{"id":115411,"date":"2022-05-30T16:13:10","date_gmt":"2022-05-30T14:13:10","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/?post_type=mostra&#038;p=115411"},"modified":"2025-12-24T11:10:05","modified_gmt":"2025-12-24T10:10:05","slug":"a-b-o-theatron-larte-o-la-vita-2","status":"publish","type":"mostra","link":"https:\/\/www.castellodirivoli.org\/en\/mostra\/a-b-o-theatron-larte-o-la-vita-2\/","title":{"rendered":"A.B.O. THEATRON. L\u2019Arte o la Vita"},"content":{"rendered":"<section id=\"section-block_12500e49b25fde504dc70c2c5be5a3be\" class=\"section  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-two-columns-content-reverse-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_b63f173630e34d33563e39315e3f13ba\" class=\"col offset-0 offset-lg-1 order-2 order-lg-1 col-12 col-lg-4\" data-type=\"mst-column\">\n\t\n\n<p><strong><strong>Coordinamento e sviluppo curatoriale: Andrea Viliani<\/strong><\/strong><br><strong>Concept: Carolyn Christov-Bakargiev e Achille Bonito Oliva<\/strong><\/p>\n\n\n\n<p><br>Fino al 26 giugno 2022<\/p>\n\n\n\n<p>Edificio Castello, secondo piano<\/p>\n\n\n\n<p>Castello di Rivoli Museo d\u2019Arte Contemporanea presents&nbsp;<strong>\u2018A.B.O. THEATRON.&nbsp;Art or Life<\/strong>,<strong>\u2019<\/strong>&nbsp;an exhibition dedicated to one of the most important Italian contemporary art historians, critics and curators,&nbsp;<strong>Achille Bonito Oliva<\/strong>&nbsp;(Caggiano, 1939).<\/p>\n\n\n<\/div>\n\n\n<div id=\"block-block_9f58eade225423fb39b1dbe4d4a961db\" class=\"col order-1 order-lg-2 col-12 col-lg-7\" data-type=\"mst-column\">\n\t\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/Sala-24-5-2-1024x683.jpg\" alt=\"A.B.O. THEATRON. L\u2019Arte o la Vita\" class=\"wp-image-115421\" style=\"width:1024px;height:683px\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/Sala-24-5-2-1024x683.jpg 1024w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/Sala-24-5-2-300x200.jpg 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/Sala-24-5-2-150x100.jpg 150w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/Sala-24-5-2-768x512.jpg 768w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/Sala-24-5-2-1536x1024.jpg 1536w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/Sala-24-5-2-2048x1366.jpg 2048w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/Sala-24-5-2-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Foto Andrea Guermani<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\t<div id=\"block-block_78a849978a27929e0262c3778869e5dc\" class=\"anchors-menu  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-anchors-menu-section\">\n\t\t<div class=\"container-fluid sticky\">\n\t\t\t<div class=\"row waypoints-navpills-row\">\n\t\t\t\t<div class=\"col-12 offset-0 col-lg-11 offset-lg-1 waypoints-navpills-col\">\n\t\t\t\t\t\n\t\t\t\t\t<ul class=\"nav nav-pills waypoints-navpills\" id=\"anchors-pills\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#descrizione-mostra\">\n\t\t\t\t\t\t\t\t\t\tDescrizione mostra\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#lo-storico-dellarte-il-critico-e-il-curatore\">\n\t\t\t\t\t\t\t\t\t\tLo storico dell\u2019arte, il critico e il curatore\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#a-walk-in-the-show\">\n\t\t\t\t\t\t\t\t\t\tA walk in the show\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#the-archive\">\n\t\t\t\t\t\t\t\t\t\tThe Archive\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#gucci\">\n\t\t\t\t\t\t\t\t\t\tGUCCI\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#conversations\">\n\t\t\t\t\t\t\t\t\t\tConversations\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#whats-on\">\n\t\t\t\t\t\t\t\t\t\tWhat&#8217;s on\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t<div class=\"waypoints-navpills-targets\" data-selector=\"section\">\n\t\t\t\t\t\t\t\n<section id=\"section-block_c23ef964f35246ea630e298b565c88f3\" class=\"section writings  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-writings-section\">\n\t\n<div id=\"block-block_53d4df5f06e655a683106846846c4773\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\">Descrizione mostra<\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<section id=\"section-block_ce64514f691341a3c4676b65b87e8626\" class=\"section  mt-0 wpb-margin-bottom pt-0 wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-two-columns-content-with-quotes-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_dca1535b7947daf1cd079c205b297708\" class=\"col offset-0 offset-lg-1 d-none d-lg-block col-12 col-lg-3\" data-type=\"mst-column\">\n\t\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Achille Bonito Oliva inaugura una figura di curatore particolarmente espressivo, istrionico, sperimentale, al contempo enciclopedico e comportamentale, compagno di strada degli artisti, in netto contrasto con le figure dei critici d\u2019arte tradizionali che, prima di lui e della sua generazione, realizzavano mostre basate su presunti criteri scientifici di selezione e interpretazione. Achille \u00e8 narcisista ma non vanitoso, una creatura straordinaria e intelligentissima.<\/p>\n\n\n\n<p>Carolyn Christov-Bakargiev<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n<\/div>\n\n\n<div id=\"block-block_ab860d20349cd6acc7e00d85d0fd189c\" class=\"col offet-0 offset-lg-1 col-12 col-lg-7\" data-type=\"mst-column\">\n\t\n\n<p>A.B.O. THEATRON. Art or Life\u2019 is part of the overall project&nbsp;<em>Espressioni<\/em>&nbsp;which investigates the multiple forms of expressivity that cross the history of art and society seeking an understanding of \u201cExpression\u201d that transcends the Eurocentric canon and any unique artistic movement.<\/p>\n\n\n\n<p>Following the exhibition dedicated to Harald Szeemann in 2019, organized in collaboration with the Getty Research Institute of Los Angeles, this exhibition, organized by the CRRI (Castello di Rivoli Research Institute), focuses on Achille Bonito Oliva and constitutes the second chapter of an overall project that Castello di Rivoli Museo d\u2019Arte Contemporanea and CRRI are dedicating to the most prominent contemporary art curators of the 20<sup>th<\/sup>&nbsp;and 21<sup>st<\/sup>&nbsp;centuries.<\/p>\n\n\n\n<p>Starting from his training and activity in the field of visual poetry in the late 1960s, Bonito Oliva established a relation between some of the most prominent artists of the second half of the 20<sup>th<\/sup>&nbsp;century who contributed to the definition of radical new avenues of research, such as, in the late 1970s, those connected to Italian Transavanguardia internationally referred to as \u201cNew Expressionism\u201d in the 1980s. Bonito Oliva is known for having launched the neo expressionist art movements through his presentation of their work at the \u2018Aperto \u201880\u2019 section of the Venice Biennale in 1980. He later also directed the overall 1993 edition of the famed Biennale of Venice.<\/p>\n\n\n\n<p>With his 1976 book&nbsp;<em>L\u2019ideologia del traditore. Arte, maniera, manierismo&nbsp;<\/em>(The Ideology of the Traitor: Art, Manner and Mannerism,) Bonito Oliva analyzed how Mannerism created a passage from the principle of creation in the Renaissance to that of citation, as a response of the artist to the crisis of society: the artist lost a sense of centrality and became a lateral figure, with respect to science and technology. This recalls the figure of the traitor who looks at the world, and does not accept it, who would like to change it but can only act with skepticism, without naive optimism. Similarly to the early 1500s, the 1970s where a period of ideological, economic, political and social crisis. In European culture, Mannerism developed in the early 1500s, just like the Transavanguardia developed in late 1970s and it was Bonito Oliva himself who made the analogy between Mannerism and the Transavanguardia.<\/p>\n\n\n\n<p>Throughout Bonito Oliva\u2019s activity, his critical writings and exhibition contributions, his curatorial flair, and intellectual provocations together constitute a&nbsp;<strong>uniquely dynamic output characterized by an ongoing interrelation between word and image, performativity and communication<\/strong>, and by a focus on the&nbsp;<strong>increasing intersections between art and life, art and other fields, which Bonito Oliva called \u201cnomadic transversality.