{"id":159743,"date":"2026-09-01T13:36:11","date_gmt":"2026-09-01T11:36:11","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/?post_type=mostra&p=159743"},"modified":"2026-09-01T14:19:23","modified_gmt":"2026-09-01T12:19:23","slug":"inserzioni-haris-epaminonda-christelle-oyiri-sung-tieu","status":"publish","type":"mostra","link":"https:\/\/www.castellodirivoli.org\/en\/mostra\/inserzioni-haris-epaminonda-christelle-oyiri-sung-tieu\/","title":{"rendered":"INSERZIONI: \u00a0Haris Epaminonda,\u00a0Christelle Oyiri, Sung Tieu"},"content":{"rendered":"
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Haris Epaminonda
Untitled #07 g\/t<\/em>, 2019
Private collection
Photo Alberto Petr\u00f2<\/p>\n\n\n\n

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Christelle Oyiri & Neva Wireko
Hauntology of an OG<\/em>, 2025 (still)
Courtesy the artists, Amant, Brooklyn, NY, LAS Art Foundation, Berlin, and Pinault Collection, Paris<\/p>\n\n\n\n

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Sung Tieu
Human Dignity Shall Be Inviolable<\/em>, 2026
Installation view Ruin<\/em>, German Pavilion, with Henrike Naumann, 61st International Art Exhibition, La Biennale di Venezia, Venezia, 2026
\u00a9 Sung Tieu, 2026
Courtesy the artist, Emalin, London, Galerie Sfeir Semler, Hamburg \/ Beirut, Trautwein Herleth, Berlin, and ifa \u2013 Institut f\u00fcr Auslandsbeziehungen
Photo Andrea Rossetti<\/p>\n\n\n<\/div>\n\n\n

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First and Second Floors, Castello Building
From 25 September 2026<\/p>\n\n\n\n

Now in its third edition, Inserzioni<\/em> is a permanent laboratory for the Museum. Conceived to engage contemporary artists with the Castle\u2019s unfinished architecture and the Collection\u2019s displays, the project periodically transforms the Museum\u2019s permanent Collection galleries into a constantly evolving exhibition.<\/p>\n\n\n\n

The new commissions by Haris Epaminonda<\/strong>, Christelle Oyiri<\/strong>, and Sung Tieu<\/strong> address some of the most pressing issues of our time: the migration of people and cultural forms, the relationship between architecture and the construction of identity, memory as a key to navigate the present, and the invisible structures that shape globalised society. Although working through profoundly different artistic languages, the three artists all investigate space as a cultural and political device. The home, the museum, and architecture become places where belonging, hierarchies, memories, and forms of power are embedded.<\/p>\n\n\n\n

For Haris Epaminonda<\/strong>, the Castle becomes a portal that brings Juvarra\u2019s grandly decorated room into dialogue with Casa Mollino, revealing unexpected correspondences between two radically different ways of constructing space as a representation of identity and, through fragmentation, opening it to multiple readings and narratives.<\/p>\n\n\n\n

Sung Tieu<\/strong>\u2019s new commission, a site-specific installation for Castello di Rivoli, investigates the forces that shape collective memory and belonging. Through an architectural intervention, the work considers how histories are embedded in spaces, structures, and lived experience.<\/p>\n\n\n\n

Using the Memphis Pyramid as both protagonist and monument, Christelle Oyiri<\/strong> traces the afterlife of symbols across film, sculpture, and installation. Her work follows the transformation of sacred architectures into commercial spectacle, asking how belief survives historical rupture by continually mutating through music, popular culture, and Black diasporic imaginaries.<\/p>\n\n\n\n

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With thanks to the Radical Commissioning Circle for their support of Inserzioni<\/em><\/p>\n\n\n\n

The project by Sung Tieu is co-commissioned by<\/p>\n\n\n\n

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and supported by<\/p>\n\n\n\n

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