{"id":125309,"date":"2022-06-22T14:45:10","date_gmt":"2022-06-22T12:45:10","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/?post_type=mostra&#038;p=125309"},"modified":"2025-12-24T11:05:36","modified_gmt":"2025-12-24T10:05:36","slug":"a-cielo-aperto-2022","status":"publish","type":"mostra","link":"https:\/\/www.castellodirivoli.org\/en\/mostra\/a-cielo-aperto-2022\/","title":{"rendered":"Susan Philipsz: A Song A Part                                                                                                        A CIELO APERTO 2022"},"content":{"rendered":"<section id=\"section-block_48291df766fac5c888cb9e3199148bb0\" class=\"section  wpb-margin-top mb-0 wpb-padding-top pb-0\" data-aos=\"fade\" data-type=\"mst-two-columns-content-reverse-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_7b276d764ec9ebc9a0e3bcc636a436e2\" class=\"col offset-0 offset-lg-1 order-2 order-lg-1 col-12 col-lg-4\" data-type=\"mst-column\">\n\t\n\n<p><strong>Four contemporary artworks and new commissions to celebrate the 30th anniversary of Fondazione CRC<\/strong><\/p>\n\n\n\n<p>Artists: <strong><strong>Susan Philipsz<\/strong><\/strong>; <strong>Olafur Eliasson<\/strong>; <strong>Michelangelo Pistoletto<\/strong>; <strong>Otobong Nkanga<\/strong><br><br>Venues: <strong>Mondov\u00ec<\/strong>; <strong>Grinzane Cavou<\/strong>r; <strong>Cuneo<\/strong>; <strong>Bra<\/strong><\/p>\n\n\n\n<p>A public art project commissioned by Fondazione CRC in collaboration with Castello di Rivoli Museo d\u2019Arte Contemporanea. It is curated by <strong>Carolyn Christov-Bakargiev<\/strong> with <strong>Marcella Beccaria <\/strong>and <strong>Marianna Vecellio<\/strong><\/p>\n\n\n<\/div>\n\n\n<div id=\"block-block_ec30c2cca41fa683e0053b03e30fb92f\" class=\"col order-1 order-lg-2 col-12 col-lg-7\" data-type=\"mst-column\">\n\t\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1022\" height=\"1024\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/10\/unnamed-2-1022x1024.png\" alt=\"Susan Philipsz: A Song A Part. A CIELO APERTO 2022\" class=\"wp-image-125489\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/10\/unnamed-2-1022x1024.png 1022w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/10\/unnamed-2-300x301.png 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/10\/unnamed-2-150x150.png 150w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/10\/unnamed-2-768x769.png 768w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/10\/unnamed-2-600x601.png 600w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/10\/unnamed-2-100x100.png 100w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/10\/unnamed-2.png 1178w\" sizes=\"auto, (max-width: 1022px) 100vw, 1022px\" \/><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Susan Philipsz&#8217;s A Song A Part is presented at Museo Civico della Stampa Ex Collegio delle Orfane di Mondov\u00ec<\/p>\n<\/blockquote>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\t<div id=\"block-block_238f146bb9387a84de066698badd645a\" class=\"anchors-menu  mt-0 wpb-margin-bottom pt-0 wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-anchors-menu-section\">\n\t\t<div class=\"container-fluid sticky\">\n\t\t\t<div class=\"row waypoints-navpills-row\">\n\t\t\t\t<div class=\"col-12 offset-0 col-lg-11 offset-lg-1 waypoints-navpills-col\">\n\t\t\t\t\t\n\t\t\t\t\t<ul class=\"nav nav-pills waypoints-navpills\" id=\"anchors-pills\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#description\">\n\t\t\t\t\t\t\t\t\t\tDescription\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#the-artworks\">\n\t\t\t\t\t\t\t\t\t\tThe artworks\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#biografie\">\n\t\t\t\t\t\t\t\t\t\tBiografie\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li class=\"nav-item\">\n\t\t\t\t\t\t\t\t\t<a class=\"nav-link\" href=\"#whats-on\">\n\t\t\t\t\t\t\t\t\t\tWhat&#8217;s on\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t<div class=\"waypoints-navpills-targets\" data-selector=\"section\">\n\t\t\t\t\t\t\t\n<section id=\"section-block_bf4466548ae2b38d332f2ab5986cc532\" class=\"section writings  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-writings-section\">\n\t\n<div id=\"block-block_cc2186846ebfe1b8b78afecba6bbcb63\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\">Description<\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<section