. Other artists will be presenting their works in future chapters, in an organic process that creates a dialog between different times and places. <\/span><\/p>\nHosted in the outdoor atrium and on the first floor of Castello di Rivoli as well as in the garden of the Cerruti Collection villa, the artworks in this first chapter are inspired in their heterogeneity both by the past works collected by Francesco Federico Cerruti<\/strong>, the architecture of the villa, and by the life of this reserved entrepreneur and collector.<\/span><\/p>\nCerruti\u2019s passion for books and bindings is what prompts artists and visitors to reflect on the historic origins and potential of a story about surfaces, which are rolled, folded, bound, and brought into contact with one another: parchment and paper in modern books. Three new leporellos<\/span> (accordion-fold style books) created by <\/span>Anna Boghiguian <\/span><\/strong>bring together writing, painting and collage to create a unique story, between the past, present and future. <\/span>Giuseppe Penone <\/span><\/strong>has chosen to display a delicate recreation of the cover of the first edition of Walt Whitman\u2019s <\/span>Leaves of Grass <\/span><\/em>using the frottage technique. For Penone, this book encompasses Whitman\u2019s vitality and by running one\u2019s fingers lightly over its surface, one can relive the tactile experience of the poet. The photo collages by <\/span>Seth Price<\/span><\/strong> also speak of the relationship between narration, subjectivity and surfaces \u2013 from the vantage point of our digital era.<\/span><\/p>\n