{"id":101760,"date":"2014-07-29T16:53:10","date_gmt":"2014-07-29T14:53:10","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/mostra\/manifest-intention-drawing-in-all-its-forms\/"},"modified":"2025-12-24T13:14:17","modified_gmt":"2025-12-24T12:14:17","slug":"manifest-intention-drawing-in-all-its-forms","status":"publish","type":"mostra","link":"https:\/\/www.castellodirivoli.org\/en\/mostra\/manifest-intention-drawing-in-all-its-forms\/","title":{"rendered":"Manifest Intention. Drawing In All Its Forms"},"content":{"rendered":"

curated by Beatrice Merz with Marianna Vecellio<\/p>\n

The Museum has ever conceived, installed in both the spacious Manica Lunga and in the third-floor rooms of the Sabauda Residence. The event \u2013 Manifest Intention. Drawing In All Its Forms <\/i><\/b>\u2013 focuses on drawing in its various forms and many modes of expression: from everyday and self-controlled practice to elements of analysis and creative outlets, from a means of communication to the need to express. The absolute protagonist of the exhibition, drawing also proposes a broader reflection on themes that over time have shaped the very concept of a museum and a collection, analyzing the medium\u2019s context both as a sign of the work and as the work itself. Drawing, oftentimes hidden or kept in the shadows, is actually the common ground of artistic practice \u2013 be it a sketch, a project, or even a work that is finished and laden with messages.<\/p>\n

The important Castello di Rivoli event is structured according to different concepts and itineraries: drawing as project practice; drawing as action practice \u2013 from performance to video; chiaroscuro, or rather, representation; outlines as paradox, or of infinity; diaries, the story of being an artist; drawing as a political practice; memory through quotation; the procedure paradox; world writing.<\/p>\n