id=\"section-block_bfdb1faa9721609d6727a262733eb7bb\" class=\"section  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-two-columns-content-with-quotes-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_129429bb92412d37c6a0683ad1ed6744\" class=\"col offset-0 offset-lg-1  col-12 col-lg-3\" data-type=\"mst-column\">\n\t\n\n<p>Microsoft Word &#8211; PR (ENG)_4 progetti Fondazione CRC_29.06.2022.docx<\/p>\n\n\n\n<p><em>A CIELO APERTO 2022<\/em>, which renews the long and fruitful collaboration built over the years with Castello di Rivoli Museo d\u2019Arte Contemporanea, offers the opportunity to bring the works of four great international artists in the area of Cuneo. A unique cultural operation, promoted to celebrate the 30th anniversary of our institution, which will leave a mark in four emblematic places in the history of Fondazione CRC<\/p>\n\n\n<\/div>\n\n\n<div id=\"block-block_cfb739251592e8e4b696f4ef0730e54d\" class=\"col offet-0 offset-lg-1 col-12 col-lg-7\" data-type=\"mst-column\">\n\t\n\n<p><em>A CIELO APERTO 2022. Four contemporary artworks and new commissions to celebrate the 30th anniversary of Fondazione CRC<\/em> is curated and supported by Castello di Rivoli Museo d\u2019Arte Contemporanea.<br><br>The project presents <strong>four public artworks<\/strong> created by <strong>four international artists<\/strong> and located in four locations \u2013 the Piemontese towns of Alba, Bra, Cuneo and Mondov\u00ec \u2013 in the area of Cuneo where Fondazione CRC operates. The project is part of the program <em>La generazione delle idee <\/em>(The Generation of Ideas) by Fondazione CRC to celebrate its 30th anniversary, and it is designed to be enjoyed by the community in a spirit of renewed freedom in the open air, in contrast with the limitations that have characterized the last few years of cultural activities.<br>The initiative intends to establish a new balance between local communities, history, international artistic life and nature, with particular attention to the themes of ecology which today are articulated in an effort to slow down climate change, to seek a quality and sustainability in&nbsp; food production, as well as in the cultural memory that constitutes the identity of the places. The combination of art and land of the <em>A CIELO APERTO 2022<\/em> project enhances the gastronomic and in particular enological culture, in relation to the refined and experimental culture of contemporary art.<br><br>The project, which involves four internationally renowned artists, intends to place in dialogue different cultural and generational fields. The works of <strong>Olafur Eliasson<\/strong> (Copenhagen, 1967), <strong>Michelangelo Pistoletto<\/strong> (Biella, 1933), <strong>Otobong Nkanga<\/strong> (Kano, 1974) and <strong>Susan Philipsz<\/strong> (Glasgow, 1965) are acquired by Fondazione CRC and are presented respectively at Castello di Grinzane Cavour (Alba), Cuneo, Bra and Mondov\u00ec.<br><br>The President of Fondazione CRC, <strong>Ezio Raviola<\/strong>, states \u201c<em>A CIELO APERTO 2022<\/em>, which renews the long and fruitful collaboration built over the years with Castello di Rivoli Museo d\u2019Arte Contemporanea, offers the opportunity to bring the works of four great international artists in the area of Cuneo. A unique cultural operation, promoted to celebrate the 30th anniversary of our institution, which will leave a mark in four emblematic places in the history of Fondazione CRC.\u201d<br><br>The Director of Castello di Rivoli Museo d\u2019Arte Contemporanea, <strong>Carolyn Christov-Bakargiev<\/strong>, states, \u201cAfter two and a half years of pandemic, it\u2019s time to go out into the open air. A project like this, strongly supported by Fondazione CRC, reminds us how art has healing and beneficial effects on the public and also calls us to our responsibility towards the environment, so rich in aesthetic stimuli and so open to welcoming the works of art.\u201d<br><br>Fondazione CRC thanks Castello di Rivoli Museo d\u2019Arte Contemporanea for the scientific curatorship and technical implementation of the project.