{"id":103640,"date":"2020-10-15T17:39:42","date_gmt":"2020-10-15T15:39:42","guid":{"rendered":"https:\/\/www.castellodirivoli.org\/e-luce-fu-giacomo-balla-lucio-fontana-olafur-eliasson-renato-leotta\/"},"modified":"2025-11-20T16:39:32","modified_gmt":"2025-11-20T15:39:32","slug":"e-luce-fu-giacomo-balla-lucio-fontana-olafur-eliasson-renato-leotta","status":"publish","type":"post","link":"https:\/\/www.castellodirivoli.org\/en\/e-luce-fu-giacomo-balla-lucio-fontana-olafur-eliasson-renato-leotta\/","title":{"rendered":"E LUCE FU. Giacomo Balla, Lucio Fontana, Olafur Eliasson, Renato Leotta"},"content":{"rendered":"

Giacomo Balla (Torino, 1871 \u2013 Roma, 1958)<\/strong>
Feu d\u2019artifice<\/em> (Fireworks), 1917<\/strong><\/h2>\n

Abstract action of light and colors to the music of Igor Stravinsky for Sergei Diaghilev\u2019s Ballets Russes, Teatro Costanzi, Rome, 1917
Reconstruction to scale by Elio Marchegiani, 1997, from Balla\u2019s signed plans; technical execution by Mariano Boggia and Luisa Mensi; electronic circuit, lights and sound by Massimo Iovine; coordinator, Maurizio Fagiolo dell\u2019Arco 550 x 500 x 550 cm
Castello di Rivoli Museo d\u2019Arte Contemporanea, Rivoli-Torino<\/span><\/p>\n

Feu d\u2019artifice<\/em> (Fireworks) is a performance composed of solid colorful geometric forms animated by plays of light and paying homage to the eponymous music by Igor Stravinsky. The artist explained that the elements represented \u201cthe moods of fireworks\u201d that music had suggested to him.<\/p>\n

This animated theater exemplified the aim to free art to participate in life and it is presented for three minutes, according to the principles of a theater condensing multiple situations into a few moments, as proclaimed by Filippo Tommaso Marinetti, the theoretician of the Futurist movement, in the manifesto Il Teatro Futurista Sintetico<\/em> (Futurist Synthetic Theater), 1915. Feu d\u2019artifice was premiered at the Teatro Costanzi in Rome, set to music by Igor Stravinsky himself and directed by Sergei Diaghilev, the well-known impresario of the Ballets Russes.<\/p>\n

The elements making up the set for Feu d\u2019artifice were reconstructed at Castello di Rivoli on the occasion of the exhibition Sipario \/ Staged Art<\/em>, 1997<\/p>\n

\u00a0<\/p>\n\n\n

<\/div>\n\n\n\n

Lucio Fontana (Rosario Di Santa Fe, Argentina, 1899 \u2013 Varese, 1968)<\/strong>
Ambiente spaziale<\/em> (Spatial environment), 1967 (first version destroyed, reconstructed 1981)<\/strong><\/h2>\n\n\n\n

Wooden structure, canvas, fluorescent paint and Wood lights
300 x 500 x 300 cm
Castello di Rivoli Museo d\u2019Arte Contemporanea, Rivoli-Torino
Gift Teresita Rasini Fontana<\/p>\n\n\n\n

With his Ambienti spaziali<\/em> (Spatial environments), Lucio Fontana wanted to immerse the audience in a sensory and mental experience. Fontana installed his first Ambiente spaziale a luce nera<\/em> (Spatial environment with black light), called \u201cBlack environment,\u201d at the Galleria del Naviglio in Milan in 1949. The darkened gallery was illuminated only with Wood lights, the \u201cblack light\u201d that brought out the phosphorescent colors of the abstract forms hanging from the ceiling. This same principle is at the base of Ambiente spaziale<\/em> (Spatial environment), 1967 (1981). Here, ultraviolet light reveals the sinuous double trajectory of circles, which are painted in phosphorescent colors. Following the artist\u2019s intentions, viewers are brought face-to-face with themselves: all the senses come together to make perception of a complete experience, both psychological and physical, integrating with the viewer\u2019s personal immagination. The Ambiente is thus not an object to be seen, but a sensation to be experienced.<\/p>\n\n\n\n

Ambiente spaziale<\/em>, here installed, was initially made for the exhibition Lo spazio dell\u2019immagine<\/em> (The Space of the Image), organized in Foligno, Italy, in 1967. After Fontana\u2019s death, the environment was reconstructed by Gino Marotta in 1981 on the occasion of a major exhibition of the artist\u2019s work held in Rimini the following year.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Olafur Eliasson (Copenaghen, 1967)<\/strong>
The sun has no money (Il sole non ha soldi), 2008<\/strong><\/h2>\n\n\n\n

Color effect filter glass, mirror, steel cable, electric motors, spotlights, tripods, wall mounts
Dimensions variable: 2 mirror rings: \u00d8 94 cm; 4 color effect filter rings: \u00d8 30 cm Castello di Rivoli Museo d\u2019Arte Contemporanea, Rivoli-Torino
on loan from Fondazione per l\u2019Arte Moderna e Contemporanea CRT<\/p>\n\n\n\n

Utopian and subtly revolutionary, the work of Olafur Eliasson unites the memory of the encounter with nature and the realms of science and philosophical, political, and sociological thought. The artist often refers to his works as \u201cmachines,\u201d becoming works of art when seen by the viewers.<\/p>\n\n\n\n