\u201d&nbsp;<\/strong><\/p>\n\n\n\n<p>Major artworks on display include&nbsp;<strong>Pino Pascali<\/strong>\u2019s&nbsp;<em>Primo piano labbra<\/em>&nbsp;(1965), which was showcased in Bonito Oliva\u2019s first exhibition at Libreria-Galleria Guida in Naples in 1966. The exhibition also includes key pieces such as&nbsp;<em>Lo Spirato<\/em>&nbsp;(1968-73) by&nbsp;<strong>Luciano Fabro<\/strong>, which was presented at \u2018Contemporanea\u2019 in 1973, and a series of important Transavanguardia works, such as&nbsp;<em>Silenzioso mi ritiro a dipingere un quadro<\/em>&nbsp;(1977) by&nbsp;<strong>Mimmo Paladino<\/strong>,&nbsp;<em>Cani con la lingua a spasso&nbsp;<\/em>(1980) by&nbsp;<strong>Enzo Cucchi<\/strong>,&nbsp;<em>Sinfonia incompiuta<\/em>&nbsp;(1980) by&nbsp;<strong>Sandro Chia<\/strong>,&nbsp;<em>Il cerchio di Milarepa<\/em>&nbsp;(1982) by&nbsp;<strong>Francesco Clemente<\/strong>&nbsp;and&nbsp;<em>Testa dell\u2019artista cosmico a Torino<\/em>&nbsp;(1984-85) by&nbsp;<strong>Nicola De Maria<\/strong>. The exhibition also includes&nbsp;<em>La Luna<\/em>&nbsp;(1968) by&nbsp;<strong>Fabio Mauri<\/strong>, part of the \u2018Vitalit\u00e0 del negativo\u2019 1970 exhibition;&nbsp;<em>Metrocubo d\u2019Infinito<\/em>&nbsp;(1966) by&nbsp;<strong>Michelangelo Pistoletto<\/strong>&nbsp;and&nbsp;<em>Articolazione totale<\/em>&nbsp;(1962) by&nbsp;<strong>Francesco Lo Savio<\/strong>, which was seen at \u2018Minimalia\u2019 in 1997-99, as well as&nbsp;<em>TV-Buddha Duchamp-Beuys<\/em>&nbsp;(1989) by&nbsp;<strong>Nam June Paik<\/strong>, included in \u2018Trib\u00f9 dell\u2019Arte\u2019, 2001. Also notable is&nbsp;<em>Fountain<\/em>&nbsp;(1917-64) by&nbsp;<strong>Marcel Duchamp<\/strong>.<\/p>\n\n\n\n<p>Main Sponsor <strong>GUCCI<\/strong><\/p>\n\n\n\n<p>Media Partner <strong>Rai Cultura e Rai 5<\/strong><\/p>\n\n\n\n<p>Exhibition realized with the contribution primarily of the Regione Piemonte and Fondazione Compagnia di San Paolo. Catalog was realized thanks to the kind support of the Benefactor Gianfranco D\u2019Amato<\/p>\n\n\n\n<p>As usual, some of the works on display are on permanent loan at Castello di Rivoli from the Fondazione per l\u2019Arte Moderna e Contemporanea CRT. For this we thank the Fondazione per l\u2019Arte Moderna e Contemporanea CRT.<\/p>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<\/section>\n\n\n<section id=\"section-block_9d367f3caf4210b4fb2808753bf487af\" class=\"section writings  mt-0 wpb-margin-bottom pt-0 wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-writings-section\">\n\t\n<div id=\"block-block_53d4df5f06e655a683106846846c4773\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\">Lo storico dell\u2019arte, il critico e il curatore<\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<section id=\"section-block_d8acb22c7fa2601dd5601653d97d6416\" class=\"section  \" data-aos=\"fade\" data-type=\"mst-two-columns-content-with-quotes-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_dca1535b7947daf1cd079c205b297708\" class=\"col offset-0 offset-lg-1 d-none d-lg-block col-12 col-lg-3\" data-type=\"mst-column\">\n\t\n\n<p>In occasione della mostra, la registra Irene Dionisio firma un ritratto filmico del critico dal titolo <em><strong>A.B.O. Transitando<\/strong><\/em>&nbsp;<\/p>\n\n\n    <div class=\"iframe-wrapper\">\n                <!--IUB-COOKIE-BLOCK-SKIP-START-->\n        <iframe src=\"\/\/players.brightcove.net\/745468061001\/default_default\/index.html?videoId=6261677175001\" allowfullscreen webkitallowfullscreen mozallowfullscreen><\/iframe>\n        <!--IUB-COOKIE-BLOCK-SKIP-END-->\n    <\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>The innovative intelligence of Achille Bonito Oliva has always experienced the laterality of time. She has always been capable of betraying the present with a profound capacity for\u00a0nomadism, eclecticism and multidisciplinarity. As the art historian Giulio Argan said in the first meeting: \u201cAchille as a curator would have outpaced everyone\u201d<\/p>\n\n\n\n<p>Irene Dionisio<\/p>\n<\/blockquote>\n\n\n<\/div>\n\n\n<div id=\"block-block_ab860d20349cd6acc7e00d85d0fd189c\" class=\"col offet-0 offset-lg-1 col-12 col-lg-7\" data-type=\"mst-column\">\n\t\n\n<p>Furthermore, through the presentation of a wide range of materials (<strong>catalogs, artist books, invitations, leaflets, press kits, display projects and photographs, private correspondence, TV program recordings, photo and video documentation and a considerable portion of his personal library<\/strong>), this exhibition celebrates the&nbsp;<strong>role of the curator<\/strong>&nbsp;in the field of contemporary art; moreover, this exhibition aims to draw a composite portrait of a proactive intellectual who has worked beyond the boundaries set by academic contexts, redefining fields of research and the means of curatorship, becoming a point of reference in the history of art of the late 20<sup>th<\/sup>&nbsp;and 21<sup>st<\/sup>&nbsp;centuries.