<\/p>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<\/section>\n\n\n<section id=\"section-block_d29e3b77e2f870dfbe6abb046f436c7c\" class=\"section writings  mt-0 wpb-margin-bottom pt-0 wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-writings-section\">\n\t\n<div id=\"block-block_cc2186846ebfe1b8b78afecba6bbcb63\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\"><strong>The artworks<\/strong><\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<section id=\"section-block_bfdb1faa9721609d6727a262733eb7bb\" class=\"section  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-two-columns-content-with-quotes-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_a63b72cb61d533349aeaf04a6ff4a018\" class=\"col offset-0 offset-lg-1 col-12 col-lg-3\" data-type=\"mst-column\">\n\t\n\n<figure class=\"wp-block-image alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/11\/olafur-1024x682.jpg\" alt=\"Olafur Eliasson, The presence of absence pavilion, 2019\" class=\"wp-image-126286\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/11\/olafur-1024x682.jpg 1024w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/11\/olafur-300x200.jpg 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/11\/olafur-150x100.jpg 150w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/11\/olafur-768x512.jpg 768w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/11\/olafur-1536x1024.jpg 1536w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/11\/olafur-600x400.jpg 600w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/11\/olafur.jpg 1772w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong><br>Olafur Eliasson<\/strong>, The presence of absence pavilion, 2019, installation 2022 | Photo Luca Privitera | Courtesy Studio Olafur Eliasson and Fondazione CRC\u00a9 Olafur Eliasson<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/3-3-1024x683.jpg\" alt=\"Michelangelo Pistoletto,\u00a0Terzo Paradiso, 2022\" class=\"wp-image-116923\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/3-3-1024x683.jpg 1024w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/3-3-300x200.jpg 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/3-3-150x100.jpg 150w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/3-3-768x512.jpg 768w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/3-3-1536x1024.jpg 1536w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/3-3-2048x1365.jpg 2048w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/3-3-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Michelangelo Pistoletto<\/strong>,&nbsp;<em>Terzo Paradiso<\/em>, 2022, rendering <br>Courtesy the artist<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/4-3-681x1024.jpg\" alt=\"Otobong Nkanga,\u00a0Of\u00a0 Cords Curling around Mountains, 2021-2022\" class=\"wp-image-116926\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/4-3-681x1024.jpg 681w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/4-3-200x300.jpg 200w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/4-3-100x150.jpg 100w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/4-3-768x1154.jpg 768w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/4-3-1022x1536.jpg 1022w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/4-3-1363x2048.jpg 1363w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/4-3-300x451.jpg 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/4-3-600x902.jpg 600w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/4-3-scaled.jpg 1703w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><figcaption class=\"wp-element-caption\"><strong>Otobong Nkanga<\/strong>,&nbsp;<em>Of&nbsp; Cords Curling around Mountains<\/em>, 2021-2022, installation detail, Castello di Rivoli Museo d\u2019Arte | Contemporanea Rivoli-Torino | Photo Andrea Guermani | Courtesy the artist and Castello di Rivoli Museo d\u2019Arte Contemporanea Rivoli-Torino<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n\n<\/div>\n\n\n<div id=\"block-block_cfb739251592e8e4b696f4ef0730e54d\" class=\"col offet-0 offset-lg-1 col-12 col-lg-7\" data-type=\"mst-column\">\n\t\n\n<p><em>A CIELO APERTO 2022<\/em> is developed in four phases, the first of which began on <strong>Saturday 25 June 2022<\/strong> with the presentation of the work <em>The presence of absence pavilion<\/em>, 2019-2022, by Olafur Eliasson at <strong>Castello di Grinzane Cavour<\/strong> (Alba).