The act of perceiving light is a constant theme in Eliasson\u2019s artistic exploration. The sun has no money<\/em> (2008) is an installation comprising two theater spotlights and glass rings, hanging from above and activated by electric motors. The rings rotate, and their surfaces produce shadows and reflections that at times reveal the spectral nature of light. The resulting projections extend to the surrounding space, touching the walls, floor, ad ceiling and producing sinuous shapes that sometimes recall orbits or planetary rings. The sun has no money<\/em> can be traced to the artist\u2019s research conducted in 2008, a period marked by global financial crises. Stimulated by theories for developing financial infrastructures no longer dependent on the gold economy, Eliasson questioned the possibility of developing a new form of currency, founding it in the solar energy. The meaning of The sun has no money<\/em> lies in the possibility of a plan for \u201cre-establishing a kind of justice,\u201d where the countries geographically receiving the largest quantities of sun, which are also the ones most weighed down by the consequences of colonialism, would have greater access to wealth, having massive quantities of this new currency at their disposal.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Renato Leotta (Torino, 1982)<\/strong><\/em>
Sole<\/em> (Sun), 2019-2020<\/strong><\/h2>\n\n\n\n

Lighting system composed of used car headlights
Dimensions determined by the space Castello di Rivoli Museo d\u2019Arte Contemporanea, Rivoli-Torino<\/p>\n\n\n\n

Deeply involved with the act of contemplation, Renato Leotta develops an ethereal aesthetics, while investigating the real world like an archaeologist. Leotta draws references from the industrial urban landscape, in a constant negotiation between the north, where he was born, and the south, to which he belongs. This confrontation is never fully resolved, but deliberately left open in works endowed with the atmosphere of a metaphysical apparition.<\/p>\n\n\n\n

Sole<\/em> (Sun, 2019\u201320) is an environmental installation that explores the link between the historical industrial tradition and social territory of Piedmont, and the Baroque, understood as both a historical moment and a style. Consisting of an exhibition lighting system made up of FIAT automobile headlights, the installation leads us to think of the social change undergone by the Piedmontese territory with the shift of focus from industry to the ephemeral production of the contemporary entertainment culture. What was the \u201csun\u201d of Piedmont is now a jeering, obsolete object. With its remnants of contemporary industrial archaeology, the work presents the coexistence of light and darkness: representations of an infinite dimension of space and time.<\/p>\n\n\n\n

Now presented in the prestigious venue of San Francesco, Sole<\/em> creates an imaginary pathway through the architectural elements and space of the monumental complex, establishing a dialog with works such as the delicate Madonna and Child<\/em> fresco by Guglielmo Caccia, known as Il Moncalvo (Montabone, Asti, 1568 \u2013 Moncalvo, Asti, 1625), and hailed as the Raphael of Monferrato; with details of Dottori della Chiesa<\/em> by Pietro Pocapaglia da Saluzzo (late fifteenth century); and with decorations of Cappella del Comune (1738-1739) by Niccol\u00f2 Dallamano.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Legend Sun<\/em>:<\/strong><\/h3>\n\n\n
\n\t
\n\t\t
\n\t\t\t\n
\n\t\n\n
\"\"<\/a><\/figure>\n\n\n<\/div>\n\n\n
\n\t\n\n

1. Madonna and Child<\/em> (early 17 century) by Guglielmo Caccia \u2013 Fiat Alfetta 1600
2. STOP!<\/em> \u2013 Fiat 850
3. Turin<\/em> \u2013 Fiat Croma
4. Accounts of the Passion: the Hanged Man<\/em> (15 century) by Pietro da Saluzzo \u2013 Fiat Lancia Tema
5. Capital trompe-l\u2019oeil <\/em>\u2013 Fiat 127
6. Baroque Creach<\/em> \u2013 Fiat Panda
7. Window trompe-l\u2019oeil <\/em>\u2013 Fiat Alfetta 1600
8. Rose decoration<\/em>\u2013 Fiat 850
9. Romanesque Column <\/em> \u2013 Fiat Lancia Tema
10. Greetings to Lucio Fontana<\/em> \u2013 Fiat 500
11. Saint Jerome<\/em> \u2013 Fiat 131
12. Saint Augustine Civitas Dei<\/em> \u2013 Fiat 500
13. Gasparre Malopera’s Gravestone<\/em>\u2013 Lancia Prisma
14. Greetings to Lucio Fontana <\/em> \u2013 Fiat Ritmo Abarth
15. Archeological site<\/em> \u2013 Lancia Tema
16. Colonnade <\/em>\u2013  Fiat 131
17. Column base <\/em>(15 century)  \u2013 Fiat Tipo
18. Saint Francis <\/em>\u2013 Alfetta 1600<\/p>\n\n\n\n

Texts from the catalog E luce fu. Giacomo Balla, Lucio Fontana, Olafur Eliasson, Renato Leotta<\/em>, Castello di Rivoli Museo d\u2019Arte Contemporanea, Rivoli-Torino, 2020<\/p>\n\n\n\n

<\/p>\n\n\n<\/div>\n\n\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Giacomo Balla (Torino, 1871 \u2013 Roma, 1958) Feu d\u2019artifice (Fireworks), 1917 Abstract action of light and colors to the music of Igor Stravinsky for Sergei Diaghilev\u2019s Ballets Russes, Teatro Costanzi, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[1950],"tags":[],"class_list":["post-103640","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"yoast_head":"\nE LUCE FU - Castello di Rivoli<\/title>\n<meta name=\"description\" content=\"Find out more about the E LUCE FU. 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