<\/p>\n\n\n\n<p>Exploring Bonito Oliva\u2019s vast curatorial, theoretical and performative activity, the exhibition \u2018A.B.O. THEATRON. Art or Life\u2019 is structured around&nbsp;<strong>three<\/strong>&nbsp;interconnected&nbsp;<strong>levels<\/strong>&nbsp;each corresponding to an important aspect of the critic-curator\u2019s multi-faceted activity:<\/p>\n\n\n\n<p><strong>Exhibition curating<\/strong>&nbsp;(documentation of major thematic exhibitions, selected by the curator himself). The exhibits included in this section are \u2018Amore mio\u2019, 1970; \u2018Vitalit\u00e0 del negativo\u2019, 1970; \u2018Contemporanea\u2019, 1973-74; the Transavanguardia section includes \u2018Opere Fatte ad Arte\u2019, 1979; \u2018Le Stanze\u2019, 1979; \u2018Aperto \u201980\u2019, 1980 and \u2018Avanguardia Transavanguardia\u2019, 1982; as well as \u2018Ubi Fluxus ibi motus\u2019, 1990; \u2018Cardinal Points of Art \u2013 XLV International Art Exhibition\u2019, Venice Biennale, 1993; \u2018Minimalia\u2019, 1997; \u2018Le Trib\u00f9 dell\u2019Arte\u2019, 2001.<\/p>\n\n\n\n<p><strong>Encyclopaedic essay writing<\/strong>&nbsp;<strong>and private activities<\/strong>&nbsp;(explored via Bonito Oliva\u2019s major publications and a considerable selection of unpublished material).<\/p>\n\n\n\n<p><strong>Performative expressions<\/strong><strong>, journalism, speaking and public activities<\/strong>&nbsp;(radio, cinema and, above all, television contributions, projects for newspapers and periodicals, as well as awards and those tools functional to the definition of a real cult of his personality, defining the autonomous dimension of his public figure).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>A remarkable selection of TV footage kindly granted by&nbsp;<strong>Rai Teche<\/strong>&nbsp;is also exhibited. Among Achille Bonito Oliva\u2019s most recent TV appearances is his conversation with the pop star Harry Styles commissioned by GUCCI for&nbsp;<a href=\"https:\/\/www.gucci.com\/it\/it\/st\/stories\/article\/guccifest-episode-3\">GucciFest<\/a>&nbsp;in 2020.<\/p>\n\n\n\n<p>In conjunction with this exhibition, Achille Bonito Oliva has donated his entire archive to the&nbsp;<strong>CRRI<\/strong>, making the valuable intellectual heritage he has collected over more than sixty years \u2013 from his early teenage writings to his most recent productions \u2013 available to national and international scholars. Achille Bonito Oliva\u2019s archive will be studied, displayed and published for the first time on this occasion.<\/p>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<\/section>\n\n\n<section id=\"section-block_02b56e7cf1e79fed77ecfd3348d82dbb\" class=\"section insights  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-insights-section\">\n\t\n<div id=\"block-block_53d4df5f06e655a683106846846c4773\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\">A walk in the show <\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<div class=\"container-fluid\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"row items\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-12 col-lg-6 item video-item\">\n        <div class=\"iframe-wrapper\">\n                <!--IUB-COOKIE-BLOCK-SKIP-START-->\n        <iframe src=\"\/\/players.brightcove.net\/745468061001\/default_default\/index.html?videoId=6300740650001\" allowfullscreen webkitallowfullscreen mozallowfullscreen><\/iframe>\n        <!