{"id":160547,"date":"2026-09-29T10:57:41","date_gmt":"2026-09-29T08:57:41","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/?post_type=mostra&#038;p=160547"},"modified":"2026-09-29T11:48:15","modified_gmt":"2026-09-29T09:48:15","slug":"arte-povera-masterpieces-from-the-collection","status":"publish","type":"mostra","link":"https:\/\/www.castellodirivoli.org\/en\/mostra\/arte-povera-masterpieces-from-the-collection\/","title":{"rendered":"ARTE POVERA | Masterpieces from the Collection"},"content":{"rendered":"<section id=\"section-block_ae864e1e86b4a8ef17a2c83ed341d200\" class=\"section  \" data-aos=\"fade\" data-type=\"mst-two-columns-content-reverse-section\">\n\t<div class=\"container-fluid\">\n\t\t<div class=\"row\">\n\t\t\t\n<div id=\"block-block_9856d3541b5a7309ad886289a047c4cc\" class=\"col offset-0 offset-lg-1 order-2 order-lg-1 col-12 col-lg-4\" data-type=\"mst-column\">\n\t\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/09\/0G7A642032-1024x683.jpg\" alt=\"Kounellis\" class=\"wp-image-160543\" srcset=\"https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/09\/0G7A642032-1024x683.jpg 1024w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/09\/0G7A642032-300x200.jpg 300w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/09\/0G7A642032-150x100.jpg 150w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/09\/0G7A642032-768x512.jpg 768w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/09\/0G7A642032-1536x1024.jpg 1536w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/09\/0G7A642032-2048x1365.jpg 2048w, https:\/\/www.castellodirivoli.org\/wp-content\/uploads\/2026\/09\/0G7A642032-600x400.jpg 600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-caption-font-size wp-block-paragraph\">Pier Paolo Calzolari<br><em>Untitled<\/em><br>(<em>mortificatio, imperfectio, putrefatio, combustio, incineratio, satisfactio, confirmatio, compositio, inventio, dispositio, actio, mneme<\/em>), 1970-1971<br>Castello di Rivoli Museo d\u2019Arte Contemporanea, Rivoli-Torino<br>Gift of the artist, 2000<br>Courtesy Castello di Rivoli Museo d\u2019Arte Contemporanea, Rivoli-Torino<br>Photo Sebastiano Pellion di Persano<\/p>\n\n\n<\/div>\n\n\n<div id=\"block-block_41eef0fb502f4398acf4a5dc1f72f3f9\" class=\"col order-1 order-lg-2 col-12 col-lg-7\" data-type=\"mst-column\">\n\t\n\n<p class=\"wp-block-paragraph\">First and second floors, Castello Building<br>From July 2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Alongside the new commissions, the Museum presents an important reinstallation of works from the Arte povera collection. Arte povera constitutes one of the founding identities of Castello di Rivoli, whose Collection houses a series of important works by the group\u2019s<br>protagonists, spanning a broad chronological arc that, from the historic works, extends to document the paths subsequently undertaken by the artists over the years. The new presentation<br>intentionally assigns each artist an autonomous space, highlighting masterpieces from the Collection, including those on loan from Fondazione Arte CRT. After encountering <strong>Luciano Fabro<\/strong>\u2019s permanent outdoor installation, on the first floor, galleries dedicated to<strong> Alighiero<br>Boetti<\/strong>, <strong>Piero Gilardi<\/strong>, and <strong>Michelangelo Pistoletto <\/strong>are presented, with new installations on the second floor focusing on<strong> Giovanni Anselmo<\/strong>, <strong>Pier Paolo Calzolari<\/strong>, <strong>Jannis Kounellis<\/strong>, <strong>Mario Merz<\/strong>, <strong>Giuseppe Penone<\/strong>, and <strong>Gilberto Zorio<\/strong>, and, from October 2026, on <strong>Emilio Prini<\/strong>.<br>The reinstallation reaffirms the Museum\u2019s role as guardian of the conservation, study, and full accessibility of a public heritage that continues to speak to the present. As part of the reinstallations that highlight Turin\u2019s role as a creative hub, from October 2026, for the first time at Castello di Rivoli, a gallery will also be dedicated to <strong>Carol Rama<\/strong>, one of the greatest artists of the twentieth century.<\/p>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":160543,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"exhibition_type":[],"class_list":["post-160547","mostra","type-mostra","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ARTE POVERA | Masterpieces from the Collection - Castello di Rivoli<\/title>\n<meta name=\"description\" content=\"Alongside the new commissions, Castello di Rivoli presents an important reinstallation of works from the Arte povera collection.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.castellodirivoli.org\/en\/mostra\/arte-povera-masterpieces-from-the-collection\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ARTE POVERA | Masterpieces from the Collection - 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