{"id":101105,"date":"2012-04-08T21:41:24","date_gmt":"2012-04-08T19:41:24","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/mostra\/alberto-giacometti\/"},"modified":"2012-04-08T21:41:24","modified_gmt":"2012-04-08T19:41:24","slug":"alberto-giacometti","status":"publish","type":"mostra","link":"https:\/\/www.castellodirivoli.org\/en\/mostra\/alberto-giacometti\/","title":{"rendered":"Alberto Giacometti"},"content":{"rendered":"<p>Curated by Rudi Fuchs, Johannes Gachnang and Cristina Mundici<\/p>\n<p>&nbsp;<\/p>\n<p>During the 1940s and 1950s Abstraction became synonymous with the avant-garde from Europe to the US. Alberto Giacometti (Borgonovo, Switzerland, 1901\u20131966) practised a type of figurative art that, even within the context of the avant-garde\u2019s hegemony, achieved very important results from both a formal and aesthetic point of view.<\/p>\n<p>Giacometti\u2019s human model \u2013 which, according to Jean-Paul Sartre, is the expression and representation of a fragmentary, but eloquent human being \u2013 is the result of the artist\u2019s long-standing research into the human figure, begun in 1934, the year he broke away from Surrealism. The artist appropriated the specific idioms of the art of his era and translated them into a language that took into account the work of at least three generations. Giacometti completed this process of synthesis in the late 1940s, when his vertical human figures start to break line and obey the dictates of the raw material itself. This transformation is already visible in a number of works of 1949, where his handling of matter and volumes anticipates subsequent works in which he lengthens the figure to the point that it barely has an outline.<\/p>\n<p>In the 1950s the artist\u2019s attention shifted towards the creation of human forms capable of integrating with nature and transcending space and time. This retrospective exhibition began with some of Giacometti\u2019s earliest works, made while he was still part of the Surrealist circle, and went on to cover his activity up to the 1960s.<\/p>\n<p>[D.G.]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curated by Rudi Fuchs, Johannes Gachnang and Cristina Mundici &nbsp; During the 1940s and 1950s Abstraction became synonymous with the avant-garde from Europe to the US. Alberto Giacometti (Borgonovo, Switzerland, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-101105","mostra","type-mostra","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Alberto Giacometti - Castello di Rivoli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.castellodirivoli.org\/en\/mostra\/alberto-giacometti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alberto Giacometti - Castello di Rivoli\" \/>\n<meta property=\"og:description\" content=\"Curated by Rudi Fuchs, Johannes Gachnang and Cristina Mundici &nbsp; During the 1940s and 1950s Abstraction became synonymous with the avant-garde from Europe to the US. 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