--IUB-COOKIE-BLOCK-SKIP-END-->\n    <\/div>\n    <p class=\"caption mb-0\">\n        <a href=\"https:\/\/www.castellodirivoli.org\/en\/video\/una-passeggiata-nella-mostra-a-b-o-theatron\/\">\n                            Una passeggiata nella mostra A.B.O. THEATRON\n                    <\/a>\n    <\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t<\/div>\n\n\n<\/section>\n\n\n<section id=\"section-block_c23ef964f35246ea630e298b565c88f3\" class=\"section writings  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-writings-section\">\n\t\n<div id=\"block-block_53d4df5f06e655a683106846846c4773\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\">The Archive<\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<section id=\"section-block_b8d5216ef69b44a2888f5abdbc467db8\" class=\"section  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-two-columns-content-with-quotes-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_dca1535b7947daf1cd079c205b297708\" class=\"col offset-0 offset-lg-1 d-none d-lg-block col-12 col-lg-3\" data-type=\"mst-column\">\n\t\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>\u201cIt has been a continuous discovery and a great privilege, to have had the opportunity to dedicate two years to the study of a yet unpublished archive such as this one, attesting to the over sixty years of critical and curatorial activity of Achille Bonito Oliva. Our exhibition is a milestone in the Castello di Rivoli and CRRI program dedicated to the greatest curators of the 20<sup>th<\/sup>\u00a0century.\u201d<\/em><\/p>\n\n\n\n<p>Andrea Viliani<\/p>\n<\/blockquote>\n\n\n<\/div>\n\n\n<div id=\"block-block_ab860d20349cd6acc7e00d85d0fd189c\" class=\"col offet-0 offset-lg-1 col-12 col-lg-7\" data-type=\"mst-column\">\n\t\n\n<p>In conjunction with this exhibition, Achille Bonito Oliva has donated his entire archive to the&nbsp;<strong>CRRI<\/strong>, making the valuable intellectual heritage he has collected over more than sixty years \u2013 from his early teenage writings to his most recent productions \u2013 available to national and international scholars. Achille Bonito Oliva\u2019s archive will be studied, displayed and published for the first time on this occasion.<\/p>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\">Scopri l&#8217;Archivio CRRI<\/a><\/div>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<\/section>\n\n\n<section id=\"section-block_c23ef964f35246ea630e298b565c88f3\" class=\"section writings  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-writings-section\">\n\t\n<div id=\"block-block_53d4df5f06e655a683106846846c4773\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\">GUCCI<\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<section id=\"section-block_ce64514f691341a3c4676b65b87e8626\" class=\"section  mt-0 wpb-margin-bottom pt-0 wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-two-columns-content-with-quotes-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_dca1535b7947daf1cd079c205b297708\" class=\"col offset-0 offset-lg-1 d-none d-lg-block col-12 col-lg-3\" data-type=\"mst-column\">\n\t\n<\/div>\n\n\n<div id=\"block-block_ab860d20349cd6acc7e00d85d0fd189c\" class=\"col offet-0 offset-lg-1 col-12 col-lg-7\" data-type=\"mst-column\">\n\t\n\n<p>On&nbsp;the occasion&nbsp;of this exhibition,&nbsp;GUCCI has designed the uniforms for the exhibition\u2019s \u201cguardian angels,\u201d the gallery assistants&nbsp;who&nbsp;welcome&nbsp;visitors and take&nbsp;care&nbsp;for artworks while on display. Like gardeners in an imaginary park, the assistants (who in the past would be called \u201cguards\u201d), are renamed in French \u201cjardiniers du th\u00e9atre\u201d (gardeners of the theater) for this project. These&nbsp;\u201cguardian angels\u201d&nbsp;or gardeners will be dressed in a sage-green uniform, signalling the exhibition as a walk&nbsp;through a garden and creatively accompanying the project by transforming the traditional museum-sponsor relationship. The main sponsor in this case takes part in the creation of the exhibition design, highlighting the presence of the essential but often invisible workers of the art world. This project draws inspiration from the GUCCI February 2020 fashion show when the creative director Alessandro Michele and his team wore uniforms, thus providing&nbsp;the&nbsp;audience with a glimpse of&nbsp;the backstage work connected to the presentation of \u201cThe Ritual\u201d collection.