<br><br><em>The presence of absence pavilion<\/em> by Olafur Eliasson is a rectangular bronze sculpture, which contains a hollow organic form that represents the void produced by the melting of a glacier, in reference to the climate crisis and global warming. The work evokes an ice cube hollowed out from within and was created by melting a block of ice from the Nuup Kangerlua fjord, off the coast of Greenland, an area where the ice sheet formed over millions of years and today loses tens of thousands of similar blocks every minute. In <em>The presence of absence pavilion<\/em> the melted ice is present only as an absence or as a memory. The placement of the work on the lawn next to the Castello di Grinzane Cavour, not far from the vineyard belonging to the Fondazione CRC, also establishes a relationship with the erosion created by water on the surrounding hills and the melting of the ancient glaciers that once covered this region and created the valley.<br><br><em>The presence of absence pavilion<\/em> recalls both the artist\u2019s exhibition <em>Your waste of time<\/em> held in 2006 at neugerriemschneider, in which Icelandic ice blocks were exhibited in the cooled exhibition space, and the public art work <em>Ice Watch<\/em>, in which twelve immense blocks of ice collected from a fjord outside Nuuk, Greenland, were placed in the shape of a clock in public spaces in Copenhagen, Paris and London between 2014 and 2019, and remained for several days to slowly melt. Eliasson\u2019s works are created to reproduce the power of natural elements, as well as produce perceptive and aesthetic phenomena of great quality.<br><\/p>\n\n\n\n<p>On  <strong>October 14 th  2022, Michelangelo Pistoletto<\/strong> presented<strong> <\/strong>a new commissioned work in <strong>Cuneo<\/strong>. Open to exchange, Pistoletto\u2019s art is the meeting and dialogue of multiple voices, an aesthetic founded on relationships and participation thanks to the ability to go beyond the confines of the work to bring art back to social life and life in art. The monumental work represents the infinity-like symbol of the <em>Terzo Paradiso<\/em>, a concept of Pistoletto that refers to a balanced connection between the man-made and natural realms. The piece promotes the idea of community participation, youth talent and collective work. It was created with the contribution of local communities and in particular through the combination of 122 drawings made by children and collected by the Education Department of the Castello di Rivoli Museo d\u2019Arte Contemporanea in synergy with various people from the city of Cuneo.<br>&nbsp;<br>Started in 2003, <em>Terzo Paradiso <\/em>is a set of works and actions, sometimes temporary and always shared, which express the further evolution of the artist\u2019s responsibility towards society. Between the two contiguous circles of the mathematical sign of infinity, which indicate the two opposite poles of nature and artifice, the artist has inserted a third central circle that represents the generative womb of a new humanity, an ideal overcoming of the destructive conflict that causes characterizes the anti-ecological present.<br>&nbsp;<br>In 2003, Pistoletto theorized in the manifesto of the same name: \u201c<em>Terzo Paradiso<\/em> is the third phase of humanity, which takes place in the balanced connection between artifice and nature. <em>Terzo Paradiso<\/em> means the passage to an unprecedented stage of planetary civilization, indispensable for ensuring the survival of mankind. To this end, it is first of all necessary to reform the ethical principles and behaviors that guide common life. <em>Terzo Paradiso<\/em> is the great myth that leads everyone to assume a personal responsibility in the global vision.\u201d Since 2004, <em>Terzo Paradiso<\/em> has been publicly announced by Pistoletto as the next phase of his work, becoming a great collective and participatory work. Between 2018 and 2020, thanks to the development of an international network of Embassies and Forums to spread these ideas, the activity of the <em>Terzo Paradiso<\/em> has further intensified. <\/p>\n\n\n\n<p>On <strong>December 15th<\/strong> the new work by <strong>Otobong Nkanga<\/strong> <em>Of Sundials, Lines and Weights<\/em>, 2022, will be presented in <strong>Bra<\/strong>. For the public art project, the artist drew a landscape in which curved lines in relation to a sundial connect sculptural elements with organic, almost anthropomorphic shapes, potential containers of food, agricultural materials and products of the earth. Nkanga\u2019s artistic research deals with urgent