{"id":101816,"date":"2018-02-13T11:32:49","date_gmt":"2018-02-13T10:32:49","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/mostra\/giorgio-de-chirico-major-works-from-the-collection-of-francesco-federico-cerruti\/"},"modified":"2025-12-24T12:08:15","modified_gmt":"2025-12-24T11:08:15","slug":"giorgio-de-chirico-major-works-from-the-collection-of-francesco-federico-cerruti","status":"publish","type":"mostra","link":"https:\/\/www.castellodirivoli.org\/en\/mostra\/giorgio-de-chirico-major-works-from-the-collection-of-francesco-federico-cerruti\/","title":{"rendered":"Giorgio de Chirico. Major Works from the Collection of Francesco Federico Cerruti"},"content":{"rendered":"
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March 6, 2018 \u2013 November 4, 2018<\/strong>
a cura di Carolyn Christov-Bakargiev e Marcella Beccaria<\/strong><\/p>\n\n\n<\/div>\n\n\n

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Giorgio de Chirico was born in Volos, Greece, in 1888, to Italian parents \u2013 his father was a civil engineer building the new railway lines in Greece. He lived in Athens, Munich, Milan, Florence, Paris, Ferrara, New York, and Rome, where he died in 1978. De Chirico is among the most important artists of the twentieth century. After studying at the Athens Polytechnic and at the Academy of Fine Arts in Munich, where he was influenced by the symbolist painting of Arnold B\u00f6cklin and the philosophical thought of Arthur Schopenhauer and Friedrich Nietzsche, de Chirico arrived in Italy in 1909.<\/p>\n\n\n\n

In 1911, he spent a few days in Turin where the long shadows of the afternoon and the grid of streets, squares and arcaded galleries gave him the impression, as he wrote, that \u201cthe city was built for philosophical dissertations.\u201d<\/p>\n\n\n\n

The pioneer of an art in which the intellect dominates emotion and, with visionary originality, connects the philosophy of mythological Greece to the icy classicism of Nordic thought, de Chirico is the originator of metaphysical painting, whose enigmatic images, through a style characterized by sharp shadows and flat colors, refer to the suspension of time, immobility, the fragility of the consciousness, the inexpressible and the loss that are the grammar of dreams. This original style is the complex result of the profound philosophical, literary and figurative culture of the artist.<\/p>\n\n\n\n

In Paris, de Chirico\u2019s metaphysical canvases proved popular with the Surrealists, but when in the 1920s he focused his interests on painting technique and the Old Masters in Rome, in particular mythological subjects and landscapes, he was rejected by the avant-garde art world. Disregarding the criticism of his former admirers, the artist developed a growing interest in the theme of metamorphosis in the ancient world, for those enigmatic refractions of meaning that, before dissolving into nothing, suggest aspects of existence.<\/p>\n\n\n\n

The exhibition Giorgio de Chirico. Major Works from the Collection of Francesco Federico Cerruti<\/em>, features for the first time at the Castello di Rivoli, a group of important early works by Giorgio de Chirico from the collection of Francesco Federico Cerruti, offering public works which until now have remained hidden away in the private collection of Villa Cerruti in Rivoli. This residence was built by Cerruti, a Turin entrepreneur and industrialist, in the 1960s to house his private collection. According to de Chirico himself, Turin, the place where Nietzsche\u2019s madness exploded, is among the Italian cities that inspired the first metaphysical paintings and their melancholic atmospheres. Featuring works ranging from 1916 to 1927, the exhibition at Castello di Rivoli presents eight important paintings by the pioneer of metaphysical art. Offering a glimpse of the metamorphic capacity of de Chirico\u2019s genius, this exhibition investigates his intellectual heritage by showing his paintings in connection with some of the major contemporary artworks of Castello di Rivoli\u2019s permanent collection, such as installations by Giulio Paolini, Michelangelo Pistoletto and Maurizio Cattelan.<\/p>\n\n\n\n

An artist whose personal memories intertwined with classical myths and philosophy, de Chirico in his continuous research \u2013 which included the freedom to quote himself and not to stop at a single style, as well as poetry and novel writing \u2013 embraced many artistic metamorphoses to respond to the claims of modern progress, resisting its rationality and fascination for technology.<\/p>\n\n\n\n

In keeping with the spirit that characterizes the Cerruti collection and its eclectic vision, which ranges from medieval paintings with gold leaf backgrounds to contemporary art, Giorgio de Chirico. Major Works from the Collection of Francesco Federico Cerruti<\/em> proposes a brand-new journey through time, establishing a link between the works of de Chirico and some of the key pieces of contemporary art in the museum\u2019s permanent collection. Set within the baroque castle, where the past continuously renews its encounter with the present, the exhibition comprises a series of dialogues between paintings by de Chirico and the works of contemporary artists.<\/p>\n\n\n\n

Carolyn Christov-Bakargiev states: \u201cIn de Chirico, the rediscovery of classical mythology does not unfold as it did in the Renaissance in order to reconstruct a story of the past, but instead to escape history, the same history that has led us from the Renaissance to that dangerous and uncontrollable modern acceleration that has continued right up to the present day. De Chirico is Nietzschean, anti-modern and against historicism. By renewing the concept of circular time, the artist looks back to mythology and the pervasiveness of the concept of metamorphosis that characterizes it.\u201d<\/p>\n\n\n\n

[Giorgio de Chirico, Composizione metafisica <\/em>(Muse metafisiche) <\/em>(Metaphysical Composition – Metaphysical Muses), 1918. Collezione Fondazione Francesco Federico Cerruti per l\u2019Arte, long-term loan to Castello di Rivoli Museo d\u2019Arte Contemporanea, Rivoli-Torino]<\/p>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n

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