLI faculty. Participants admitted to the seminar will be contacted on 26 August at the email address provided during the application process. In the event of non-acceptance\, there will be no formal written communication from the organiser of the project.
URL:https://www.castellodirivoli.org/en/evento/una-scuola-al-castello-di-rivoli/
CATEGORIES:CRRI,CRRI,Dipartimento Curatoriale,workshop,workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241012T110000
DTEND;TZID=Europe/Rome:20241012T184500
DTSTAMP:20260620T174247
CREATED:20240820T092800Z
LAST-MODIFIED:20251124T123217Z
UID:143793-1728730800-1728758700@www.castellodirivoli.org
SUMMARY:AMACI Giornata del Contemporaneo 2024
DESCRIPTION:Castello di Rivoli Museo d’Arte Contemporanea joins AMACI Giornata del Contemporaneo \nSaturday\, 12 October 2024 11:00 a.m. – 6:45 p.m.\nFree entry \nCastello di Rivoli Museo d’Arte Contemporanea joins AMACI Giornata del Contemporaneo\, a major event promoted by the Association of Italian Contemporary Art Museums. \nOn Saturday\, 12 October\, from 11:00 a.m. to 6:00 p.m.\, visitors can access Castello di Rivoli\, the Collection\, and the current exhibitions free of charge\, while also taking part in numerous activities organised to celebrate the day. In line with this year’s theme for Contemporary Art Day\, accessibility in its broadest sense\, the Museum offers specific activities that promote inclusion. \nAMACI Giornata del Contemporaneo is supported by the Directorate-General for Contemporary Creativity of the Ministry of Culture\, in collaboration with the Directorate-General for Public and Cultural Diplomacy of the Ministry of Foreign Affairs and International Cooperation\, and under the patronage of the European Commission Representation in Italy\, the Chamber of Deputies\, the Conference of Regions and Autonomous Provinces\, UPI – Union of Italian Provinces\, ANCI – National Association of Italian Municipalities\, and ICOM Italy. \n\nPROGRAMME for AMACI Giornata del Contemporaneo\n11:00 a.m.\, 2:00 p.m. and 4:00 p.m.\nGuided tours\nTours of the Collection and exhibitions raise awareness of sensory themes\, enhancing the synaesthetic nature of a selection of artworks\, both indoors and outdoors. \n3:00 p.m. – 7:00 p.m.\nLiving Museum. Erratic Bodies II\nThe Living Museum. Erratic Bodies II programme promotes experimental forms across different disciplines through events that combine visual arts with the various languages of contemporaneity\, such as cinema\, dance\, and music. The programme explores the dual nature of the word ‘live’\, emphasizing the inseparable connection between art and audience participation within the Museum’s spaces. \n3:00 p.m. – 3:30 p.m.\nManica Lunga Garden\nWhat it will take to flock the wings of freedom again?\, a participatory performance by Mohammad Al Faraj\nMohammad Al Faraj presents a participatory action titled What it Will Take to Flock the Wings of Freedom Again?. The audience is invited to join the artist in awakening the bird of prayer\, wishing for a better tomorrow\, using palm leaves as wings\, with words and poetry as the wind. \n3:30 p.m. \nFirst\, second\, and third floors of Castello\nThe signs of art\nA guided tour of the Collection and temporary exhibitions open to all\, including deaf\, deafblind\, and hearing individuals\, curated by the Education Department in collaboration with the Institute for the Deaf of Turin. This journey through the Museum includes a visit and workshop for families with LIS (Italian Sign Language) interpretation. The signs used to discuss art will be shared with hearing visitors\, creating a moment of collective awareness and learning\, in line with the theme of the Twentieth Contemporary Art Day: cultural accessibility as a valuable opportunity for mutual enrichment. \n4:00 p.m. – 4:45 p.m.\nCastello Theatre\nHalf Memory\, screening of Ufuoma Essi’s film with a live sound performance by Shamica Ruddock\nInspired by Toni Morrison’s text The Site of Memory\, Ufuoma Essi’s film Half Memory will be presented for the first time in Italy at Castello di Rivoli\, featuring a live soundtrack by Shamica Ruddock. The film is a profound meditation on memory\, isolation\, and contemporary narratives\, oscillating between years\, cities\, and evolving images\, exploring the present as an artefact of the past. \n4:00 p.m. – 6:00 p.m.  \nCafeteria\nSpecial aperitif with a menu created by artist Moza Almatrooshi\nThe museum’s café will offer a special aperitif\, providing an opportunity to enjoy food and drink. The menu is conceived by artist Moza Almatrooshi\, whose artistic and culinary practice draws on ancient and modern mythologies of the Arabian Peninsula\, influencing both her recipes and her political research on food in the region. \n4:00 p.m. \nVilla Cerruti\nLiving Museum / Live Collection\nSPECIAL TICKET – €10: Villa Cerruti tour \nOn the occasion of the Black Med sound performance at Castello di Rivoli\, there will also be a special afternoon visit to the Cerruti Collection\, hosted at Villa Cerruti and guided by art historian Fabio Cafagna. The visit will focus on the representations of the Mediterranean across centuries\, starting with the 17th- and 18th-century atlases from Francesco Federico Cerruti’s collection. It will also offer an opportunity to reinterpret some works from the Collection from an alternative perspective\, highlighting the connections between the regions bordering the Mediterranean. \n5:00 p.m. – 6:00 p.m.\nRoom 22\, second floor of  Castello\nClarenza Catullo presents the book Il Registrar. Professionista dell’arte\nThe event is dedicated to the presentation of Il Registrar. Professionista dell’arte\, the first theoretical-practical guide published by Nardini Editore (Florence)\, dedicated to this professional role\, recently recognised by the Ministry of Culture and present in most museums. The event is moderated by Clarenza Catullo\, former Registrar of major Italian cultural institutions. Speakers include Gabriele Vigilante\, one of the five authors\, as well as Giuseppe Dardanello\, Professor of Modern Art History at the Department of Historical Studies at the University of Turin\, Sofia Biondi\, Registrar of Castello di Rivoli\, and Luisa Mensi\, Conservator\, who has collaborated for years with Castello and many artists in the Collection. The event is part of the CRRI – Research Centre of Castello di Rivoli’s programmes\, which in 2018 and 2023 held two workshops on the role of the Registrar\, both coordinated by Clarenza Catullo. \n6:00 p.m. – 6:45 p.m.\nCastello Theatre\nSound performance Black Med by Invernomuto\nInvernomuto presents Black Med for the first time at Castello di Rivoli. This project originated as a digital archive of sounds collected from various sources\, inspired by the insights of scholar Alessandra Di Maio on the Mediterranean Sea. Based on the identification of this fluid space marked by migratory crises\, Black Med leverages themes of mobility\, intersection\, and exchange\, constants throughout the Mediterranean’s history and present. \n\nThese events are organised on the occasion of AMACI Giornata del Contemporaneo \nImage: Tomaso Binga for the Twentieth Contemporary Art Day\, Donna in gabbia\, 1975 – 2024
URL:https://www.castellodirivoli.org/en/evento/amaci-2024/
CATEGORIES:Collezione Cerruti,concerto,conferenza,CRRI,CRRI,Dipartimento Curatoriale,Dipartimento Educazione,food,food,performance,visita guidata
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20241012T150000
DTEND;TZID=Europe/Rome:20241012T184500
DTSTAMP:20260620T174247
CREATED:20240821T092129Z
LAST-MODIFIED:20251124T122930Z
UID:143516-1728745200-1728758700@www.castellodirivoli.org
SUMMARY:Living Museum | Erratic Bodies | October 12\, 2024
DESCRIPTION:Two days of activities for the public with the presence of artists Mohammad Al Faraj\, Moza Almatrooshi\, Matilde Cerruti Quara\, Ufuoma Essi\, Lamin Fofana\, Invernomuto\, and Lea Porsager. \nSaturday\, September 28\, 2024 – Erratic Bodies I\nSaturday\, October 12\, 2024 – AMACI Giornata del Contemporaneo | Italian Contemporary Art – Erratic Bodies II\nCastello di Rivoli \nFREE ACCESS \nCastello di Rivoli presents two new autumn dates of Living Museum. The program promotes experimental approaches that bridge various disciplines\, where visual art intersects with other contemporary languages\, such as cinema\, dance\, and music. The project explores the dual nature of the word ‘live\,’ emphasizing the inseparable connection between art and audience participation within the Museum’s spaces. \nThe events will take place on Saturday\, September 28\, and Saturday\, October 12\, 2024 – AMACI Giornata del Contemporaneo | Italian Contemporary Art– offering to the public a series of activities featuring international artists. The two events are dedicated to the theme of Erratic Bodies – a title borrowed from the glacial erratics in the morainic landscape of the Val di Susa – and are curated by Giulia Colletti. \nTransported by Alpine glaciers to the valley floor during the Ice Age\, these masses\, deposited in unexpected locations across the Piedmont region\, often became objects of worship and sacred rituals\, leaving traces in local folklore. Composed of sediments distinct from their surrounding environment\, glacial erratics serve as witnesses to an unusual journey. They thus embody a state of being ‘out of place’ in their context\, prompting reflections on contemporary issues of migration and transition for both human and non-human bodies\, as well as the challenges posed by past and present climate changes. \nThe artists featured over the two days are