issues related to the climate crisis and the exploitation of resources and sustainability, in line with the philosophy of Slow Food, the international non-profit association born in Bra in 1986. &nbsp;Founded by Bra resident Carlo Petrini, Slow Food\u2019s aim is to restore the organic relationships between food, ecology, and cultures and to give food its correct value by respecting those who produce it, in harmony with the environment and ecosystems, preserving the knowledge of local territories and traditions. In this context, the relationship with the African continent and &nbsp;in particular the artist\u2019s native country Nigeria, is key, as it enables the expansion of the imaginary of a sustainable future, where Piedmont relates happily with locations in the Global South. Nkanga\u2019s empathic relationship with the earth and the environment produces an unprecedented cosmogony for the future in those who experience her works.<\/p>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<\/section>\n\n\n<section id=\"section-block_d29e3b77e2f870dfbe6abb046f436c7c\" class=\"section writings  mt-0 wpb-margin-bottom pt-0 wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-writings-section\">\n\t\n<div id=\"block-block_cc2186846ebfe1b8b78afecba6bbcb63\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\">Biografie<\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<section id=\"section-block_849b4f0550a0c26aaaca156e155179b0\" class=\"section  mt-0 wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-two-columns-content-with-quotes-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_cfb739251592e8e4b696f4ef0730e54d\" class=\"col offet-0 offset-lg-1 col-12 col-lg-7\" data-type=\"mst-column\">\n\t\n\n<p><strong>Olafur Eliasson<\/strong>&nbsp;(Copenhagen, 1967, vive e lavora a Berlino) espone al Castello di Rivoli Museo d\u2019Arte Contemporanea nel 1999. Nel 2003 ha rappresentato la Danimarca alla 50a Biennale di Venezia. Nello stesso anno ha installato&nbsp;<em>The weather project<\/em>&nbsp;nella Turbine Hall di Tate Modern, a Londra.&nbsp;<em>Take your time: Olafur Eliasson<\/em>, la mostra antologica organizzata da SFMOMA \u2013 San Francisco Museum of Modern Art nel 2007, \u00e8 stata presentata al  MoMA \u2013 Museum of Modern Art di New York<em>. <\/em>Nel 2016 Eliasson ha creato una serie di interventi per il palazzo e i giardini di Versailles e ha allestito due mostre su larga scala:&nbsp;<em>Nothingness is not nothing at all<\/em>, al Long Museum, Shanghai e&nbsp;<em>The Parliament of possibilities<\/em>, al Leeum, Samsung Museum of Art, Seoul.&nbsp;<em>Green light<\/em>, un laboratorio artistico, creato in collaborazione con TBA21 offre una risposta alle sfide degli spostamenti di massa e della migrazione. Ospitato da TBA21 a Vienna nel 2016, il progetto ha fatto parte di&nbsp;<em>Viva Arte Viva<\/em>, la 57a Esposizione Internazionale d\u2019Arte \u2013 La Biennale di Venezia, nel 2017. L\u2019installazione site-specific&nbsp;<em>Reality projector<\/em>&nbsp;\u00e8 stata inaugurata alla Marciano Art Foundation, Los Angeles, nel marzo 2018, contestualmente alla personale&nbsp;<em>The unspeakable openness of things<\/em>&nbsp;al Red Brick Art Museum di Pechino. Nel 2019 \u00e8 stata inaugurata alla Tate Modern di Londra la retrospettiva&nbsp;<em>In real life<\/em>, presentata l\u2019anno successivo al Guggenheim di Bilbao. Nel 2020 sono state inaugurate le mostre&nbsp;<em>Olafur Eliasson: Symbiotic seeing<\/em>&nbsp;alla Kunsthaus Z\u00fcrich e&nbsp;<em>Sometimes the river is the bridge<\/em>&nbsp;al Museum of Contemporary Art di Tokyo. Nel 2021 l\u2019artista ha presentato&nbsp;<em>Life&nbsp;<\/em>alla Fondazione Beyeler, Basilea.<\/p>\n\n\n\n<p><strong>Michelangelo Pistoletto<\/strong>&nbsp;(Biella, 1933) inizia a esporre nel 1955 e nel 1960 tiene la sua prima personale alla Galleria Galatea di Torino. Nel biennio 1961-1962 approda alla realizzazione dei&nbsp;<em>Quadri specchianti<\/em>. Tra il 1965 e il 1966 produce <em>Oggetti in meno<\/em>. Tra il 1975 e il 1976 realizza <em>Le Stanze<\/em>. Nel 1978 si ricorda <em>Divisione e moltiplicazione dello specchio<\/em>&nbsp;e&nbsp;<em>L\u2019arte assume la religione<\/em>. Nel corso degli anni Novanta, con la creazione a Biella di Cittadellarte-Fondazione Pistoletto e dell\u2019Universit\u00e0 delle Idee, mette l\u2019arte in relazione