Curators: Maria Cristina Mundici and Antonio Rava<\/p>\n
10 February, 10 am \u2013 5.30 pm, Conference Room<\/p>\n
11 February, 10 am \u2013 5 pm, Conference Room<\/p>\n
“What happens to a work of art over time, both in its material form and in the perception one has of it? How has research into the restoration of contemporary art developed?\u201d These are the questions underlying the major international conference organised by the Castello di Rivoli 25 years after the first Italian conference on the restoration of contemporary art, organised at the time by the Museum.\u00a0 What\u2019s changing<\/em> sees the participation of speakers from the most prestigious international universities, museums and foundations and is divided into sections covering the main sectors involved in the conservation of contemporary art: the development of the techniques and materials used by artists, advances in the concept of preventive conservation, new restoration techniques, moving and installing works of art and scientific research in the field of synthetic materials.<\/p>\n 10 February<\/p>\n 9.30 am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Accreditation<\/p>\n 10 am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 welcome<\/p>\n 10.15 am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Proposals for a theory of the restoration of contemporary art<\/em><\/p>\n Giorgio Bonsanti, former professor of History and techniques of restoration at the Universities of Turin and Florence<\/p>\n 10.45 am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Conservation and Materiality of Contemporary Art<\/em><\/p>\n Ijsbrand Hummelen, Senior researcher at the Netherlands Institute for Cultural Heritage (ICN)<\/p>\n 11.15 am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Protecting, conserving and restoring contemporary art. The philosophical horizon<\/em><\/p>\n Massimo Carboni, Lecturer in Aesthetics, University of la Tuscia<\/p>\n 11.45 am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Form and memory, hypotheses for the conservation of contemporary art<\/em><\/p>\n Antonio Rava, lecturer in the restoration of contemporary art at the Centro Conservazione e Restauro (CCR) of Venaria Reale – Turin<\/p>\n 12.15 pm \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Contemporary art, conservation and market<\/em><\/p>\n Marina Pugliese, Director of Polo del Novecento e Arte Contemporanea, Milan<\/p>\n 12.45 pm \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Debate<\/p>\n 13.15 pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Interval<\/p>\n 3 pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The limits of contemporary restoration<\/em><\/p>\n Maria Vittoria Marini Clarelli, Soprintendente<\/em> at the Galleria Nazionale d’Arte Moderna e Contemporanea, Rome<\/p>\n 3.30 pm \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Restoration and the Law: roles, limits and consequences<\/em><\/p>\n Massimo Sterpi, Jacobacci Avvocati, Rome<\/p>\n 4 pm\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ethical conflicts in the conservation of contemporary art based on contemporary technology<\/em><\/p>\n Mikel Rotaeche and Gonz\u00e1lez de Ubieta, Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid<\/p>\n 4.30 pm \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The study and conservation issues of the plastics and resins used by John McCracken and De Wain Valentine in their 1960s\/70s sculpture<\/em><\/p>\n Thomas J S Learner, Senior Scientist, Head of Modern and Contemporary Art Research, Getty Conservation Institute, Los Angeles<\/p>\n 5 pm \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 What to do? Saving Arte Povera in the Netherlands<\/em><\/p>\n Lydia Beerkens, Senior Conservator Modern Art, SRAL – Stichting Restauratie Atelier Limburg, Maastricht<\/p>\n 5.30 pm \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Debate<\/p>\n 11 February<\/p>\n 10 am \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Non-invasive in-situ research of some paintings by Mondrian, Picasso and Burri. A multi-analytical study of the materials in De Dominicis\u2019 “Calamita