Mohammad Al Faraj\, Moza Almatrooshi\, Matilde Cerruti Quara\, Ufuoma Essi\, Lamin Fofana\, Invernomuto\, and Lea Porsager. \nThe program blends social rituals\, immaterial archives\, and various cultural languages and approaches\, exploring\, over the two days\, the significance of collective memory—not as a mere sum of individual experiences\, but as a process of shared narrative that cements a common identity. By promoting the convergence of transdisciplinary research\, the events highlight how performing arts\, as well as living bodies\, do not exist within a confined space but take shape and meaning in their erratic existence\, continually shifting direction and drawing from the overcoming of geographical\, disciplinary\, and imposed classifications. \nThe schedule includes various artistic interventions addressing both individual and collective challenges related to the erasure and rehabilitation of historical narratives. The focus is on movement\, both physical and imaginative\, with research exploring transitions\, boundary crossings\, and the imagination of other worlds\, embracing a state of personal and collective metamorphosis. \nLiving Museum \nErratic Bodies I\n\nSeptember 28\, 2024 \nIn the morning and early afternoon\, the public is invited to actively participate in PALINSESTO\, the first chapter of Matilde Cerruti Quara’s intervention at Castello di Rivoli. The artist encourages visitors to interact with her body by writing freely on it in response to the question ‘WHO ARE YOU?’. By dissolving her artistic identity and viewing the performer as a channel for receiving and transmitting a universal message\, Matilde offers herself as a blank page and mirror for collective thought\, prompting reflection on the multiple layers that make up the narratives we tell ourselves. The performance draws inspiration from the history of Castello\, which in its own way is an ultimate palimpsest\, particularly from the inscriptions found on its walls left by soldiers during the Second World War. \nThe afternoon continues with a preview of Lea Porsager‘s Rosy-fingered Dusk (2023) and Clockwork C.O.W. (2024)\, two 90-second flicker film loops accompanied by texts and pictograms. Both works reference the so-called Doomsday Clock\, created by the Bulletin of the Atomic Scientists as a way of tracking how close humanity is to a global catastrophe. The closer to midnight\, the closer to total collapse. In the short loops\, subatomic particles known as muons (or\, in cow-speak\, “moo-ons”) move sleepily and erratically through impossible\, impassable expanses. \nAt sunset\, the public is invited to participate in REALISMO MAGICO\, an immersive poetry performance that concludes Matilde Cerruti Quara’s intervention. For this occasion\, she has written new texts reflecting on memory\, intergenerational trauma\, and the cathartic power of community. Exploring the human paradox with its dance of light and shadow—especially in times of war—the performance aims to offer the audience a poetic ritual as a means of collective reconnection. \nLamin Fofana will present a new performance designed to explore\, through the rituality of sound\, the notion of the extension and fluctuation of time. \n  \nLiving Museum\n \nErratic Bodies II\n\nOctober 12\, 2024 \nOn October 12\, Castello di Rivoli will present Living Museum as part of AMACI Giornata del Contemporaneo | Italian Contemporary Art. \nMohammad Al Faraj will present a participatory action titled What it Will Take to Flock the Wings of Freedom Again? The audience will join the artist in awakening the bird of prayer\, wishing for a better tomorrow\, using palm leaves as wings and words and poetry as the wind. \nInspired by Toni Morrison’s text The Site of Memory\, Ufuoma Essi’s film Half Memory will be presented for the first time in Italy at Castello di Rivoli\, featuring a live soundtrack by Shamica Ruddock. The film is a profound meditation on memory\, isolation\, and contemporary narratives\, oscillating between years\, cities\, and evolving images\, exploring the present as an artifact of the past. \nThe museum’s café will offer special aperitifs\, providing an opportunity to enjoy a drink and food. The special aperitifs are conceived by artist Moza Almatrooshi and prepared by the museum café. Almatrooshi’s artistic and culinary practice draws on ancient and modern mythologies of the Arabian Peninsula\, influencing both her recipe creation and her political research on food in the region. \nInvernomuto will present Black Med for the first time at Castello di Rivoli. This project was initiated as a digital archive of sounds collected from various sources\, inspired by the insights of scholar Alessandra Di Maio on the Mediterranean Sea. Based on the identification of this fluid space marked by migratory