attiva con i diversi ambiti del tessuto sociale al fine di ispirare e produrre una trasformazione responsabile della societ\u00e0. Nel 2003 \u00e8 insignito del Leone d\u2019Oro alla Carriera alla Biennale di Venezia. Nel 2013 il Museo del Louvre di Parigi ospita la personale&nbsp;<em>Michelangelo Pistoletto. Anne\u00e9e 1 \u2013 Le Paradis sur Terre<\/em>&nbsp;e lo stesso anno riceve a Tokyo il Praemium Imperiale per la pittura. Nel maggio del 2015 la Universidad de las Artes de L\u2019Avana gli conferisce la laurea honoris causa. Nello stesso anno realizza un\u2019opera di grandi dimensioni, intitolata&nbsp;<em>Rebirth<\/em>, nel parco del Palazzo delle Nazioni di Ginevra sede dell\u2019Organizzazione delle Nazioni Unite. Tra il 2018 e il 2020 \u00e8 attivo in vari paesi dell\u2019America Latina con mostre personali e diverse iniziative legate al&nbsp;<em>Terzo Paradiso<\/em>.<\/p>\n\n\n\n<p><strong>Otobong Nkanga<\/strong>&nbsp;(Kano, Nigeria, 1974, vive e lavora ad Anversa) ha lavori presenti nelle collezioni di numerose istituzioni internazionali tra cui Centre Pompidou, Parigi; Tate Modern, Londra; Stedelijk Museum, Amsterdam; Castello di Rivoli Museo d\u2019Arte Contemporanea, Rivoli\u2013Torino e ha esposto in mostre e biennali in tutto il mondo, cos\u00ec come si sono tenute sue mostre personali al Museum of Contemporary Art (MCA) di Chicago (2018), alla Tate Modern e Tate St. Ives, Regno Unito. Le sue mostre personali si sono svolte presso Zeitz Mocaa, Citt\u00e0 del Capo e Tate St. Ives, Regno Unito (2019-2020) e Middlesbrough Institute of Modern Art (MIMA), Regno Unito (2020-2021). Nel 2019 ha ricevuto una Menzione Speciale alla 58a Esposizione Internazionale d\u2019Arte della Biennale di Venezia; le \u00e8 stato assegnato il Premio per la migliore installazione permanente alla 14 Biennale di Sharjah (con Emeka Ogboh); ha vinto il prestigioso Peter-Weiss-Preis ed \u00e8 stata inoltre insignita del Flemish Cultural Award for Visual Arts \u2013 Ultima. Sempre nel 2019 l\u2019artista \u00e8 stata la prima destinataria del Lise Wilhelmsen Art Award Programme e nell\u2019autunno del 2020 ha presentato la personale&nbsp;<em>Uncertain Where the Next Wind Blows<\/em>&nbsp;all\u2019Henie Onstad Kunstsenter di H\u00f8vikodden, Norvegia. Nel giugno 2021 l\u2019artista ha presentato al Centre d\u2019art contemporain di Villa Arson a Nizza la retrospettiva&nbsp;<em>When Looking Across the Sea, Do You Dream?<\/em>&nbsp;organizzata in collaborazione con il Castello di Rivoli Museo d\u2019Arte Contemporanea, dove fino al 3 luglio 2022 \u00e8 in corso la personale&nbsp;<em>Otobong Nkanga. Corde che si arricciano attorno alle montagne<\/em>.<\/p>\n\n\n\n<p><strong>Susan Philipsz<\/strong>&nbsp;(Glasgow, 1965) usa la voce umana come unico strumento, trasmettendo registrazioni di se stessa che canta canzoni popolari o pop a cappella. Nel novembre 2010 ha dichiarato all\u2019Observer come il passaggio da scultrice a cantante avesse un senso: \u201cSi tratta di come gli effetti emotivi e psicologici del suono possono aumentare la consapevolezza dello spazio in cui ci si trova. [\u2026] Sembrava una progressione molto naturale passare dalla scultura al suono\u201d. Philipsz ha realizzato il suo primo lavoro sonoro a Belfast nel 1994. Ma la svolta arriva nel 2000 quando invitata a contribuire con un pezzo alla mostra internazionale Manifesta 3, a Lubiana, in Slovenia. Il suo lavoro \u00e8 stato presentato in mostre personali presso ICA, Institute of Contemporary Arts, Londra (2008); Wexner Center for the Arts, Ohio State University, Columbus (2009); Museo di Arte Contemporanea, Chicago (2010); e IHME Project 2010, Pro Arte Foundation, Helsinki (2010). Ha inoltre creato le commissioni&nbsp;<em>Carried by Winds<\/em>, Radcliffe Observatory, Modern Art Oxford, Oxford (2008-2009);&nbsp;<em>Appear to Me (Hazte ver)<\/em>, Monastero di Silo, Burgos (2009);&nbsp;<em>Lowlands<\/em>, Glasgow International (2010). Il suo lavoro&nbsp; \u00e8 stato presentato in numerose mostre collettive tra le quali si ricordano quelle presso Carnegie International, Carnegie Museum of Art, Pittsburgh (2008); Walker Arts Center, Minneapolis (2009);&nbsp;<em>Haunted: Contemporary Photography\/Video\/Performance<\/em>, Solomon R. Guggenheim Museum, New York (2010), a cui Philipsz ha contribuito con un\u2019opera commissionata appositamente per la mostra, cos\u00ec come quella presso la Tate Britain, Londra (2010). Nel 2010 ha vinto il Turner Prize. Nel 2012 partecipa a dOCUMENTA (13) a Kassel; successivamente espone al Museum of Modern Art e Carnegie Museum of Art, Pittsburgh (2013), Hamburger Bahnhof, Berlino (2014); Tate Britain, Londra (2015); Kunsthaus Bregenz, (2016); Castello di Rivoli Museo d\u2019Arte Contemporanea (2019); Kunstmuseum Bonn (2021).