{"id":101093,"date":"2012-04-07T19:11:00","date_gmt":"2012-04-07T17:11:00","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/mostra\/carl-andre-sculture-sculptures\/"},"modified":"2023-06-15T12:37:35","modified_gmt":"2023-06-15T10:37:35","slug":"carl-andre-sculture-sculptures","status":"publish","type":"mostra","link":"https:\/\/www.castellodirivoli.org\/en\/mostra\/carl-andre-sculture-sculptures\/","title":{"rendered":"Carl Andre. Sculture (SCULPTURES)"},"content":{"rendered":"<section id=\"section-block_648ae4836dab9\" class=\"section  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-two-columns-content-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_648ae4846daba\" class=\"col offset-0 offset-lg-1 col-12 col-lg-4 align-text-left align-content-top\" data-type=\"mst-column\">\n\t\n\n<p>May 22 \u2013 September 6 1987<\/p>\n\n\n\n<p>Curated by Flip Bool, Enno Develing, Piet de Jonge and Rudi Fuchs<\/p>\n\n\n<\/div>\n\n\n<div id=\"block-block_648ae4846dabb\" class=\"col  col-12 col-lg-7 align-text-left align-content-top\" data-type=\"mst-column\">\n\t\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<section id=\"section-block_648ae4a96dabc\" class=\"section  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-two-columns-content-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_648ae4aa6dabd\" class=\"col offset-0 offset-lg-1 col-12 col-lg-4 align-text-left align-content-top\" data-type=\"mst-column\">\n\t\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"815\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/1987_2_Carl-Andre_img_LR_001-1024x815.jpg\" alt=\"\" class=\"wp-image-114849\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/1987_2_Carl-Andre_img_LR_001-1024x815.jpg 1024w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/1987_2_Carl-Andre_img_LR_001-300x239.jpg 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/1987_2_Carl-Andre_img_LR_001-150x119.jpg 150w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/1987_2_Carl-Andre_img_LR_001-768x611.jpg 768w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/1987_2_Carl-Andre_img_LR_001-1536x1222.jpg 1536w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/1987_2_Carl-Andre_img_LR_001-2048x1629.jpg 2048w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/1987_2_Carl-Andre_img_LR_001-600x477.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n<\/div>\n\n\n<div id=\"block-block_648ae4aa6dabe\" class=\"col  col-12 col-lg-7 align-text-left align-content-top\" data-type=\"mst-column\">\n\t\n\n<p>The Minimalist artist Carl Andre (Quincy, Massachusetts, USA, 1935) liberates art from the idea of representation and the need to express spiritual or intellectual values to concentrate on pure form and geometry, articulated through the serial repetition of modular elements.Instead of working with traditional art materials he chooses industrial or natural products, leaving them unmodified so as to reveal their intrinsic character. The exclusion of all unnecessary detail enables the viewer to enter into the work, often quite literally, almost without being aware of it. The horizontality of Andre\u2019s sculptures is intended to reduce their impact on a space\u2019s architecture and identity. By refuting the verticality and anthropomorphism associated with sculpture, his works develop a relationship with the surrounding space and become an integral part of it. Taking a single basic unit as his departure point, the artist creates compositions whose final form reiterates the combinatory logic dictated by each individual unit, as exemplified by <em>25 Aluminium Square<\/em>s (1968), in which the squares referred to in the title have been arranged on the ground by the artist to create a larger square, each of whose sides are made up of five units. The units are not affixed to each other in any way but simply placed side by side, becoming part of the floor space that can be walked on by the viewer in order to experience the properties of the metal.<\/p>\n\n\n\n<p>[K.G.]<\/p>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":26924,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-101093","mostra","type-mostra","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Carl Andre. 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