crises\, BlackMed leverages themes of mobility\, intersection\, and exchange that are constants in its history and present. \nFor the presentation of BlackMed at Castello di Rivoli\, there will also be a special afternoon visit to the Cerruti Collection\, hosted at Villa Cerruti and guided by art historian Fabio Cafagna. The visit will focus on the various representations of the Mediterranean over the centuries\, starting with the 17th- and 18th-century atlases from Francesco Federico Cerruti’s collection. It will also offer an opportunity to reinterpret some works from the Collection from an alternative perspective\, highlighting the connections between the regions bordering the Mediterranean. \n  \nPROGRAM\nThe programme might be subject to slight variations\nIn case of rain\, the program will take place inside the Castello building \nErratic Bodies I\nSeptember 28\, 2024\n12:00 PM – 4:00 PM\nSala dei Continenti\nPALINSESTO\, performance by Matilde Cerruti Quara \n6:00 PM – 8:00 PM\nTeatro Castello\nRosy-fingered Dusk and Clockwork C.O.W.\, screening of the films by Lea Porsager \n7:00 PM – 8:00 PM\nAtrio Castello\nREALISMO MAGICO\, performance by Matilde Cerruti Quara \n6:00 PM – 10:00 PM\nCafé\nAperitif with menu conceived by Moza Almatrooshi\nCost €10 \n9:00 PM – 10:00 PM\nAtrio Castello\nThe Open Boat\, live sound performance by Lamin Fofana \nErratic Bodies II\nOctober 12\, 2024\n3:00 PM – 3:30 PM\nManica Lunga Garden\nWhat it will take to flock the wings of freedom again?\, performance by Mohammad Al Faraj \n4:00 PM – 4:45 PM\nCastello Theatre\nHalf Memory\, screening of Ufuoma Essi’s film with live sound design by Shamica Ruddock \n4:00 PM\nVilla Cerruti\nSpecial visit featuring works from the collection related to the Mediterranean\nSPECIAL Ticket €10 \n4:00 PM – 6:00 PM\nCafeteria\nSpecial aperitif with a menu conceived by artist Moza Almatrooshi\nCost €10 \n6:00 PM – 6:45 PM\nCastello Theatre\nSound performance Black Med by Invernomuto \n\nBIOGRAPHIES\nMohammad Al Faraj is an artist\, director\, and writer who explores the complex relationships between humans\, animals\, and mythological creatures. He is deeply influenced by the oral traditions and legends of the Saudi collective imagination\, drawing inspiration from social practices and architectures\, both urban and rural\, of everyday life. \nMoza Almatrooshi experiments with culinary recipes and forms of collective storytelling. She uses literary fantasy to analyze gender dynamics and geopolitics. Her practice is distinguished by the symbolic use of food in narrating alternative stories\, stemming from the erasure of Arab polytheistic practices.  \nMatilde Cerruti Quara is a poet\, performer\, actress\, and writer. Her artistic practice flows between experimental theater\, text-based works\, and immersive installations. Rooted in the magical realism of language and narrative\, her work interrogates themes of singular and collective identity\, exploring archetypes\, belief systems\, natural forces\, spirituality and rituals\, as well as sexuality and power dynamics.  \nUfuoma Essi primarily works with film and moving images\, as well as installation and sound. Her research focuses on feminist epistemology and the reconstruction of lost histories. The archive is a fundamental tool through which Essi seeks to examine and fill the silences and gaps produced by political and historical narratives.  \nLamin Fofana is an electronic music producer\, DJ\, and artist whose repertoire ranges from instrumental electronica to experimental music\, ambient\, and techno. In his practice\, Fofana explores identity\, diaspora\, and migration\, reflecting his translocal experience from Sierra Leone and Guinea to the United States. His artistic vision is deeply influenced by the various sounds and cultures he has encountered along his journey. \nInvernomuto is the name under which Simone Bertuzzi and Simone Trabucchi have been operating since 2003. Invernomuto tends to think openly\, developing different projects that take the form of moving images\, sounds\, performative actions\, and editorial activities\, within the context of a practice defined by the both dispersed and precise use of different media. \nLea Porsager intertwines fabulation and speculation with a variety of expressive means\, including film\, sculpture\, photography\, and text. Her works embrace themes such as science\, politics\, feminism\, and esotericism. 
URL:https://www.castellodirivoli.org/en/evento/erratic-bodies-october-2024/
LOCATION:Castello di Rivoli Museo d’Arte Contemporanea
CATEGORIES:concerto,food,performance
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ORGANIZER;CN="Castello di Rivoli Museo d'Arte Contemporanea":MAILTO:promozione@castellodirivoli.org
END:VEVENT
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