<\/p>\n\n\n<\/div>\n\n\n<div id=\"block-block_a63b72cb61d533349aeaf04a6ff4a018\" class=\"col offset-0 offset-lg-1 col-12 col-lg-3\" data-type=\"mst-column\">\n\t\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"267\" height=\"300\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-16.png\" alt=\"Olafur Eliasson\" class=\"wp-image-116863\" style=\"width:200px;height:224px\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-16.png 267w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-16-134x150.png 134w\" sizes=\"auto, (max-width: 267px) 100vw, 267px\" \/><figcaption class=\"wp-element-caption\">Olafur Eliasson<br>Foto Lars Borges<br>\u00a9 2020 Olafur Eliasson<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-17.png\" alt=\"Michelangelo Pistoletto\" class=\"wp-image-116865\" style=\"width:208px;height:139px\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-17.png 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-17-150x100.png 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Michelangelo Pistoletto<br>Foto \u00a9 Stephan R\u00f6hl<br>Courtesy l\u2019artista<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-18.png\" alt=\"Otobong Nkanga\" class=\"wp-image-116867\" style=\"width:206px;height:309px\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-18.png 200w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-18-100x150.png 100w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption class=\"wp-element-caption\"><br>Otobong Nkanga<br>Foto Sebastiano Pellion di Persano 2021<br>Courtesy Castello di Rivoli Museo d\u2019Arte Contemporanea, Rivoli-<br>Torino<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"203\" height=\"300\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-19.png\" alt=\"Susan Philpsz\" class=\"wp-image-116869\" style=\"width:207px;height:305px\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-19.png 203w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2022\/06\/image-19-102x150.png 102w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><figcaption class=\"wp-element-caption\"><br>Susan Philipsz<br>Foto Franziska Sinn<br>Courtesy l\u2019artista<\/figcaption><\/figure>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n<\/section>\n\n\n<section id=\"section-block_1f9bcb88a0b1aae96869bfd9f73505a8\" class=\"section posts-preview  wpb-margin-top wpb-margin-bottom wpb-padding-top wpb-padding-bottom\" data-aos=\"fade\" data-type=\"mst-posts-preview\">\n\t\n<div id=\"block-block_cc2186846ebfe1b8b78afecba6bbcb63\" class=\"\" data-type=\"mst-section-title\">\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-12 offset-0 col-lg-10 offset-lg-1\">\n                \n\n<h2 class=\"wp-block-heading section-title\">What&#8217;s on<\/h2>\n\n\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<div class=\"container-fluid\">\n\t\t\t<div class=\"row posts-preview-wrapper\">\n\t\t\t\t\t\t\t<div class=\"col-6 col-lg-2\">\n\t\t\t\t\t<article class=\"post-158113 tribe_events type-tribe_events status-publish has-post-thumbnail hentry tribe_events_cat-concerto-en cat_concerto-en preview-tribe_events\" id=\"preview-tribe_events-158113\">\n\t\t\t\t<header class=\"entry-header\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/evento\/kurtag-100-deconstructed-mozart\/\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/04\/ed26d8ff-f93f-4871-b6fc-dece50583180-821x1024.jpg\" class=\"\" alt=\"Kurt\u00e1g 100 Deconstructed Mozart\" \/>\n\t\t\t<\/a>\n\t\t<\/header>\n\t\t<div class=\"entry-meta\">\n\t\t<p class=\"kicker\">30.05.2026<br>from 16:00 to 17:00<\/p>\n\t<\/div>\n\t<div class=\"entry-content\">\n\t\t<h2 class=\"entry-title\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/evento\/kurtag-100-deconstructed-mozart\/\">Kurt\u00e1g 100 Deconstructed Mozart<\/a>\n\t\t<\/h2>\n\t<\/div>\n<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"col-6 col-lg-2\">\n\t\t\t\t\t<article class=\"post-158120 tribe_events type-tribe_events status-publish