{"id":103537,"date":"2019-09-20T19:56:49","date_gmt":"2019-09-20T17:56:49","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/for-an-imaginist-renewal-of-the-world-pellizza-da-volpedo-taner-ceylan-pinot-gallizio-with-constant-giorgio-gallizio-asger-jorn-jan-kotik-and-piero-simondo-piero-simondo-mario-merz\/"},"modified":"2025-11-21T12:26:05","modified_gmt":"2025-11-21T11:26:05","slug":"for-an-imaginist-renewal-of-the-world-pellizza-da-volpedo-taner-ceylan-pinot-gallizio-with-constant-giorgio-gallizio-asger-jorn-jan-kotik-and-piero-simondo-piero-simondo-mario-merz","status":"publish","type":"post","link":"https:\/\/www.castellodirivoli.org\/en\/for-an-imaginist-renewal-of-the-world-pellizza-da-volpedo-taner-ceylan-pinot-gallizio-with-constant-giorgio-gallizio-asger-jorn-jan-kotik-and-piero-simondo-piero-simondo-mario-merz\/","title":{"rendered":"For an Imaginist Renewal of the World. Pellizza da Volpedo (Taner Ceylan), Pinot Gallizio (with Constant, Giorgio Gallizio, Asger Jorn, Jan Kotik and Piero Simondo), Piero Simondo, Mario Merz"},"content":{"rendered":"<p><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: medium;\">Chiesa di San Domenico<\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: medium;\">, <\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: medium;\"><b>Via Teobaldo Calissano, 7 \u2013<\/b><\/span><\/span> <span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: medium;\">Alba (CN)<\/span><\/span><\/p>\n<p><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: medium;\"><span lang=\"en-US\">September 22 \u2013 November 10, 2019<\/span><\/span><\/span><\/p>\n<p><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: medium;\"><span lang=\"en-US\">Opening: Saturday, September 21 2019, 12 pm<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: medium;\"><span lang=\"en-US\">Drafted by Carolyn Christov-Bakargiev and Caterina Molteni.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: medium;\">Archival section on Pinot Gallizio curated by Maria Teresa Roberto, Giorgina Bertolino and Francesca Comisso (Archivio Gallizio)<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\">Castello di Rivoli Museo d\u2019Arte Contemporanea and Fondazione CRC present <\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><i>For an Imaginist Renewal of the World. <\/i><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>Pellizza da Volpedo (Taner Ceylan), Pinot Gallizio (with Constant, Giorgio Gallizio, Asger Jorn, Jan Kotik and Piero Simondo), Mario Merz, <\/i><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">an exhibition <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">conceived for the Church of <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">San Domenico in Alba, that will take place from September 22 until November 10, 2019. <\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">The exhibition features works from the Collections of the Castello di Rivoli Museo d\u2019Arte Contemporanea, the Fondazione CRC, and private collections, along with selected archive materials from the Archivio Gallizio, the Archivio Simondo and the Fondo Gallizio of GAM Galleria Civica d\u2019Arte Moderna e Contemporanea, Turin.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">Establishing a dialog between the artistic production of Giuseppe Pellizza da Volpedo (Volpedo, 1868 &#8211; 1907), Pinot Gallizio (Alba, 1902 &#8211; 1964) and Mario Merz (Milan, 1925 &#8211; 2003), the exhibition emphasizes an aesthetic of plurality moving from a reflection on collectivity, social representation, laboratory production and \u2018free artist\u2019.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">This aesthetic of plurality takes the cue from a local dimension, which expresses the freedom and the spontaneity of artistic research: from the rural socialism of Pellizza da Volpedo, through the eclectic and catalyst activity of Pinot Gallizio, to the discovery, in Mario Merz\u2019s oeuvre, of a natural and spiraling dynamism as possible expression of social movement. <\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><b>Giuseppe Pellizza da Volpedo<\/b><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"> (Volpedo, 1868 \u2013 1907) is one of the foremost Italian painters in the realistic and divisionist style. <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>Il Quarto Stato<\/i><\/span><\/span><\/span> <span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">(The Fourth Estate), 1901, is one of the well-known historical paintings and over time it became an icon for democratic movements worldwide, a symbol of the dignity of workers, and of a social class seeking to arm its rights. <\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">On display, there is <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>Volpedo\u2019s The Fourth Estate \u2013 Copy of Taner Ceylan<\/i><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">, 2015, a new edition of <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>Quarto Stato<\/i><\/span><\/span><\/span> <span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">created by Turkish artist Taner Ceylan on the occasion of the 14th Istanbul Biennale in 2015. <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">Born in Germany in 1967, Ceylan is already known to the international public for his hyperrealistic painting addressing the representation of the queer body in Islamic society.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">In paying homage to the occupation of Gezi Park in 2013 and the demonstrations that followed the Soma disaster in 2014, Ceylan reproduces Pellizza da Volpedo\u2019s well-known painting and the working-class spirit he celebrated. <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">Volpedo\u2019s <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>The Fourth Estate \u2013 Copy of Taner Ceylan<\/i><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">, 2015, focusing on the representation and the dissemination of truth, opening a reflection on the problematic relationship between truth and politics in contemporary society.