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"506\" height=\"1024\" data-id=\"115452\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/3-506x1024.jpeg\" alt=\"\" class=\"wp-image-115452\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/3-506x1024.jpeg 506w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/3-148x300.jpeg 148w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/3-74x150.jpeg 74w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/3-300x608.jpeg 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/3-600x1215.jpeg 600w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/3.jpeg 678w\" sizes=\"auto, (max-width: 506px) 100vw, 506px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" data-id=\"115445\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19364-1-682x1024.jpg\" alt=\"\" class=\"wp-image-115445\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19364-1-682x1024.jpg 682w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19364-1-200x300.jpg 200w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19364-1-100x150.jpg 100w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19364-1-768x1152.jpg 768w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19364-1-1024x1536.jpg 1024w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19364-1-300x450.jpg 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19364-1-600x900.jpg 600w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19364-1.jpg 1089w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"115444\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli18975-1-683x1024.jpg\" alt=\"\" class=\"wp-image-115444\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli18975-1-683x1024.jpg 683w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli18975-1-200x300.jpg 200w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli18975-1-100x150.jpg 100w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli18975-1-768x1152.jpg 768w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli18975-1-1024x1536.jpg 1024w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli18975-1-300x450.jpg 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli18975-1-600x900.jpg 600w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli18975-1.jpg 1193w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"115446\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19536-1-1024x683.jpg\" alt=\"\" class=\"wp-image-115446\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19536-1-1024x683.jpg 1024w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19536-1-300x200.jpg 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19536-1-150x100.jpg 150w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19536-1-768x512.jpg 768w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19536-1-1536x1024.jpg 1536w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19536-1-600x400.jpg 600w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/05\/\u00a9valentinasommariva_gucci-rivoli19536-1.jpg 1981w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Photo Valentina Sommariva | Courtesy Gucci<\/p>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<\/section>\n\n\n<section id=\"section-block_02b56e7cf1e79fed77ecfd3348d82dbb\" class=\"section insights  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-insights-section\">\n\t\n<div id=\"block-block_53d4df5f06e655a683106846846c4773\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\">Conversations<\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<div class=\"container-fluid\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"row items\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-12 col-lg-6 item video-item\">\n        <div class=\"iframe-wrapper\">\n                <!--IUB-COOKIE-BLOCK-SKIP-START-->\n        <iframe src=\"\/\/players.brightcove.net\/745468061001\/default_default\/index.html?videoId=6259487515001\" allowfullscreen webkitallowfullscreen mozallowfullscreen><\/iframe>\n        <!--IUB-COOKIE-BLOCK-SKIP-END-->\n    <\/div>\n    <p class=\"caption mb-0\">\n        <a href=\"https:\/\/www.castellodirivoli.org\/en\/video\/achille-bonito-oliva-in-conversazione-con-carolyn-christov-bakargiev\/\">\n                            Achille Bonito Oliva in conversazione con Carolyn Christov-Bakargiev\n                    <\/a>\n    <\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-12 col-lg-6 item video-item\">\n        <div class=\"iframe-wrapper\">\n                <!--IUB-COOKIE-BLOCK-SKIP-START-->\n        <iframe src=\"\/\/players.brightcove.net\/745468061001\/default_default\/index.html?videoId=6300740648001\" allowfullscreen webkitallowfullscreen mozallowfullscreen><\/iframe>\n        <!