has-post-thumbnail hentry tribe_events_cat-concerto-en cat_concerto-en preview-tribe_events\" id=\"preview-tribe_events-158120\">\n\t\t\t\t<header class=\"entry-header\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/evento\/paolo-spaccamonti-ramon-moro-vampyr-by-carl-theodor-dreyer\/\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/04\/Vampyr-819x1024.png\" class=\"\" alt=\"Paolo Spaccamonti &#038; Ramon Moro Vampyr by Carl Theodor Dreyer\" \/>\n\t\t\t<\/a>\n\t\t<\/header>\n\t\t<div class=\"entry-meta\">\n\t\t<p class=\"kicker\">23.05.2026<br>from 18:00 to 19:00<\/p>\n\t<\/div>\n\t<div class=\"entry-content\">\n\t\t<h2 class=\"entry-title\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/evento\/paolo-spaccamonti-ramon-moro-vampyr-by-carl-theodor-dreyer\/\">Paolo Spaccamonti &#038; Ramon Moro Vampyr by Carl Theodor Dreyer<\/a>\n\t\t<\/h2>\n\t<\/div>\n<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"col-6 col-lg-2\">\n\t\t\t\t\t<article class=\"post-157142 post type-post status-publish format-standard has-post-thumbnail hentry category-uncategorized preview-post\" id=\"preview-post-157142\">\n\t\t\t\t<header class=\"entry-header\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/public-programme-2026\/\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/03\/image-94-1-819x1024.png\" class=\"\" alt=\"Public Programme 2026\" \/>\n\t\t\t<\/a>\n\t\t<\/header>\n\t\t<div class=\"entry-meta\">\n\t\t<p class=\"kicker\">\n\t\t\tNews\n\t\t\t<br><small style=\"display:none;\">\n\t\t\t\t\t\t\t\t\t06.03.2026\n\t\t\t\t\t\t\t\t\t\t\t &#8211; 20.06.2026\n\t\t\t\t\t\t\t\t\t\t\t\t<\/small>\n\t\t<\/p>\n\t<\/div>\n\t<div class=\"entry-content\">\n\t\t<h2 class=\"entry-title\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/public-programme-2026\/\">Public Programme 2026<\/a>\n\t\t<\/h2>\n\t<\/div>\n<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"col-6 col-lg-2\">\n\t\t\t\t\t<article class=\"post-146680 post type-post status-publish format-standard has-post-thumbnail hentry category-uncategorized preview-post\" id=\"preview-post-146680\">\n\t\t\t\t<header class=\"entry-header\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/new-public-connection-every-saturday-sunday-and-holidays-between-turin-and-castello-di-rivoli\/\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2024\/11\/Castello-di-Rivoli_Foto-Paolo-Pellion-1024x587.jpg\" class=\"\" alt=\"New public connection every Saturday, Sunday and holidays between Turin and Castello di Rivoli\" \/>\n\t\t\t<\/a>\n\t\t<\/header>\n\t\t<div class=\"entry-meta\">\n\t\t<p class=\"kicker\">\n\t\t\tNews\n\t\t\t<br><small style=\"display:none;\">\n\t\t\t\t\t\t\t\t\t07.12.2024\n\t\t\t\t\t\t\t\t\t\t\t &#8211; 31.12.2025\n\t\t\t\t\t\t\t\t\t\t\t\t<\/small>\n\t\t<\/p>\n\t<\/div>\n\t<div class=\"entry-content\">\n\t\t<h2 class=\"entry-title\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/new-public-connection-every-saturday-sunday-and-holidays-between-turin-and-castello-di-rivoli\/\">New public connection every Saturday, Sunday and holidays between Turin and Castello di Rivoli<\/a>\n\t\t<\/h2>\n\t<\/div>\n<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"col-6 col-lg-2\">\n\t\t\t\t\t<article class=\"post-147576 post type-post status-publish format-standard has-post-thumbnail hentry category-uncategorized preview-post\" id=\"preview-post-147576\">\n\t\t\t\t<header class=\"entry-header\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/piero-gilardi-mare-con-gabbiano\/\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2025\/07\/Gabbiano-1024x682.jpg\" class=\"\" alt=\"Piero Gilardi | Mare con gabbiano\" \/>\n\t\t\t<\/a>\n\t\t<\/header>\n\t\t<div class=\"entry-meta\">\n\t\t<p class=\"kicker\">\n\t\t\tNews\n\t\t\t<br><small style=\"display:none;\">\n\t\t\t\t\t\t\t\t\t22.07.2025\n\t\t\t\t\t\t\t\t\t\t\t &#8211; 26.08.2025\n\t\t\t\t\t\t\t\t\t\t\t\t<\/small>\n\t\t<\/p>\n\t<\/div>\n\t<div class=\"entry-content\">\n\t\t<h2 class=\"entry-title\">\n\t\t\t<a href=\"https:\/\/www.castellodirivoli.org\/en\/piero-gilardi-mare-con-gabbiano\/\">Piero Gilardi | Mare con gabbiano<\/a>\n\t\t<\/h2>\n\t<\/div>\n<\/article>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"col-6 col-lg-2\">\n\t\t\t\t\t<article class=\"post-147570 post type-post status-publish format-standard has-post-thumbnail hentry 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