Che fare? What is to be done? un ciclo di performance / a series of performances

Genre
QTY.
Brochure
1
Download
Installation view
208
Invitation
1
Download
Catalogue
15

"Che fare? / What is to be done? un ciclo di performance / a series of performances. Ana Prvacki", brochure cover

R. Malasauskas, Ana Prvacki. Ma lei è un paradosso o un phàrmakon?

R. Malasauskas, Ana Prvacki. Is she a paradox or a phàrmakon?

Che fare? / What is to be done? un ciclo di performance / a series of performances. Nedko Solakov", brochure cover

I. Boubnova, Nedko Solakov. Discussione come strumento d'arte

I. Boubnova, Nedko Solakov. Arguing as Another Art Medium

"Che fare? / What is to be done? un ciclo di performance / a series of performances. Massimo Grimaldi", brochure cover

M. Vecellio, Massimo Grimaldi. Archeologia della rappresentazione

M. Vecellio, Massimo Grimaldi. The archeology of Representation

"Che fare? / What is to be done? un ciclo di performance / a series of performances. Mark Leckey", brochure cover

M. Beccaria, Mark Leckey. Caos creativo

M. Beccaria, Mark Leckey. Creative Chaos

"Che fare? / What is to be done? un ciclo di performance / a series of performances. Dan Perjovschi", brochure cover

C. Christov-Bakargiev, Dan Perjovschi

C. Christov-Bakargiev, Dan Perjovschi

Press Release
5

"Che fare? / What is to be done? un ciclo di performance / a series of performances", Italian press release

"Che fare? / What is to be done? un ciclo di performance / a series of performances. Ana Prvacki", Italian press release

"Che fare? / What is to be done? un ciclo di performance / a series of performances. Massimo Grimaldi", Italian press release

"Che fare? / What is to be done? un ciclo di performance / a series of performances. Mark Leckey", Italian press release

"Che fare? / What is to be done? un ciclo di performance / a series of performances. Dan Perjovschi", Italian press release

visit the exhibition details

The images on this website are the intellectual property of Castello di Rivoli Museo d’Arte Contemporanea and other copyright holders. If they are used, the following caption is required: Courtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Turin, and copyright clearance is the sole responsabilty of the user. Texts signed by authors are intended for research purposes only. For their republication, it is necessary to request authorization from the Museum (crri@castellodirivoli.org) as from any other legitimate copyright owner. The Museum declines all responsabilty for unauthorized usages.