Cosmica”<\/em><\/p>\n Antonio Sgamellotti, Department of Chemistry, Universit\u00e0 degli Studi di Perugia<\/p>\n 10.30 am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Experiences of restoring Arte Povera<\/em><\/p>\n Barbara Ferriani, Studio Barbara Ferriani, Milan<\/p>\n 11 am\u00a0 From research to restoration of Arte Povera and All the Steps in Between<\/em><\/p>\n Thea van Oosten, freelance conservation scientist, Amsterdam<\/p>\n 11.30 am\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Contemporary drawing seen through the lens of artistic techniques and conservation problems<\/em><\/p>\n Antonio Mirabile, Preventive conservation, Restoration of art and documents on paper, UNESCO Expert, Paris<\/p>\n 12 noon\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Synthetic materials in comtemporary art: opportunities and problems<\/em><\/p>\n Oscar Chiantore, Professor of Polymer Chemistry and Technology at the MFN Sciences Faculty, Universit\u00e0 degli Studi di Torino<\/p>\n 12.30 pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Debate<\/p>\n 1 pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Interval<\/p>\n 2.30 pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cleaning acrylic emulsion paintings: case study treatments, evaluation and reflections<\/em><\/p>\n Bronwyn Ormsby, Senior Conservation Scientist Tate, London<\/p>\n 3 pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Asbestos in modern and contemporary art. Problems of disaply and conservation<\/em><\/p>\n Galileo Pellion di Persano, Laboratorio di restauro e analisi Persano Radelet, Turin<\/p>\n 3.30 pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Working with living artists<\/em><\/p>\n Luisa Mensi, Luisa Mensi – Conservazione e Restauro, Turin<\/p>\n 4 pm \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The ISCR: an approach to method in the restoration of contemporary artworks – case studies<\/em><\/p>\n Grazia De Cesare, restorer, Contemporary art materials laboratory, Istituto Superiore Conservazione e Restauro, Rome<\/p>\n 4.30 pm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 “What to do?\u201d Historical and technical research, restoration of Mario Merz\u2019s Igloo de Giap<\/em><\/p>\n Chantal Quirot, Head of sculpture restoration, Service de Restauration du MNAM-CCI, Centre Georges Pompidou, Paris<\/p>\n 5 pm \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Debate<\/p>","excerpt":"","slug":"cosa-cambia-teorie-e-pratiche-del-restauro-nellarte-contemporanea","image":false,"all_day":false,"start_date":"2012-02-10 00:00:00","start_date_details":{"year":"2012","month":"02","day":"10","hour":"00","minutes":"00","seconds":"00"},"end_date":"2012-02-11 00:00:00","end_date_details":{"year":"2012","month":"02","day":"11","hour":"00","minutes":"00","seconds":"00"},"utc_start_date":"2012-02-09 23:00:00","utc_start_date_details":{"year":"2012","month":"02","day":"09","hour":"23","minutes":"00","seconds":"00"},"utc_end_date":"2012-02-10 23:00:00","utc_end_date_details":{"year":"2012","month":"02","day":"10","hour":"23","minutes":"00","seconds":"00"},"timezone":"Europe\/Rome","timezone_abbr":"CET","cost":"","cost_details":{"currency_symbol":"\u20ac","currency_code":"EUR","currency_position":"prefix","values":[]},"website":"","show_map":false,"show_map_link":false,"hide_from_listings":false,"sticky":false,"featured":false,"categories":[],"tags":[],"venue":[],"organizer":[],"custom_fields":[],"json_ld":{"@context":"http:\/\/schema.org","@type":"Event","name":"What\u2019s changing. Theories and practices of restoration in contemporary art","description":"<p>Curators: Maria Cristina Mundici and Antonio Rava 10 February, 10 am \u2013 5.30 pm, Conference Room 11 February, 10 am \u2013 5 pm, Conference Room "What happens to a work […]<\/p>\\n","url":"https:\/\/www.castellodirivoli.org\/en\/evento\/cosa-cambia-teorie-e-pratiche-del-restauro-nellarte-contemporanea\/","eventAttendanceMode":"https:\/\/schema.org\/OfflineEventAttendanceMode","eventStatus":"https:\/\/schema.org\/EventScheduled","startDate":"2012-02-10T00:00:00+01:00","endDate":"2012-02-11T00:00:00+01:00","performer":"Organization"}}