{"id":100910,"date":"2012-03-13T14:13:04","date_gmt":"2012-03-13T13:13:04","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/artista\/liliana-moro\/"},"modified":"2026-02-18T14:25:38","modified_gmt":"2026-02-18T13:25:38","slug":"liliana-moro","status":"publish","type":"artista","link":"https:\/\/www.castellodirivoli.org\/en\/artista\/liliana-moro\/","title":{"rendered":"Liliana Moro"},"content":{"rendered":"<p>The photograph <em>Aristocratica (Aristocratic)<\/em>, 1994, shows the face of the artist, Liliana Moro, partly covered by a carnivalesque plastic pig\u2019s snout. The self-denigrating disguise is completed by a sort of cap that conceals the artist\u2019s hair. Partly hiding her features, Moro calls into question what makes conventional portrait. Traditionally considered the noblest pictorial genre, the portrait sometimes presents an idealized version of the sitter. Aristocratica, instead, is the image of a presence that immediately tends to become absent, given the impossibility of identification. The masking contrasts with the idea of beauty, turning it into its opposite. However the pose remains, and it evokes a seriousness and detachment that are truly aristocratic, worthy of the noblewomen portrayed by generations of artists. The work is the photographic elaboration of a video piece created by the artist the same year.<\/p>\n<p>The use of objects from the world of childhood is a conscious choice by the artist and often occurs in her work. \u201cSpeaking through children\u2019s games,\u201d the artist says, \u201cmeans speaking through a highly metaphorical but easily understandable language.\u201d In this way Moro succeeds in making specific situations universal, tempering the autobiographical realm from which her works sometimes emerge. Anti-heroic and anti- \u201chigh art,\u201d the artist\u2019s turn to fairy-tales and elements that belong to the universe of play imply a \u201clowering\u201d of art, understood as a an alternative point of view in respect to the conditioning imposed by culture and society.<\/p>\n<p>[M.B.]<\/p>\n<hr \/>\n","protected":false},"excerpt":{"rendered":"<p>The photograph Aristocratica (Aristocratic), 1994, shows the face of the artist, Liliana Moro, partly covered by a carnivalesque plastic pig\u2019s snout. The self-denigrating disguise is completed by a sort of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"collezione":[1969],"class_list":["post-100910","artista","type-artista","status-publish","hentry","collezione-castello-di-rivoli-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Liliana Moro - Castello di Rivoli<\/title>\n<meta name=\"description\" content=\"Find out more about the artist Liliana Moro and her works in the Collection of Castello di Rivoli Museo d&#039;Arte Contemporanea.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.castellodirivoli.org\/en\/artista\/liliana-moro\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Liliana Moro - 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