{"id":101824,"date":"2018-10-11T12:18:49","date_gmt":"2018-10-11T10:18:49","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/mostra\/cally-spooner-everything-might-spill-illy-present-future-2017-prize-exhibition\/"},"modified":"2025-12-24T12:03:53","modified_gmt":"2025-12-24T11:03:53","slug":"cally-spooner-everything-might-spill-illy-present-future-2017-prize-exhibition","status":"publish","type":"mostra","link":"https:\/\/www.castellodirivoli.org\/en\/mostra\/cally-spooner-everything-might-spill-illy-present-future-2017-prize-exhibition\/","title":{"rendered":"Cally Spooner. Everything Might Spill. illy Present Future 2017 Prize Exhibition"},"content":{"rendered":"
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November 3, 2018 \u2013 January 6, 2019
curated by Marianna Vecellio<\/strong><\/p>\n\n\n<\/div>\n\n\n

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Winner of the illy Present Future 2017 Prize with the work Soundtrack for a Troubled Time<\/em>, 2017, Cally Spooner presents Everything Might Spill <\/em>in the Manica Lunga project room. The project is curated by Marianna Vecellio.<\/p>\n\n\n\n

In Everything Might Spill<\/em>, 2018, a wall drawing baring the magnified image of a human organ is placed in relation to a fountain from which a purposely toxic liquid gushes out. The installation can be interpreted as an unsettling reflection on the human condition, subject to a growing and obsessive dependence on technology, to the point of moving towards uncontrollable and non-reversible mutations.<\/p>\n\n\n\n

\u201cThrough installations, writing and performance, Cally Spooner – writes Marianna Vecellio, curator of the exhibition – explores the ways in which contemporary subjectivity and the human body are subject to continuous changes dictated by the technological condition. Her works analyze how the invisible violence spread in the digital age influences us. In addition, they examine the physical and ontological erosion of living matter in a present dominated by digital data. Spooner\u2019s artistic research focuses on how \u201cthe advanced techno-capitalist apparatus threatens to drain life through the optimization of affects, bodies and language and asks how we could merge with this techno-apparatus, transforming and mobilizing This post-human alienation affirmatively.\u201d Her exhibitions and performances are anchored to feminist philosophical processes and they physically, acoustically and conceptually incorporate duration, maintenance, entanglement and collapse as practices of resistance. These strategies are adopted in opposition to sudden fluctuations in global markets, to the unstoppable flow of digital data, and to the imperative demand for productivity that capitalist society imposes on each individual.\u201d<\/p>\n\n\n\n

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Illy Present Future\u00a0Prize<\/strong><\/h2>\n\n\n\n


Since 2012 the illy Present Future Prize\u00a0offers its winner the exceptional opportunity to exhibit at Castello di Rivoli, as well as to support her\/his research. The award represents the company\u2019s desire to support the artistic community and young talents respectively in their growth path. Thanks to the contemporary vision of illycaff\u00e8 and the active collaboration with the Castello di Rivoli, the illy Present Future Prize\u00a0offers an important contribution to the affirmation of emerging artists and confirms the innovative role of Artissima. Winners of previous editions who have exhibited at Castello di Rivoli are: Vanessa Safavi, Santo Tolone and Naufus Ram\u00edrez-Figueroa (2012), Caroline Achaintre and Fatma Bucak (2013), Rachel Rose (2014), Alina Chaiderov (2015) and C\u00e9cile B. Evans (2016).<\/p>\n\n\n\n

Cally Spooner\u2019s Soundtrack for a Troubled Time<\/em>, 2017, acquired for the Collections of the Castello di Rivoli Museo d\u2019Arte Conteporanea thanks to the Fondazione per l\u2019Arte Moderna e Contemporanea CRT, was chosen by the technical jury of the award, assembled in the framework of Artissima 2017. The award was given by Carlo Bach (illycaff\u00e8 artistic director), Ilaria Bonacossa (Artissima director) and by the jury composed by Mary Ceruti (executive director and curator at the Sculpture Center in New York), Carolyn Christov-Bakargiev (director of Castello di Rivoli Museo d\u2019Arte Contemporanea) and Luigi Fassi (visual arts curator of the Steirischer Herbst festival in Graz and former coordinator of Present Future), which identified the winner among a group of 20 artists. The jury expressed the following motivation: \u201cCally Spooner\u2019s performative work and investigation through different media explores the modalities of invisible violence in the digital age. Through her art, we understand how subjectivity and our own bodies change when shaped by the technological condition.\u201d<\/p>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":31460,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"class_list":["post-101824","mostra","type-mostra","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nCally Spooner. Everything Might Spill - Castello di Rivoli<\/title>\n<meta name=\"description\" content=\"Find out more about Cally Spooner. 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