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">Druggist, chemist, botanist, archaeologist and enologist, <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><b>Pinot Gallizio<\/b><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"> (Alba, 1902 \u2013 1964) began to work as an artist at the age of fifty, after meeting Piero Simondo. With him, he organized the <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>First World Conference of Free Artists <\/i><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">in Alba, in 1956. During the conference, he created the painting <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>Untitled<\/i><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"> along with Constant, Asger Jorn, Jan Kotik, Piero Simondo and Giorgio Gallizio. The work is the result of the experience of the Experimental Laboratory, a collective work space in which subjective artistic research met the scientific and alchemical knowledge of materials and their properties. Presented in this exhibition, <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>Senza titolo (o rotolo di pittura industriale) <\/i><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">(Untitled &#8211; or Industrial Painting Roll), 1958, provides an example of the \u2018industrial painting\u2019 that developed in opposition to the idea of originality, authorship and uniqueness of the work of art. This type of painting made use of production materials such as tar, sand and oils, and came in industrial formats, such as long rolls.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\">Among the artists of <\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><i>Senza titolo<\/i><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"> (Untitled), 1956, <\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><b>Piero Simondo<\/b><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"> is a post second world war painter and one of the founders of the Situationist International. After studying Chemistry at University, in 1952 he attended the faculty of Philosophy in Turin, where he met his partner Elena Verrone, a fellow philosophy student from Alba. In the same year, he also began to paint while attending courses of Felice Casorati at the Albertina Fine Art Academy in Turin. On the occasion of a conference on German Expressionism in Alba, which he held upon Verrone\u2019s invitation, Simondo first met Pinot Gallizio, twenty-years his elder, who initiated his practice as an artist after meeting Simondo. In 1953, Simondo started to experiment with abstract paintings, sewing household linen cotton cloths; <\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><i>Figurine<\/i><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\">, 1955, epitomizes such research.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\">In this period, Gallizio often hosted Simondo in Alba, sharing with him his own studio. Their friendship led to the founding of the Laboratorio Sperimentale del Movimento Internazionale per una \u201cBauhaus Immaginista\u201d, along with Asger Jorn \u2013 whom Simondo and Verrone met in 1955 at Albisola. A nomadic and theorical movement, the Laboratorio Sperimentale championed a collective practice-based research, as a famous and staged photo of a M.I.B.I collaborative session, in Gallizio\u2019s house courtyard and Simondo\u2019s studio in Alba, shows.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">At the center of the central nave of the Church of San Domenico is set up <\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>Architettura fondata dal tempo \u2013 Architettura sfondata dal tempo<\/i><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"> (Time-Based Architecture \u2013 Time-Debased Architecture), 1981, by <\/span><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><b>Mario Merz<\/b><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">. Among the protagonists of Arte Povera, the artist created his works making use of a variety of everyday materials and motifs\u2014ranging from metal rods to glass fragments, from fresh fruit to bundles of branches, from piles of newspapers to neon tubes, from words to numbers. In 1967, he also began working on his first Igloo, a hemispherical domed structure that represents a temporary and nomadic architectural ideal, a house simultaneously ancient and contemporary, a symbol of the celestial vault and of conviviality.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">The large installation <\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>Architettura fondata dal tempo \u2013 Architettura sfondata dal tempo (Time-Based Architecture \u2013 Time-Debased Architecture)<\/i><\/span><\/span><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">, 1981, joins the igloo, made of iron tubing, stones, and glass, with a circular structure created from iron and piles of branches that sinuously extends out from the igloo. It is broken through by a large painted canvas that depicts an imaginary prehistoric animal. Thus architecture (the igloo), which is established by the time of civilization, is in its turn worn down and continually and dynamically brought into question (and into play) by the time of nature.<\/span><\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">Curated by the Archivio Gallizio, a selection of archive materials from the Archivio Gallizio, the Archivio Simondo and the Fondo Gallizio of GAM Galleria Civica d\u2019Arte Moderna e Contemporanea, Turin, shows the artistic activity of Pinot Gallizio with a particular focus on the first Congress of imaginist artists that took place in Alba in 1956.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">Castello di Rivoli Museo d\u2019Arte Contemporanea and Fondazione CRC contextually organize from 21 to 22 September <\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\"><i>For an Imaginist Renewal of the World. The Alba Congress: 1956-2019<\/i><\/span><\/span><\/span><span style=\"font-family: 'Book Antiqua', serif;\"><span style=\"font-size: small;\"><span lang=\"en-US\">, a poetic reenactment of the 1956 Alba Congress which from the council hall of the Municipality of Alba, the \u201cBeppe Fenoglio\u201d Hall and the Alba Wine School, will develop along the streets and in the alleys of the city with a rich program of conferences, activities, performances and screenings.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chiesa di San Domenico, Via Teobaldo Calissano, 7 \u2013 Alba (CN) September 22 \u2013 November 10, 2019 Opening: Saturday, September 21 2019, 12 pm Drafted by Carolyn Christov-Bakargiev and Caterina [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":31785,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[1950],"tags":[],"class_list":["post-103537","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>For an Imaginist Renewal of the World. Pellizza da Volpedo (Taner Ceylan), Pinot Gallizio (with Constant, Giorgio Gallizio, Asger Jorn, Jan Kotik and Piero Simondo), Piero Simondo, Mario Merz - Castello di Rivoli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.castellodirivoli.org\/en\/for-an-imaginist-renewal-of-the-world-pellizza-da-volpedo-taner-ceylan-pinot-gallizio-with-constant-giorgio-gallizio-asger-jorn-jan-kotik-and-piero-simondo-piero-simondo-mario-merz\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"For an Imaginist Renewal of the World. 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