--IUB-COOKIE-BLOCK-SKIP-END-->\n    <\/div>\n    <p class=\"caption mb-0\">\n        <a href=\"https:\/\/www.castellodirivoli.org\/en\/video\/achille-bonito-oliva-in-conversazione-con-andrea-villiani-e-leonardo-caffo\/\">\n                            Achille Bonito Oliva in conversazione con Andrea Villiani e Leonardo Caffo\n                    <\/a>\n    <\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-12 col-lg-6 item video-item\">\n        <div class=\"iframe-wrapper\">\n                <!--IUB-COOKIE-BLOCK-SKIP-START-->\n        <iframe src=\"\/\/players.brightcove.net\/745468061001\/default_default\/index.html?videoId=6211492864001\" allowfullscreen webkitallowfullscreen mozallowfullscreen><\/iframe>\n        <!--IUB-COOKIE-BLOCK-SKIP-END-->\n    <\/div>\n    <p class=\"caption mb-0\">\n        <a href=\"https:\/\/www.castellodirivoli.org\/en\/video\/achille-bonito-oliva-su-harry-styles\/\">\n                            Achille Bonito Oliva su Harry Styles\n                    <\/a>\n    <\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"col-12 col-lg-6 item video-item\">\n        <div class=\"iframe-wrapper\">\n                <!--IUB-COOKIE-BLOCK-SKIP-START-->\n        <iframe src=\"\/\/players.brightcove.net\/745468061001\/default_default\/index.html?videoId=6273550924001\" allowfullscreen webkitallowfullscreen mozallowfullscreen><\/iframe>\n        <!--IUB-COOKIE-BLOCK-SKIP-END-->\n    <\/div>\n    <p class=\"caption mb-0\">\n        <a href=\"https:\/\/www.castellodirivoli.org\/en\/video\/la-transavanguardia-francesco-clemente\/\">\n                            La Transavanguardia | Francesco Clemente\n                    <\/a>\n    <\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t<\/div>\n\n\n<\/section>\n\n\n<section id=\"section-block_b30c23c8b3727144eb54ae4d619c19b8\" class=\"section posts-preview  \" data-aos=\"fade\" data-type=\"mst-posts-preview\">\n\t\n<div id=\"block-block_53d4df5f06e655a683106846846c4773\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\">What&#8217;s on<\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<div class=\"container-fluid\">\n\t\t\t<div class=\"row posts-preview-wrapper\">\n\t\t\t\t\t\t\t<div class=\"col-6 col-lg-2\">\n\t\t\t\t\t<article class=\"post-157142 post type-post status-publish format-standard has-post-thumbnail hentry category-uncategorized preview-post\" id=\"preview-post-157142\">\n\t\t\t\t<header class=\"entry-header\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/public-programme-2026\/\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/03\/image-94-1-819x1024.png\" class=\"\" alt=\"Public Programme 2026\" \/>\n\t\t\t<\/a>\n\t\t<\/header>\n\t\t<div class=\"entry-meta\">\n\t\t<p class=\"kicker\">\n\t\t\tNews\n\t\t\t<br><small style=\"display:none;\">\n\t\t\t\t\t\t\t\t\t06.03.2026\n\t\t\t\t\t\t\t\t\t\t\t &#8211; 20.06.2026\n\t\t\t\t\t\t\t\t\t\t\t\t<\/small>\n\t\t<\/p>\n\t<\/div>\n\t<div class=\"entry-content\">\n\t\t<h2 class=\"entry-title\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/public-programme-2026\/\">Public Programme 2026<\/a>\n\t\t<\/h2>\n\t<\/div>\n<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"col-6 col-lg-2\">\n\t\t\t\t\t<article class=\"post-146680 post type-post status-publish format-standard has-post-thumbnail hentry category-uncategorized preview-post\" id=\"preview-post-146680\">\n\t\t\t\t<header class=\"entry-header\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/new-public-connection-every-saturday-sunday-and-holidays-between-turin-and-castello-di-rivoli\/\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2024\/11\/Castello-di-Rivoli_Foto-Paolo-Pellion-1024x587.jpg\" class=\"\" alt=\"New public connection every Saturday, Sunday and holidays between Turin and Castello di Rivoli\" \/>\n\t\t\t<\/a>\n\t\t<\/header>\n\t\t<div class=\"entry-meta\">\n\t\t<p class=\"kicker\">\n\t\t\tNews\n\t\t\t<br><small style=\"display:none;\">\n\t\t\t\t\t\t\t\t\t07.12.2024\n\t\t\t\t\t\t\t\t\t\t\t &#8211; 31.12.2025\n\t\t\t\t\t\t\t\t\t\t\t\t<\/small>\n\t\t<\/p>\n\t<\/div>\n\t<div class=\"entry-content\">\n\t\t<h2 class=\"entry-title\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/new-public-connection-every-saturday-sunday-and-holidays-between-turin-and-castello-di-rivoli\/\">New public connection every Saturday, Sunday and holidays between Turin and Castello di Rivoli<\/a>\n\t\t<\/h2>\n\t<\/div>\n<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"col-6 col-lg-2\">\n\t\t\t\t\t<article class=\"post-147576 post type-post 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